Monday, February 22, 2021



As some of you may know, I've been incredibly lucky to have been a part of some of the behind-the-scenes planning and canoodling for the upcoming SMOLfair, alongside creators and organizers Jesi Buell, Annelyse Gelman, Miette Gillette, and Jason Teal.

If you're not familiar with it, SMOL Fair is an alternative book fair which will be 'live' from March 3-7, 2021.  In addition to featuring small presses, there will be organized readings and opportunities for readers to connect with authors and publishers. To attend events, join our mailing list.  To enter give-aways, follow SMOLfair on Twitter or Facebook.  

Participation is 100% free.  If you're a small press publisher or author, and plan to host anything remotely bookish during that week and wish to have your event listed on the events calendar, just hop on over there and fill out the form on the site!


I'm actually super stoked about the fair. Not only does it bring together all of the things I love most about the literary community, but it actually motivated me to host a few events myself! Check it all out down below, and I hope to see you there:

Wednesday March 3rd
8pm EST

I'll be kicking off the SMOLfair Mixer. 

In order to get the invite, you need to sign up for the SMOLfair newsletter (or email or message me). This zoom hangout will include random breakout rooms... think of it like The Before Times of book fairs, when you could head out to the bar and just chillax with a couple drinks and have super awesomely awkward conversation with strangers who also love books as much as you do. 

BYOB and get ready to rub elbows with fellow SMOLfair publishers and authors as the week of events is just getting started! 

Ooooh, I've got some wonderfully cheesy icebreakers for us, you really shouldn't miss this. Really!

Thursday March 4th
6pm EST

Ben Tanzer and I will be reviving our IG Happy Hour livestream, and chatting with Darrin Doyle about his newest story collection The Big Baby Crime Spree and Other Delusions. Darrin will read an excerpt or two and we'll be taking audience questions throughout the hour. All you need is an instagram account. We'll be live here -

Saturday March 6th
5pm EST

I'm hosting another zoom event. This one is an all female lineup and I'm dubbing it Ladies Night @ SMOLfair. I've pulled together a group of former and future clients for a night of mini readings. Each author will be sharing a 5 minute excerpt of their work, and then if we're all feeling frisky afterwards, we can hang and chat until the clock runs out. The readers will include Karin Cecile Davidson, Gwen Goodkin, Jayne Martin, Beth Gilstrap, Meg Pokrass, Margo Orlando Littell, Jenn Stroud Rossman, Sara Rauch, Melissa Duclos, Tara Lynn Masih, Cathy Ulrich, and Leah Angstman.

If you want to join us, just email or message me for the invite - or @TNBBC on twitter. We're limited to 100 participants so it's first come first in... Will I see you there? 


SMOLfair is also hosting two other events that we'd love for you to put on your calendars. 

Thursday March 4th
700pm EST

SMOL Reading will be hosted by author Wendy Fox, and features a yet-to-be announced lineup of randomly selected readers who signed up for the reading panel. 

Friday March 5th
8pm EST

SMOLfair's Keynote featuring Kathe Koja, introduced by Meerkat Press's publisher Tricia Reeks! I am super excited for this event and will not miss this for the WORLD. 

I have the invites for both of these as well, so hit me up if you want to attend!

Aaaahhhh.... it's almost here you guys! I cannot WAIT!!!!!

Where Writers Write: Shawn Rubenfeld

  Welcome to another installment of TNBBC's Where Writers Write!

Where Writers Write is a series in which authors showcase their writing spaces using short form essay, photos, and/or video. As a lover of books and all of the hard work that goes into creating them, I thought it would be fun to see where the authors roll up their sleeves and make the magic happen. 

This is Shawn Rubenfeld. 

Shawn has had short fiction appear in journals such as Permafrost, Columbia Journal, and Portland Review. A native New Yorker, he earned an MFA from the University of Idaho and a Ph.D. in English and Creative Writing from the University of Nebraska-Lincoln, where he is currently a Lecturer. His first novel, The Eggplant Curse and the Warp Zone, is due out in May 2021 from 7.13 Books.

Where Shawn Rubenfeld Writes

Today, there is snow where I write. But tomorrow there might be grass--stray cats, lilacs, cucumbers in garden cages. I’ve moved around a lot and so has my desk. It’s faced six different windows in five different neighborhoods in two different cities in the last six years. The desk itself doesn’t ignite anything in me. It’s always the window. Or, I should say, the world I see on the other side of it. Last year it was a gravel driveway in the alley, a garage at such a bad angle that the neighbors hit it everytime they tried to back out. Once, the back tires launched a rock at my desk which stayed lodged between the screen and the window until it was time to move again. Before that it was a yard encapsulated in a tall wooden fence with overgrown dogwoods and evergreens. And before that, in another city, it was a busy street where I’d watch the same trooper hide behind a shed with a speed gun. Once, when I was having a particularly good writing day (working on the first draft of The Eggplant Curse and the Warp Zone), a car pulled off that street and stopped in front of my house. Then a dude opened his door and projectile vomited over every inch of the driveway. But my current view, I was able to choose. When my wife and I started the home buying process this time last year, the view from my desk was a big consideration. The view that we chose looks out over our large, fenced backyard. 


We’re all settled in now and these days, the window shows me the fruits of my labor. When we first bought the house, the yard was one of those unremarkable flat lawns encircled by a low chain-link fence tended to by grandmas. A lilac bush in the back corner that blooms fragrant purple flowers in May. Rusted clothesline poles, bent from a long fallen tree branch. 


 Since my wife and I spend much of the summer outdoors, we knew that we would have to put some elbow grease into making this yard our own. Driven by oncoming warm weather and wanting to grow our own vegetables, we built two large garden boxes the weekend we moved in. Shortly after, we dismantled the short retaining wall around a large tree stump in the center of the yard left by the previous owner after the tree blew over the previous spring. This was the worst of the projects; blazing sun, entangled garter snakes unearthed under every paver. 


Then came the patio and privacy screen. We agonized over the color of the concrete for weeks, deciding on a soft sand color the day before the pour began. Landscaping came next, with large flower beds etched into the lawn covered by mulch left from the ground out tree stump. We planted skinny evergreen shrubs that barely reached the top of the fence, watering them almost daily in hopes they would soon provide some shade and privacy. We lined the back fence with two more lilac shrubs, honoring the old women who tended the yard before we took ownership. Several varieties of herbs were thrown in, in hopes to disway the stray cats from sunning their bellies in our beds and catching a cat nap under the existing shrub.



As the summer wore on, the work slowed and we harvested cucumbers, tomatoes, peppers, and zucchini from our garden boxes. Unfortunately, we didn't grow any eggplant. Amidst the bustle of creating our oasis, I always found time to sit at my desk, write, and look outside. 


We still enjoy garden salsa, canned tomatoes, and pickles as a reminder of our first summer in the house, but all I see now when I look out the window is snow on top of snow, disguising so much of the work we performed this summer. Some years in Nebraska, it feels like the winter will never end. But of course it always does and then it'll be back to work. Maybe there’s a metaphor for writing in all of this? For the opportunity to start over? For making something your own? For telling the stories that you want to tell? For putting in the work? For getting it finished? It's there somewhere, like our yard buried beneath the snow. 48 inches since December, more than three-times the annual average. 


 Whatever it will come to look like this summer or next--behind this house or yet another one--I feel quite fortunate to have a space of my own that I can see whenever I sit down to write. Because that's work, too, that never ends, and I wouldn't want it any other way.


Thursday, January 28, 2021

Blog Tour: Speculate: A Collection of Microlit


We're happy to help Meerkat Press support the release of their latest title Speculate: A Collection of Microlit by participating in their blog tour. And if you're at all into winning free stuff, they're running a giveaway where you can potentially win a $50 book shopping spree.


For today's stop, author Dominique Hecq talks about the collection and microlit. 

Legs caught in their escaping possibilities, I tried to fly. Hands snared in their groping of air, I thumped back on the ground. Let out a cry of anguish. The cry that accompanies all explorations of limits. That’s my life story in a nutshell. That is the nut that can’t be cracked at the heart of all the books I wrote.

 Yes, over twenty of them across genres and disciplines—and sometimes across tongues. And now, Speculate, a collection of microlit co-written with Eugen Bacon.

 On edge and on the edge of genre. Looking out to new possibilities and looking in at genre itself, all the better to cross its borders. Suddenly. That’s the heart of Speculate, a conversation between two writers who can neither tolerate boredom nor delimitations.

 Oh, what fun.

 We were part of a prose poetry chain where we’d post sudden fiction, short shorts and prose poems, riffing off each other’s texts, testing each other’s limits. We noticed that there was a synergy between our entries. Then Eugen, best known for her cross-genre speculative fiction, challenged me to write what turns out to be a speculative dialogue of microlit.

 The word ‘microlit’ deliberately blurs the distinction between forms and modes of writing. You will encounter flash fiction and prose poems. You’ll feel the epic drive in lyrical prose and the subliminal thrust of anti-realist prose poems. That’s why we decided against the term ‘sudden fiction’. There is no right or wrong approach to Speculate. It’s a hybrid boundary replete with surprises.

 All of my work explores limits: the limits of body, of sanity, of language. My first story, ‘Embabelled’ (1994) was about the limits of language and sanity. ‘Magic’ (1997) recounted the experience of giving birth and relinquishing control over the body. My first poem, ‘Grief’ (1997), was about losing a child, and thereby testing symbolic boundaries. The novel, The Book of Elsa (2000), is a book of autogenesis, where the main character recreates herself in ‘the land of furphies’ and eventually gives birth to a child and to the book she has just written

in the tongue of a mythical father whose work she emulates, i.e. James Joyce. In a similar vein, Out of Bounds (2009) has its protagonist reinvent herself across languages as a woman, mother and poet. Stories and poems revolving around these themes abound in Magic (2000), Mythfits (1999), Good Grief (2002), Noisy Blood (2004), Couchgrass (2006), Hush (2017) and Tracks (2020), while After Cage (2019), Kosmogonies (2019) and Kaosmos (2020) tackle head on the limits of language.

 Comparatively, there may be more restraint in Speculate because its intertextuality is embedded in a dialogue between two authors who listen to and for each other.

 Perhaps this is why a number of the pieces are dreamlike, recounting snatches of strange journeys, memories of travel which harken back to the journey of discovery that is the writing process. Perhaps this is why others are sharp as cut diamonds glittering by your hand.

 Look out for weird conjunctions of events, jazz, rock’n roll, alliterations, anaphoric repetitions. Expect the use of the second-person address as we tango.

 Here cages are seas or creeks and everything is in a liquid, changeable state. Dreams are poems and names are paintings and seas and creaks become sculptures aflame.

 Microlit resists pinning down. Embrace it. Don’t box it.


Released January 19, 2021

Collection | Prose-Poetry | Speculative Fiction


From what began as a dialog between two adventurous writers curious about the shape-shifter called a prose poem comes a stunning collection that is a disruption of language—a provocation. Speculate is a hybrid of speculative poetry and flash fiction, thrumming in a pulse of jouissance and intensity that chases the impossible.

BUY LINKS: Amazon | Book Depository | Barnes & Noble


Eugen Bacon is African Australian, a computer scientist mentally re-engineered into creative writing. She’s the author of Claiming T-Mo (Meerkat Press) and Writing Speculative Fiction (Macmillan). Her work has won, been shortlisted, longlisted or commended in national and international awards, including the Bridport Prize, Copyright Agency Prize, Australian Shadows Awards, Ditmar Awards and Nommo Award for Speculative Fiction by Africans.

Dominique Hecq grew up in the French-speaking part of Belgium. She now lives in Melbourne. Her works include a novel, three collections of stories and ten books of poetry. Hecq’s poems and stories have been widely published in anthologies and journals. Often experimental, her work explores love, loss, exile and the possibilities of language. Kaosmos and Tracks (2020) are her latest books. Among other awards such as the Melbourne Fringe Festival Award, the Woorilla Prize for fiction, the Martha Richardson Medal for Poetry, and the New England Poetry Prize, Hecq is a recipient of the 2018 International Best Poets Prize. 

AUTHOR LINKS: Website | Twitter


Neither a kitchen nor a sky

 An excerpt

Her heart is a room full of photographs and pillows wafting around rehearsing melancholy and reinstating torment. But there is still no word, just somber silence in the floating photographs and neglected pillows cartwheeling like burnt toast past the IKEA blender and microwave in a fairy tale of space that does not involve breathing.




His heart smells of burnt toast. If you look closely, you will see a paisley design—the sort found as all-over design for an IKEA bedspread. The main motif and the background of ferns are done with pure (that is unmixed) colors: just red (turkey) and black (jet) to conjure up the marriage of blood and vegemite, the staples of his diet, as well as his sign in the Chinese horoscope. Yes: he is a tiger. Enter the chambers of his heart at your peril. Don’t say you were not warned. He grinds his teeth.