Thursday, August 3, 2023

Books I Read in July

 Aaaand I'm back up in my reading game! Closed out July with a total of 12 books read, and some of them were pretty dang good! I'm also crushing my Goodreads goal... I'm 28 ahead of schedule and 1 away from completing the 70 I intially set for a goal (according to the site, but I'm actually at goal because Darin Bradley's book isn't on goodreads yet so it can't count it!). Boom!!! 

Soooo.... what did I read, you ask? Let's take a look:




It Came From The Swamp, edited by Joey R Poole

I saw that Malarky Books had put a call out for some help in getting funds for the press and had dropped the prices of their books to encourage sales. I don't need much of a nudge to buy small press, so I snagged this ebook.

It Came From the Swamp is an anthology of stories involving cryptids and local folklore and honestly, who doesn't love getting lost in some creature-feature fiction every now and then?

Whether or not you're a believer in Bigfoot and the Florida Skunkape, or the lesser known Boo Hag and Mishipeshu, these stories will pull you in and wow you. There are shark teethed mermaids hiding beneath boat docks and scarecrows who come after those who poision their land and jackalopes that harness tremendous powers.

While not typically a fan of collected stories from a variety of writers, which tend to have an uneven feel for me, I had high hopes for this one. And it definitely exceeded my expectations. Why aren't more of you guys reading this one?!

A fascinating collection of the wild and weird that's not afraid to point a finger at the real monsters - humankind!





Ling Hun by Ai Jiang

Death is such a terrifying and fascinating thing. It's inevitable... from the moment we take our first breath, every subsequent breath brings us one step closer to it. No one really knows what happens when we die but everyone has a feeling, a theory, an expectation, a hope - do we cease to exist? Does our spirit go on to a better place? Do we hang around and haunt the places and people we loved most in life?

In Linghun, author Ai Jiang explores the idea that it is we, the living, who keep the dead alive and tethered to this world through our inability to let them go. She has created a small neighborhood called HOME, a hot spot for specter activity. Those in mourning can bid to purchase a house there, and welcome their deceased with open arms.

Wenqi's family move into a house there that used to belong to their cousin. Wenqi's mother immediately unpacks the photos and belongings of her dead brother, eager to summon him back into their lives while strangers who've moved to the town but cannot afford a home there yet, referred to as lingerers, begin to camp on their lawn. One such lingerer is a boy around Wenqi's age named Liam, whose family has also suffered a loss. Across the street lives an elderly woman known as Mrs. who lost her husband a long time ago and has been unsuccessful calling him back to her.

The book moves between these three characters, whose lives soon become intertwined in ways they hadn't initially imagined. Haunting, hopeful, and painfully atmospheric, Linghun is not only a story about longing and depair and how we carry our grief. It is also a story that questions just who is doing the haunting here?





All These Subtle Deceits by CS Humble

This book was hand selected for me by my bookish pal @drewsof as part of a curated 'blind box' of books he recently sent my way. And boy does he know my tastes!

Welcome to Black Wells, a small town with some pretty dark stuff swirling beneath its surface. Enter Lauren, who moves there after a bad breakup, with the hopes of starting over somwhere fresh at the recommendation of her BFFs. But one visit to a local bar bathroom changes everything when she becomes the vicitim of a violent supernatural haunting.

Unable to shake the spirits that have attached to her, she ends up connecting with William Daniels, an excommunicated exorcist who, after witnessing one of her 'episodes' is just as determined as she is to understand what is happening to her and together, they plan to take action to make it stop.

Trauma and demon possession for the win!

Not sure I would have ever picked this one up on my own, as it had flown under my radar when it released last year. But I'm so glad I read it because I really enjoyed it.

And, oh no! I see that it's going to be a loosely connected book series set in the the town of Black Wells with the second installment, All the Prospect Around Us, already out in the world.

Damn it you guys... another series for me to keep track of, lol!!






The Memory of Animals by Claire Fuller

Does the world really need another post-pandy novel? Well, if Claire Fuller is writing it, then the answer is yes!

It's a bit of a slow-to-start novel involving a deadly virus dubbed "dropsy". Those who catch it suffer from severe organ swelling, their eyes push out of their sockets and, fun times, the newest varient also impacts the brain and causes memory loss so you get to stumble around confused and disoriented while you die.

Neffy signed up to participate in a paid trial in which she'll be infected with the original strain and issued a test vaccine to see if it works. The book opens with her getting checked in and settled the day before they stick her. There's nine volunteers total (or maybe it's eight?). And when Neffy finally pulls through the worst of it days later, the vaccine apparently doing what it was designed to do, she discovers it's all too late. The hospital staff abandoned them. Only four of the other volunteers are left, the shit having hit the fan before the virus was administered to them. Neffy is informed that they are not to draw attention to themselves or the building, that they are already rationing the food, and that they hope but are not hopeful that the army will come rescue them once the trial period has ended.

The book shifts from pandemic fiction to isolation fiction. They are in shock. They believe most of the world is dead. They are afraid to leave, and Neffy feels pressured to be the one who will ultimately have to head out and scavange for the group.

As Neffy gets to know her fellow lock-ins, she discovers one of them is the inventor of a machine that allows you to "revisit" your memories in a virtual-reality trance kind of way. This quickly becomes a creative way for Fuller to delve into Neffy's backstory - why she's so eager to volunteer to do unsafe things to her body and why she's writing journal style letters to "Dearest H"... another nifty way for us to learn about our protagonist.

You won't understand the title until much, much later in the book, when some other pretty big reveals come speeding at us. In hindsight, I'm not sure why I didn't spot some of it sooner.





Bloodmetal by Darin Bradley

I've been a big @dammitdarin fan for years... first cracking my teeth on his dystopian novel Chimpanzee (which you should totally read if you haven't yet).

Bloodmetal, forthcoming later this year, is a whole other animal! 'Part western and part victoriana, it spans dusty frontiers and marble ballrooms, slinging swords, corsets, and gun barrels in a new modern fantasy. You haven't seen cowboys and wizards like this before...'

My husband would get a kick out this because it's based on a D&D campaign Darin led when he was a teenager.

There is war brewing between two influential families, and individual factions have splintered off into groups who are either in support of or are trying to stop the development of a powerful new drug varient that's destined to change the world and shift the balance of power...

Within all this chaos, we pair up with some people who have willingly, and for others... not so willingly, gone through a body modification that involves having wire filaments and a transducer inserted into thier head, giving them the power to talk telepathically, confuse and trick thier enemies' brains, and even stop moving bullets in mid-air...

If weird western fantasy fiction mashups are your thing... get Bloodmetal on your to-buy list pronto.






Starve Acre by Andrew Michael Hurley

I listened to this one on audio and was immediately sucked in. It's atomspheric, haunting, and unsettling... and I really dug it.

It's the dark creepy tale of a married couple, Juliette and Richard, who are grieving the recent loss of their five year old son after having moved out to Starve Acre. The house, which gets its name from the field beyond the backyard, had belonged to Richard's father, who had passed not too long ago after suffering a bout of madness. As Richard fingers through a box of old books in the basement, he comes across one that details a rather gruesome hanging of three young boys from a great old oak that used to grow in the middle of the field. To help him process the loss of his son, Richard takes to excavating the field, and locates not only the roots of that old tree, but the bones of a long dead hare.

As the story rocks backward and forward in time, we learn that their son Ewan believed he could see the old oak from time to time while playing in the field. Juliette and Richard also began to notice frightening changes in him, violent tendencies that involved him inflicting harm on animals and other children.

As the parental terror and concern for Ewan's mental well-being builds in the past, Richard and his wife also face strange terrors in the present - remember those hare bones? Welp, Richard brought them into the house to study them and noticed almost immediately that they began to reconnect themselves with fresh cartilage, and muscle, and veins. Meanwhile, Juliette swears she can feel Ewan still, and invites a small group of occultists over to try to make contact with him.

Nothing good comes from any of this and let me tell you... the final scene, and that last line... oh. my. god. This book goes from creepy to absolutely cray-cray! I don't think I'll ever be able to look at a wild rabbit the same again.

Nope. I'm ruined.






In the Valley of the Sun by Andy Davidson

I am kicking myself in the ass for waiting so long to read this one! I had downloaded it as an ebook a gazillon years ago but never managed to start it. Then I saw it for super cheap at a local book warehouse a while back and snagged it in hardcover, thinking that would entice me to pick it up faster, since it would be staring me in the face everytime I chose my next read. But there was always another book that grabbed my attention more, and so it waited and waited and waaaaited for me, like the woman-thing that bided her time in Travis' cabinet, whispering to me from time to time, reminding me it was there.

This book is fire. I fell in love with the prose immediately. It's got that slow, haunting, gritty thing going on where you just want to savor every sentence. Davidson takes the vampire trope and bashes it against the camper walls until it becomes a bloody, pulpy suggestion of the thing we knew, making it something all his own. It's a fabulous western lit / monster horror / thriller cross over that sounds like it shouldn't work but holy hell does it ever! And it has one of the most empathetic "bad guys" I've ever read.

If this isn't my top read of 2023 when all is said and done, I'd be surprised. I loved it that much!






The Quiet Tenant by Clemence Michallon

This was amazing on audio! Perfect pacing and narration, the writing and the short chapters lent itself so well to this format.. so glad I experienced it this way.

Aidan Thomas is a serial killer who also happens to be a beloved neighbor and father. After his wife's death, Aidan and his teenaged daughter Cecilia are forced to move, and he has a decision to make. Does he kill the woman he's secretly held hostage in his shed for the past five years, or bring her with them?

The woman in the shed, who he has forced to call herself Rachel, will need to behave. She'll need to lie to his daughter, pretend she's renting a room. She cannot scream, she cannot disobey, she cannot try to run. She will be locked in her room, handcuffed to the radiator and will only be let out when he allows her - for showers, for food, for nothing else. There are cameras everywhere. If she tries anything... he will know, and he won't be happy.

Rachel and Cecilia start to build a tentative bond over meals, and they eventually convince Aidan to let them watch movies together on the couch. Rachel's rewarded for how well she's been behaving, and gets more and more time out of her room...

Meanwhile, Aidan begins to get close to Emily, a bartender at a restaurant he frequents, who quickly falls head over heels for him. Heck, let's be real here. She's borderline obsessed. Everyone in town knows he moved into the Judge's rental, and one day she decides to drive by it, just to get a peek. Only she can't stop at a peek, so she gets out and knocks on the door...

The book is told entirely from the perspective of these three women - Rachel, Emily, and Cecilia (with little vignettes from the women he's murdered too, sprinkled here and there throughout the novel) - and the book really gets going as these three storylines come crashing together.

I was sucked in from the very start, actually enjoying the whole getting up and going to work thing because I was listening to this during my commute and couldn't wait to see how it ended!





Time's Mouth by Edan Lepucki

Edan Lepucki is back, this time with a chunky novel about the gifts we're cursed with, family trauma and motherhood, and the power of memories.

In it, we first meet Ursa, a woman who has discovered that she can slip through the membrane of time and experience moments of her life again, like a movie playing out right in front of her. She befriends Karin, an excessively rich woman who learns of her gift, and offers Ursa an opportunity to stay at her mansion, hidden in the woods of Santa Cruz, provided she use her ability to help others who are troubled and seeking solace from the world. Women begin flocking to the property, enthralled with Ursa and addicted to the side effects that occur when wielding her 'power'. But the more Ursa thrusts herself into her memories, the more she pushes everyone, including her own young son Ray, away from her.

From here, the book is broken out into multiple parts, each section jumping further and further into the future of this multigenerational family... where we learn that a now college-aged Ray and Cherry, one of the other children growing up on the cult-like compound who was abandoned there by her mother at a very young age, ran away when Cherry learns she's pregnant with his child. Soon, their daughter Opal, who is barely old enough to walk, begins to have strange episodes with incredibly creepy side effects that eventually scare Cherry so badly that she takes off one day without a trace. Hmmm.. like mother, like daughter, right? Then, fast foward a bit, and we're getting to know Opal as a teenager as she begins to question her past and attempts to harness this thing she calls "tunneling" to learn more about the mother who left her.

Time's Mouth is an intricately layered, and at times painstakingly slow, story of how we never really know our pasts and of how much we must rely on others for our own history. Imagine how addictive it might be to revisit those moments that shaped us, made us who we are, and to spend time again with those we've lost?





The Hole by Hye-Young Pyun

Korean psychological horror for the win-ish?!

Aw man. This book is fucked up. It opens up with our man waking up from a coma in the hospital. He was in a bad car accident and learns that his wife didn't make it and he's completely paralyzed. And to make matter worse, he realizes the only family he has left is his mother in law, with whom he has a strained relationship, and now that her only child is dead and he's being released to home care, he's all the family she has left too.

This book plays with your emotions. Witchy MIL? check. Completely helpless bedridden dude who's now reliant on this witchy MIL for his survival? check. Weird uncomfortable situations that make you want to turn your head or reach into the book to make them stop? check. The isolation and the mistreatment and the cringe behavior is on point. Yet the deeper into this short novel we go, the more we start to understand. And the more we understand, the less we want to root for our guy, but if we don't, who will, and really though... should anyone?





Black Bark by Brian Evenson

I recently saw that Brian Evenson had a few copies of this one on hand that he was willing to sign and ship out and, I mean, how could I say no to that?! You could say I'm a bit of an Evenson fangirl, but again, if you've read his work, how could you not be?

Black bark is an incredibly dark collection - clocking in at just under 150 pages - that showcases some of Evenson's creepiest stories. Pitch black tunnels that house dripping, whispering creatures. A strange cabin that beckons to a lost and injured man may be the last threshold he crosses. Due to a series of unfortunate events, a young boy is forced to live with his estranged grandmother, who is anything but the kindly old woman he was hoping for. And two men are sent out on a one-way mission to follow a fence line to determine where the contagion began...

His writing gets under your skin. It itches. It twitches. It burrows in deep and never leaves you. It's the movement in the corner of your vision. The noise you hear downstairs just as you're about to drop off to sleep. The slight disturbance in the air that tickles the hairs on the back of your neck.

Which of Brian's books have you read? Do you have a favorite?





Find Me by Laura Van Den Berg

Goodreads tells me I added this book to my shelves back in 2014. At some point after that, I purchased a copy and here it sat, all this time, waiting to be picked up and read. And why did I finally pick it up now, you ask? Well, because this weekend, as I was reading Hye-Young Pyun's The Hole, I decided I would do a little reading experiment. I would choose my next read based off of the authors who blurbed Pyun's book, and I would continue to choose my next read in this fashion until I get to a book that I don't like. Laura van den Berg happened to be one of the authors who blurbed Pyun's book. Since I already owned Find Me, I figured this was the best place to start. And what a place to start it was!

I really enjoyed this book and wish I had it read it much sooner. I love that it's set in the middle of a pandemic and that it was written before any knowledge of Covid and the impact it would have on our country.

The novel is broken out into two parts - Book One follows our protagonist as she spends her days killing time in the hospital during the height of the pandemic. People who are infected develop silver scale-like blisters on their bodies and slowly begin to lose their memories, who they are, where they are from, what food is, what breathing is. The death rate is through the roof. But Joy appears to be immune and she may be part of the cure. So she's brought to a special hospital in Kansas where they are studying and testing those who have not shown signs of the virus in the hopes of helping others survive as well.

Joy continues to retain her memories as some of the patients around her fall ill and die, and as a result begins to dive deeper into herself and her pre-pandemic traumas. Then, on the heels of a news annoucement that the death toll appears to be slowing down, Joy convinces one of the hospital staff to give her the code to the outer door and she devises a plan to head to Florida to locate her estranged mother. Book Two leaves the hospital in its rearview as Joy begins the road trip of a lifetime across a country that has been ravaged by the pandemic.

The book is unbound by time, in that weird spongy way that isolation and boredom can have on you, and the prose is incredibly lovely in a gut-punchy, ridiculously quote-worthy way. If I was a fan of book darts or marginalia, I would have marked up soooo many pages!

So where do I go from here? On to the back cover of of Find Me course! Edan Lepuki blurbed this book, but I just read her forthcoming novel Time's Mouth last week, so I decided I'd go with Dan Chaon instead. Strangely enough, I've never read him before, but I have a copy of Await Your Reply that's also been sitting here for years... so onward we go in the #bookblurbreadingexperiment...

Monday, July 31, 2023

The 40 But 10 Interview Series: Terese Svoboda

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today, we are joined by Terese Svoboda. Terese is the author of 19 books of poetry, fiction, biography, memoir and translation, Terese has won the Guggenheim, the Bobst Prize in fiction, the Iowa Poetry Prize, an NEH translation grant, the Graywolf Nonfiction Prize, a Jerome Foundation video prize, the O. Henry Award for the short story, and a Pushcart Prize for the essay. Her opera WET premiered at L.A.'s Disney Hall. Her most recent book, Theatrix: Poetry Plays was named one of the best of 2021. Roxy and Coco, my 20th book, 8th novel, will be published in 2024. Dog on Fire is the fourth book she's published in five years in four genres.





Describe Dog on Fire in three words. 

Grief – laughter – grief.


What are some of your favorite books and/or authors? 

Karen Russell and Jennifer Egan write about seemingly imagined worlds with a kindness and generosity that's seldom found in mortals. Maybe they are immortals. The much less attractive Padgett Powell writes amazingly playful books. Have you read Ali Smith? What she can do with a sentence.


What is your favorite book from childhood? 

My childhood was too long ago. I set  out to write closer to my children's early years and was influenced by Tove Janssen's Moomin people, and William Steig's matter-of-fact fabulism.


What are you currently reading? 

I'm wallowing in New Directions, having just finished Bloater by Rosemary Tonks and Ferdinand Melchor's Hurricane Season. I also recommend Africa is Not A Country by Dipo Faloyin – such excellent essays, and Jim Ruland's novel Make It Stop about super-punks in rehab.


If you were stuck on a deserted island, what’s the one book you wish you had with you? 

I was stuck on Mangaia, a sort-of desert island, for three weeks several decades ago and had to escape by stowing away on a pineapple boat.. Because it was the Cooks, the only book available was the Bible. Nobody was going to let me go off and actually read it – they don't encourage such solitary endeavors, better I spend the day making leis or collecting snails off rocks. Of course I wrote a book about that, A Drink Called Paradise.


What is under your bed? 

I usually sleep on a Murphy bed, so there's just an expanse of relatively clean floor that I skate across in the morning to the shower, having stuffed the bedclothes and pillows into the wall willy-nilly. Oh, yes, there's usually a book cast over the side the night before, marooned and exposed by the bed's disappearance.


If you could spend the day with another author, who would you choose and why?

Jim Ruland, the punk critic. He's interested in everything, has done everything and had it tattooed everywhere. Well, I'm not sure about the last.


What is your favorite way to waste time? 

Dog training. Fred, the moth-eared papillon, who responds well to hot dogs.


Do you DNF books? 

I threw Donald  Antrim's first book against the wall because it was so frustratingly disgusting – and then of course I had to finish it. The key word is “so.” Excess is attractive, lack is less. Books that don't blossom or resonate won't get finished. I'll read anything as long as it retains a scrap of intensity.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Everyone likes ghost stories – except Dog on Fire isn't exactly that. Imagine a sad-funny elegy, Cather channeling Saunders, with infusions of sly wit. Imagine a sibling who is so inscrutable he seems to be from another family entirely, who dies before you get to know him. Of course the family in Dog on Fire's dysfunctional: an alcoholic mother who carves wax guns, a father whose passion is smoking anything vaguely edible, a sister who hears her dead brother in door molding. A dreadful dust storm gets the book off to a good start with the glimpse of the shovel-wielding ghost. What Dog on Fire does best is haunt, and its succinct almost-poetry seeks to enchant you.


"A contemporary “Dustbowl Gothic” novel.” – Rone Shavers, author of Silverfish
"Haunting and darkly witty reckoning.”-- Dawn Raffel, author of Boundless as the Sky
"Thrillingly alive to this bewildering moment."-- Rene Steinke, author of Friendswood


buy a copy here: 

https://www.blogger.com/blog/post/edit/5304920138891211736/4976505480579127992#

Monday, July 24, 2023

The 40 But 10 Interview Series: Leanne Radojkovich

 


 I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Leanne Radojkovich. Leanne is the author of short story collections Hailman and First Fox published by The Emma Press. She has been a finalist for the Anton Chekhov Prize for Very Short Fiction, longlisted for the Short Fiction/University of Essex Prize and shortlisted for the Sargeson Prize. Leanne has a master's degree in creative writing from AUT Auckland University of Technology. She has Dalmatian heritage and was born in Aotearoa New Zealand, where she works as a librarian. @linedealer





Why do you write?

I like growing things from words. I also like gardening, I find there’s a lot of crossover between gardening and storying – you never know if a seed or a sentence will take, or how it will grow.

 

What made you start writing?

I always felt happiest reading stories and poems; and one day it occurred to me that I could try making some, too.

 

What’s the best money you’ve ever spent as a writer?

Buying exercise books and coloured pens – I doodle and write at the same time, it helps me to focus, and sometimes the doodles turn into words.

 

Do you DNF books?

I read a book’s last page first. I like to know the ending before I start reading towards it. This helps reduce anxiety and means I can concentrate more deeply on how the story unfolds.

 

If you could spend the day with another author, who would you choose and why?

I would spend the day with Lucia Berlin, just to be in her company, not to ask for anything more than she has already given – stories as immersive as jumping into the sea; rips and tides, wildness, calm.

 

What are some of your favorite books and/or authors?

If I had to live with only one book it would be Derek Jarman’s Modern Nature, which I’ve read so often it feels like a companion and also a guide. It’s an hypnotic meditation on Jarman’s life, his art and politics, his celebration of gayness, and his diary of the garden he grew at his home in Dungeness – a shingle beach and England’s only desert – after discovering he was HIV positive.

 

What is your favorite book from childhood?

A Child’s Garden of Verses by Robert Louis Stevenson. How musical the language was when I read it aloud; and how magical these stories made from ordinary things were – your shadow, your bedspread. It helped me understand the importance of imagination to generate wonder, and populate loneliness.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Hailman is a collection of short stories by Leanne Radojkovich.

“All the rest home doors have name tags. Mum’s has a typo: Irina. Although Irena isn’t her born name – only she knows what that is, and she’s never told, never discussed the war. Says she was born the day she reached Wellington harbour with papers stating she was a ten-year-old Polish orphan. Dad said not to ask about the European years, and my brother and I never did. Now they’ve both died and there’s just me and Mum, and she’s in a rest home with a mis-spelled name on her door.”

 

 


buy a copy here: 

https://theemmapress.com/shop/prose/short-stories/hailman/

 



Monday, July 17, 2023

The 40 But 10 Interview Series: Bill Neumire

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Joining us today is Bill Neumire. Bill is a poet, editor, and book reviewer living in Syracuse, New York. His most recent book is #TheNewCrusades, which was a finalist for the Barrow Street Prize and is available from Unsolicited Press (as well as Barnes and Noble and Amazon).His first book was Estrus, which was a semifinalist for the 42 Miles Press Award and is available from Kelsay Books.





Why do you write?

 The most honest but reductionist way I could answer this is to say I can’t not write. If all sense of “publication” evaporated, I’d still write out of compulsion, out of need to talk to myself, to respond to thought, feeling, reading–and ultimately I see writing, especially poetry, as a mode of reading. So the question goes hand-in-hand with the corollary: why do you read? For me, the answer involves conversation and examination (ah, that old chestnut about the unexamined life being not worth living).

 When I was young, a teenager, I remember wondering, genuinely, if adults still had passionate internal lives–if the apparent drudgery of adulthood, or just time itself, took that from everyone as they aged. It seems naive now, but I think it’s a thought some version of which many teens have. And, sadly, I think it’s sometimes, for some folks, all too accurate. I suppose, then, I write, like a sign over a door to a secret club, to say, “here I am– an adult who still has thoughts, feelings, ruminations, an internal struggle that is not connected to my world of earning a paycheck, doing chores, even conversing politely with other adults. And I read to see who else is in the club, and what their version looks like.

 

 

What’s something that’s true about you but no one believes?

 I can never be sure what others believe, but I can say that I never read for “pleasure,” and that often surprises people. I don’t do “beach reading” or any version of it. I find reading difficult, and if I’m going to relax, it will be in some other way–bodily, through television or gaming or socialization. But I read a lot, all of it out of a compulsion to search and learn. The capacity to be surprised by knowledge, to absorb some new information or experience that makes me rethink my take on meaning, life, death–that possibility keeps me reading. I want to think with thinkers and feel with feelers in hopes that I move closer to the readiness Hamlet speaks of when he’s confronted with death and responds, seemingly at peace, by saying, “the readiness is all.”

 

  

What’s your kryptonite as a writer?

 Well, I don’t tend to work in projects. Maybe this is a natural outcome of living a frenetic schedule in which I just don’t have long stretches of uninterrupted time to write, or maybe it’s just my nature. But I think there’s a disadvantage to not thinking and writing in book-length or chapbook-length projects, as opposed to working at the level of the individual poem. If not for this, I would have written more than two books over the last 25 years.

 

 

If you could spend the day with another author, who would you choose and why?

Carlo Rovelli. He’s a very literary physicist who writes about his obsession with understanding time, at the level of physics. Time is an obsession for everyone, but I think my writing confronts time in ways that make me really interested in talking to someone who has studied it as a physical phenomenon the way Rovelli has.

 

 What is your favorite way to waste time?

 When I was really young–elementary school– I would come home and see my dad, still in his work clothes from throwing bags of salt at the plant, lying on his back on the living floor with his eyes closed listening to Bruce Springsteen records. I’m not sure I believe in the idea of anything truly being “a waste of time” (see Rovelli), but that use of time is so separate, an antidotal, to the capitalist ideas of efficient time use, that I love it. And him.

 

 What’s on your literary bucket list?

 I would love to turn my home into a Gertrude-Stein-esque salon for conversation with poets, artists, and thinkers. Ultimately, it would probably have to be a separate space than my home (my wife prefers more solitude), but if we’re talking non-pragmatic aspirations, there you have it. I like that poetry already exists on the fringes of any kind of “market,” and even in that space, I rarely think of money or audience when it comes to my writing. It gives me a kind of freedom, I think, to target what I really value about it: conversation and proximity with creative minds. The salon would be an ultimate realization of this.

  

What would you do if you could live forever?

 Learn all of the extant languages and try to press rewind on the whole Tower of Babel situation. I’d also live in every part of the world for at least a year (all of the potential seasons) and try to have a meaningful series of conversations with every person I met.

  

What is under your bed?

 


 








What’s the one thing you wish you knew when you were younger?

 I worried a lot when I was younger, mostly about some version of the future. I still do, I suppose, but it feels different–more subdued and informed–now. I wish I knew, in a way talking can never convey, that everything was going to be just fine.

 

What scares you the most?

 The non-literary answer that is most true is that something terrible will happen to my children. On a more writerly level, the idea of losing all of my interlocutors; aging is a wild path of loss in many ways, and I’ve never been more vicariously sad than being in the presence of someone older than me who says they’ve lost all of the people closest to them. In some ways, I guess, living a literary life is a force field against that kind of loneliness: if you are in a large conversation with other writers, with books, with friends and family, it’s less likely you ever have no one left to talk to.


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The news in #TheNewCrusades is professed through protests, graffiti, broken mirrors, ambient radio, synchronized fires, and all-night newsfeeds--all of it projecting a cryptic and indefinable set of rules that churn about as permutations of some lost algorithm. These poems address a tamed violence held barely in check, examining masculinity and fatherhood and the undercurrents of suburban domesticity. In the end, they are a barrage of cries at breaking the boundary between you and I, questions rising into prayers that ask, are we closed or open systems? Can we really know each other at all?

buy a copy here: 

https://www.unsolicitedpress.com/store/p375/THENEWCRUSADES.html 

Thursday, July 13, 2023

The 40 But 10 Interview Series: luna rey hall


 

I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by luna rey hall. luna is a queer trans non-binary writer. she is the author of space neon neon space (Variant Lit, 2022), no matter the diagnosis (Game Over Books, 2023), the patient routine (Brigids Gate Press, 2023), and loudest when startled (YesYes Books, 2020), longlisted for the 2020 Julie Suk Award. they are the winner of the 2013 Patsy Lea Core in Memorial Award for Poetry. her poems have appeared in The Florida Review, The Rumpus & Raleigh Review, among others. they live in St. Paul, MN.




What’s your kryptonite as a writer?

time management— i either write way too often or not at all.


Describe your book in three words.

[the patient routine]: too anxious, help.


What are some of your favorite websites or social media platforms?

really only like using Twitter and Instagram. both have easy access to thoughts and art.


What are some of your favorite books and/or authors?

my favorite book is Blood Dazzler by Patricia Smith.


What are you currently reading?

right now, i’m reading Devilman by Go Nagai and rereading The Troop by Nick Cutter.


What’s the one book someone else wrote that you wish you had written?

Black Aperture (Matt Rasmussen). it’s so unfair how good that book is and it’s such a perfect encapsulation of the grieving process.


Do you think you’d live long in a zombie apocalypse?

i’ve said it before and i will say it a thousand more times: i do not want to try to survive, so, no, i think i would be an easy target for any type of zombie.


What is under your bed?

nothing; empty space.


Do you DNF books?

yes. if i know i won’t like something after a few pages, a few chapters, then i don’t see the point in wasting my time to finish it.


What scares you the most?

the most terrifying thing to me is the impossibility of the human body— which is why body horror appeals to me so much— just the way that our bodies can be manipulated, changed, warped in ways that shouldn’t be possible. the disconnect between our idea of what a human is and what we can become.


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Monday, July 10, 2023

The 40 But 10 Interview Series: Miriam O'Neal

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Joining us today is Miriam O'Neal. Miriam’s work has appeared in LA Review of Books, The Galway Review, North Dakota Quarterly, The Waxed Lemon, and elsewhere. The Body Dialogues (Lily Poetry Review Books, 2020), was nominated for a Massachusetts Center for the Book Award. Her first collection, We Start With What We’re Given, (Kelsay Press) came out in 2018. She also is a 2019 Pushcart nominee was a finalist for the 2019 Disquiet International Poetry Prize, and the 2020 Princemere Poetry Prize. A portion of her translation of Italian poet, Alda Merini’s, Rose Volanti appeared in On The Seawall. She hosts a monthly reading series, Poetry the Art of Words, in Plymouth, MA for poetry, flash, and short prose. Her current writing projects include translating a literary guide to Venice (In the Footsteps of Writers), a long essay on the life of British artist, Elizabeth Rivers and her time on the Aran Islands in Galway, and a new collection of poems in the voice of Lot’s wife. Her most recent collection, The Half-Said Things was published by Nixes Mate in April, 2022. See more at miriamoneal.com

 

 



Why do you write?  

 Writing is a way of being for me. So, I’d say, when I write I know I exist.


What’s something that’s true about you but no one believes it?

I am not afraid of the dark, nor was I as a child.


What’s your kryptonite as a writer? 

There’s a committee in my head that still doesn’t get that I am a writer. They took up residence during my adolescence and have refused to move on. Eviction hasn’t been entirely successful. They move on for a while but circle back now and then. Sometimes, when they show up, I kick them into the basement and lock the door to get things on paper.


What’s the best money you ever spent as a writer?   

Any time I can spend $ on travel, I will. My first trip to Italy changed my perspective on both myself and how I wrote, because I found myself writing to describe and to connect rather than only introspectively. I had always thought I wanted to go to Poet’s Bay on the west coast of Italy, do the whole Byron/Shelley tour, but ended up choosing Puglia, the heel of the boot on a flight of fancy (I wanted to sleep in a Trullo!). It turned out to be the best choice for me and I’ve returned there many times. Virgil had a farm in Puglia and his ‘Georgics’ are based, in part, on the farming life (and the farming gods of course) of that region. So many lovely rabbit holes to fall down there! I completed a manuscript of poems that are in conversation with Linda Gregg’s beautiful book, In the Middle Distance, during my last, pre-pandemic visit to Puglia.


If you could spend the day with another author, who would you choose and why?

What on earth would they do with me? If I could spend part of a day with the poets, Linda Gregg, James Wright, or Virgil and just compare notes on our impressions of various kinds light on the Adriatic, and then pick capers from the caper bush beside the trullo I stay in when I go to Puglia and watch the sun disappear behind the hill, that would be nice. I blame the aforementioned committee for my hesitance to take the whole day.


What are some of your favorite books and/or authors?   

For that old time religion, Virgil and Ovid; the former’s Georgics, the latter’s poems in exile. Poet Linda Gregg is a touchstone for me. Her gaze is direct and her heart is forgiving. Her images arrest the eye. I love Joy Harjo’s clear and encouraging voice. Ross Gay’s intelligent joy. Natalia Ginzberg’s sorting of rich, tiny details. Italo Calvino’s stories always convince me to suspend my disbelief. Poet, Alda Merini’s surrealness wakes me up.


What are you currently reading?    

I’m reading one hundred visions of war, by French writer, Julien Vocance, translated by Alfred Nicol (Wiseblood Books, 2022). It’s a collection of haiku Vocance wrote in response to his experiences in World War I. So, a Japanese form in the French language translated into English, expressing a universal horror. Also a collection of translated Italian short stories edited by Jhumpa Lahiri. In different rooms at different times of day.


What’s the single best line you’ve ever read?  

So far it’s one from Ranier Maria Rilke: “This is the crux of all that once existed/ that it does not remain with all its weight,/ that to our being it returns instead,/ woven into us, deep and magical:”(Edward Snow, trans.).  I know that’s 4 lines, but it’s one sentence that invites us to imagine how to live with what we’re given in life.


Do you read the reviews of your books or do you stay far far away from them, and why?

Few reviewers review small press collections of poetry, so I don’t have much to stay away from. So far, my few reviewers have been complimentary.


Are you a book hoarder or a book unhauler?

If you saw my study today, you’d say I am a book hoarder. But that’s because you didn’t see my study 6 months ago. It’s a cyclic process for me.

 


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


Miriam O’Neal’s The Half-Said Things is a book both meditatively considerate and bitingly eloquent. These are domestic poems on the of wilderness, poems from empty rooms in crowded houses, poems delighting in language and ripe with depth. “So I take my missing with like a parting/ gift of roses” she writes, reflecting lyrically on life and death from a calm, wisely wary place of earned experience, strength and knowing acceptance.

                                        —Stephan Delbos, Poet Laureate of Plymouth, Massachusetts

 

buy a copy here

 www.miriamoneal.com

www.amazon.com


Wednesday, July 5, 2023

Where Writers Write: Kelcey Ervick

 Welcome to another installment of TNBBC's Where Writers Write!



Where Writers Write is a series in which authors showcase their writing spaces using short form essay, photos, and/or video. As a lover of books and all of the hard work that goes into creating them, I thought it would be fun to see where the authors roll up their sleeves and make the magic happen. 







This is Kelcey Ervick.

She is the author of the graphic memoir, The Keeper (Avery Books/Penguin).  Her three previous award-winning books of fiction and nonfiction are The Bitter Life of Božena NÄ›mcováLiliane's Balcony, and For Sale By Owner. Her stories, essays, and comics have appeared in The RumpusThe BelieverWashington PostLit HubColorado ReviewPassages NorthQuarterly WestBoothNotre Dame Review, and elsewhere. She has a Ph.D. from the University of Cincinnati and is a professor of English and creative writing at Indiana University South Bend.  Her latest, The Rose Metal Press Field Guide to Graphic Literature, releases this month. 







Where Kelcey Ervick Writes











Monday, July 3, 2023

The 40 But 10 Interview Series: Dave O'Leary

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Joining us today is Dave O'Leary. Dave is a writer and musician in Seattle. He's published two novels and has had work featured in, among others, the Daily Drunk, Door is a Jar Magazine, Flash Fiction Magazine, and Reflex Fiction. His collection of poetry and short prose—I Hear Your Music Playing Night and Day—was published in May 2021 by Cajun Mutt Press.

 Social Media: Twitter: @dolearyauthor  |  Instagram: @d_o_leary  | Website: http://daveoleary.net




What made you start writing?

I‘m not a good speaker. Never have been. When I tell a story I start and stop and remember something I left out and so then I have to go back and start again and so on. I’ve always loved to read and so I thought the only way to tell the stories I want to tell is to write them down. A couple years ago I went to a live taping of The Moth story hour and signed up but was told no notes were allowed. I considered briefly going up on stage to wing it, but in the end I just had a couple beers and left. The story I was going to tell that night will end up in written form sometime, just not improvised from the stage.

 

What do you do when you’re not writing?

I play guitar and bass and have been in bands of one sort or another for much of my adult life. I’m currently in two bands, one a cover band and one writing original music. We’re recording now actually and hope to have music available in the late spring. Beyond that I read books, of course, and there’s our regular pub where my wife and I watch Arsenal in the Premier League. Oh, cats too. The cats are a big focus of our free time.

 

What are you currently reading?

The 1619 Project, The Office of Historical Corrections (Danielle Evans is awesome), and Maurice Carlos Ruffin’s The Ones Who Don’t Say they Love You. My reading these days is mostly focused on short stories as I’m working on a collection of them.

 

What’s something that’s true about you but no one believes?

Despite my name and the way I look, I have a greater percentage of Mexican heritage (50%) than Irish (25%). People do generally believe me when I tell them but on forms and applications and such I always just check Caucasian/White since I was essentially raised that way and it never felt quite right selecting Hispanic. It always felt like I might be taking opportunities from others.

  

If you could cast your characters in a movie, which actors would play them and why?

For the lead in The Music Book, I would select Joseph Gordon-Levitt because I like a lot of the things he’s done and he can actually play guitar. He was in Seattle for an event a number of years ago and he played Lithium by Nirvana because he couldn’t come to Seattle and not play oa Nirvana song. It seems he would understand a character trying to determine what music really means to us and how it affects the course of our lives. Here he is in Seattle: https://www.youtube.com/watch?v=NCfcX8UN5KE

 

If you could spend the day with another author, who would you choose and why?

Haruki Murakami. I love his work and he seems like he’d be up for a beer and a good talk about music. I’ve made references to his writing in The Music Book and a couple short stories and even borrowed a few lines of his for a poem which came out last year in Sledgehammer Lit. https://www.sledgehammerlit.com/post/glaxo-by-dave-o-leary

 

If you could go back and rewrite one of your books or stories, which would it be and why?

My first novel Horse Bite just because I’m a better writer now and I’d do some things a little differently. Not sure, though, if I’d ever want to rewrite one of my books because in the end they are the only books I could write at that time and thus they came out the way they did. The only way to make it differently would have been to shelve the manuscript for a year or so before publication and then come back to it with a different perspective. Maybe I’ll try that with the next one.

 

What songs would be on the soundtrack of your life?

The Music Book had an accompanying CD (https://themusicbook.bandcamp.com/album/the-music-book-a-benefit-for-the-wishlist-foundation) and since that book was based around the music of real bands here in Seattle that I had written about it was essentially the soundtrack of my life at that time.  All that music deserves to be heard too. It’s great stuff and shold be more well known.  These days, as ever, the music varies. I’m listening to a lot of Beatles and Pink Floyd since we bought a record player for ourselves for Christmas and I can finally play the old records I’ve been carting around for years.

 

What is your favorite book from childhood?

Rascal by Sterling North. It was the first book that I didn’t want to end, the first book with an ending that stuck with me far beyond the page. It was heartbreaking and yet it made sense and I hadn’t realized until then that stories could do that, that they really could stick with us so much that something changes, tjhat a light will click and you’ll say, “I get it.” After that I read Old Yeller and then The Hobbit and ever since reading and writing have been a huge part of my life.

 

What is under your bed?

The cats (Nigel and Eleanor) and/or an assortment of their toys. There’s also a baseball bat which is essentially our home security system but also a Cat Toy Retrieval Tool.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


What does music mean? Can it be more than the sum of its notes and melodies? Can it truly change you? Rob, a musician turned reluctant music critic, poses these questions as everything important in his life appears to be fading—memories of lost love, songs from his old bands, even his hearing. He delves into the music of others to find solace and purpose, and discovers that the chords and repeated phrases echo themes that have emerged in his own life. The music sustains him, but can it revive him?

 The Music Book is a story of loss, of fear and loneliness, of a mutable past. But most of all it’s about music as a force, as energy, as a creator of possibility. What might come from the sound of an A chord played just so? Rob listens. And among other things, he finds surprising companionship with a cat; another chance at love; and the courage to step on a stage again and finally, fully comprehend the power of sound.

 

 buy the book here: 

Amazon - https://www.amazon.com/Music-Book-Dave-OLeary/dp/1937634051

Barnes & Noble - https://www.barnesandnoble.com/w/the-music-book-dave-oleary/1120420210

The Music Book CD:

Bandcamp – https://themusicbook.bandcamp.com/album/the-music-book-a-benefit-for-the-wishlist-foundation