Bored with the same old fashioned author interviews you see all around the blogosphere? Well, this series is a fun, new, literary spin on the ole Would You Rather game. Get to know the authors we love to read in ways no other interviewer has. I've asked them to pick sides against the same 20ish odd bookish scenarios....
Would You Rather
rather write an entire book with your feet or with your tongue?
Feet, as I’d hate to get paper cuts on my tongue. I was so happy when stamps went to self-adhesive backs.
rather have one giant bestseller or a long string of moderate sellers?
One giant bestseller, as I think the success would yield interest in the other books which could then propel them to moderate seller status. Then I could have both.
rather be a well known author now or be considered a literary genius after
Known author now. Part of the joy of writing is reaping the success that comes with it. You wouldn't get that if you’re dead. Plus, you couldn’t defend yourself to those who think you’re not a genius.
rather write a book without using conjunctions or have every sentence of your
book begin with one?
One man fell down a cliff and tumbled to his death. One witness reported the incident. One television statement reported the news. One person attended his funeral. One million dollars was left on a stranger’s doorstep. One person did not know what to do with the good fortune.
That didn’t seem too difficult, AND I like conjunctions too much.
rather have every word of your favorite novel tattooed on your skin or always
playing as an audio in the background for the rest of your life?
Playing as an audio in the background. I’m not very tall, so eventually some of those words would be on top of each other. No one would know what it read. Plus, could you imagine people coming up to you who haven’t read the book? They’d be like, “Don’t move. One more chapter.”
rather write a book you truly believe in and have no one read it or write a
crappy book that comprises everything you believe in and have it become an
Sometimes to get on the radar you have to quote unquote sell out. I’d rather have a crappy book that everyone knows with the hopes that readers look for my other books. I could live with that. Eventually that book would be forgotten.
rather write a plot twist you hated or write a character you hated?
Character. This happens a lot. So long as that character is really compelling to some degree, there is this weird feeling inside that causes you to feel sorry or bad for him/her. Regardless if you hate this character or not. When you have a bad plot twist or one you’re not keen on, it seems to derail a lot of the story.
rather use your skin as paper or your blood as ink?
Last time I used my blood as ink I became blood brothers with my friend Maurice. We wrote up a contract to be unrelated brothers and signed our names in blood. I haven’t seen him in years when his family moved away. This time around I’d use my skin as paper. But not the words of my favorite novel. See above for why.
rather become a character in your novel or have your characters escape the page
and reenact the novel in real life?
Many of my characters have some bit of “me” in them, so seeing them jump off the page and reenact in real life would be great to see. Especially if the scenery changes along with them.
rather write without using punctuation and capitalization or without using
words that contained the letter E?
I’d write an entire novel without punctuation and capitalization if it meant that people would wonder if I’d dictated the entire manuscript through my talk to text app.
rather have schools teach your book or ban your book?
Teach, definitely. If someone reading my book can take away a theme or passage that changes his or her life, the book is worth writing.
rather be forced to listen to Ayn Rand bloviate for an hour or be hit on by an
angry Dylan Thomas?
How many pick-up lines does Dylan Thomas have? This, in itself, could go on longer than an hour. At least with Ayn Rand talking for an hour straight, I could tune the conversation out. I’m really trying to answer this question objectively.
rather be reduced to speaking only in haiku or be capable of only writing in
I like to have a cadence or tempo in my books. Writing haiku would satisfy that requirement. When I speak, I use a lot of words at times, so I don’t think I could live with the standard 5, 7, 5 pattern.
rather be stuck on an island with only the 50 Shades Series or a series in a
language you couldn’t read?
If those are the only items I could have, then the 50 Shades series, only because if I hadn’t learned the language of the other series when I had all the resources available, I wouldn’t learn it stranded on an island.
rather critics rip your book apart publicly or never talk about it at all?
Lucky for me, I’d had both. See some of my past reviews, but also, I’d had reviewers email me telling me that they couldn’t say anything nice about a book so they’d decided not to review. Both are fine. Every person is different, and every person has an opinion.
rather have everything you think automatically appear on your Twitter feed or
have a voice in your head narrate your every move?
May I ask who the narrator is? Makes all the difference.
rather give up your computer or pens and paper?
Pens and paper. I don’t even think I have paper in my house. Half the time I’m writing stuff down on napkins or the back of envelopes from discarded mail items.
rather write an entire novel standing on your tippy-toes or laying down flat on
Standing on my tiptoes because I love me some tone calves.
rather read naked in front of a packed room or have no one show up to your
I’d rather have no one show up to a reading, only because no one needs to see that image.
rather read a book that is written poorly but has an excellent story, or read
one with weak content but is written well?
My weakness is writing. My strength is story idea. I’d give writing a pass if the story keeps my attention. I’ve read novels that had won writing awards and afterward I’m thinking that the story wasn’t very good.
Jason Tanamor is the critically acclaimed author of the novels "Anonymous" and "Drama Dolls." His new novel "Vampires of Portlandia" is a NA urban fantasy about Filipino folklore - aswang. His writings have appeared in more than 250 publications. He's interviewed personalities such as Billy Corgan (Smashing Pumpkins), Pete Rose, and Dane Cook, and has covered U.S. President Barack Obama. Tanamor currently lives and works in the Portland, Oregon area.