Saturday, June 1, 2024

What I Read In May

 So May is in the bag and with it went some pretty darn good reading! I clocked in a total of 11 books, which is a fairly good amount for me. The last four of those were read while I was on vacation from work... which, you know, is totally guilt free reading! Some of these were review copies, with a few books I finally bought that were lingering on my to-buy list. Let's check them out shall we?





Where I End by Sophie White

Holy shit ... what did I just read?! That was the most fucked up, horrifying, subtly hostile, mess-with-your-head thing I've read in a long time.

A nineteen year old girl is raised on an island helping her paternal grandmother care for her extremely ill, bedridden mother. She knows her mother no other way. Just a purely nightmarish burden that requires turning, lifting, feeding, toileting, and bathing day after excruciating day. She doesn't even see her mother as a mother. She dehumanizes her, referring to her as the bed thing and It. She resents It. She loathes It. She tires of It. And as she begins to develop feelings for a visitor she meets at the beach one morning, she begins to experiment with acting out against It while simultaneously uncovering a dark secret that's haunted her for as long as she's been alive.

At first, you think you're just reading a coming of age story about a teenaged girl who's starved for friendship, who's been cooped up her whole life and kind of been forced to grow up too fast. But around the 100 page mark, you realize nope, that's not what you're reading. Because it took a turn I didn't anticipate and just kept getting darker and more messed up the further I read.

Where I End made me PHYSICALLY uncomfortable but I loved it. I'd be afraid to recommend it to people... but I loved it. And if you've read it, you'll understand why.





Undead Folk by Katherine Silva

A short and stirring post apocalyptic novelette that is drenched in grief and revenge, and has one of the coolest covers I've seen this year.

Well worth the read and priced so you can't say no.





Eeeee Eee Eeee by Tao Lin

I think you have to be high to read this. I'm all for non-linear, stream of consciousness, experimental fiction but fuuuuck this guy.

I couldn't describe it if I wanted to.

What a let down.

What was the last book you were really excited to read but ended up falling flat for you?





 The Laws of the Skies by Gregoire Courtois

I was in B&N on Friday killing some time before a dinner date with the hubster, as I do, and I was so excited to find this book on the shelf there. It has been on my to-buy list for aaaages. And when @whatwanderingwindyreads told me I should make it my next read, you know I did!

The jacket copy tells you that no one will survive, so you know it's going to be a grim and searing read. But there's just no way to prepare for the level of sheer fucked-upness contained within its pages... You might think you're prepared, but nope. You're not. You're just not.

Keep in mind this is a group of six year olds on a camping trip with their teacher and chaperones. Not kids that are stranded on a remote island with no adult supervision. I had to keep reminding myself of this as the shit really started hitting the fan. They are only SIX years OLD. And it only took two days, not weeks and months, for the horrorshow to reach its crescendo. Two ... days.

Unsurprisingly, I read this in one sitting. I couldn't bear to put it down.

Holy hell. It hurt, didn't it?!




Smothermoss by Alisa Alering

Oh gosh. I requested this review copy because it sounded like something I would enjoy. I'm all for Appalachian fiction and weird fiction, and this promised to be both. But this was... it was something else entirely.

I mean... it was both Appalachian and weird. But it was also a whole lot of wtfery. It's full of strangeness and wonder but almost nothing made sense. So while I enjoyed reading it, I really had no idea what was happening.

There's an invisible rope that cannot be cut, monstrous handmade cards that appear to have minds of their own, a boy who may or may not be a ghost, a killer on the loose, and the stars of the story, Shelia and Angie - two sisters who have a very deep and mysterious connection with the mountain they live on and who are, in incredibly different ways, about to play a very big role in bringing peace back to their land.

It was atmospheric but also incredibly ambitious.

What were some of the weirdest, wtfery books you've read?




The Least of My Scars by Stephen Graham Jones

I had this book sitting unread on my kindle for the longest time and just happened to think about it two nights ago. So I pulled it up yesterday morning and didn't put it down again until I finished it.

In The Least of My Scars, we meet William Colton Hughes, a serial killer who is placed on the strangest kind of house arrest, one where his victims are delivered directly to his front door.

For the last three years, he's lived in a series of interconnected apartments which he has rigged to meet his many needs and he wants for nothing. Until now. William starts getting antsy when the knocks on his door appear to come to a halt. He tries to kill the time by talking to the leftovers of his latest victim Kid Hoodie, dressing up in parts from his wet-dry vac, soaking in the sun from his apartment window, and meandering down memory lane until he figures out how to crack the code on ole Kid Hoodie's cell phone and discovers a woman who seems to have him all figured out.

Taking place almost entirely in his apartment, we are trapped inside the killer's head, which is a claustrophobic and immensely fucked up place to be. It's part crime fiction, part horror, and part bizarro, while also being entirely its own thing. It's also quite graphic so be sure to have a vomit bag handy if you're weak stomached. And hang on to your couch cushions because those final 20 some odd pages will give you whiplash!

Is there anything SGJ can't write?!




Walking Practice by Dolki Min

I eyed this one up at the bookstore when it first came out but didn't want to spend the full hardcover price, so I found it online for cheaper. And thank god I did because it ended up being just ok.

A gender fluid shapeshifting alien, fleeing their dying planet, crash-lands on Earth and uses online dating apps to have mind blowing sex with humans then eats them immediately afterward. While interesting in theory, it just got too wrapped up in the inner monologue stuff, which, ok sure, was necessary as a tool to get to know our narrator better, but man did it become a bit repetitive and tedious. It felt so bogged down. I really wanted to like it but i found it hard to pick back up once I put it down.

Themes of isolation, adaptability, trickery, and survival are threaded throughout. It's quirky, raunchy, and also a little endearing. So I'm not telling you to steer clear of it but if you never read it, you wouldn't be missing much.




The Way Through Doors by Jesse Ball

I do love me some Jesse Ball.

I snagged this one at a used book store recently, but was a little worried going in. While I'm not usually a fan of the story within a story within a story (I still twitch every time I think about House of Leaves), Ball manages to pull it off in a way unlike any I've read before.

Our main character Selah, a municipal inspector and pamphleteer, witnesses a young woman get hit by a taxi and accompanies her to the hospital. When she wake up, she has no memory of who she is or what has happened and Selah pretends to be her boyfriend, bringing her home to his apartment and telling her stories to keep her awake through the night per the doctor's instructions.

The stories he weaves are wildly fantastical and quickly take on a life of their own. His characters begin to meet up with each other, sharing stories of their own, and those story's characters tell their own stories, and on and on. They quickly become deliciously intertwined, oftentimes providing a different view of the same interaction. I really enjoyed how they creatively nestled into one another.

If you enjoy experimental fiction and reading books by writers who take risks with traditional narratives, this one should be on your list!




The Scientist, The Spaceman, and the Stars Between Them by AL Davidson

I stumbled across this book through a re-tweet from the author announcing its release. Whoever says posting to Twitter isn't effective is dead wrong. I am positive I would not have had AL Davidson's book hit my radar otherwise. And I'm really glad it did.

It's a queer space rom-horror that intertwines alien and fungal terror for a ridiculously captivating read. Yes, maybe I'm coining a new sub-genre term. Just go with it, yeah? And hellooo... do you see that cover?

London and Temple have been apart more than they've been together since they started working with the Zeus Project. London's compromised health keeps them locked away in a remote outpost while they perform autopsies on deceased crewmembers who've suffered strange and worrying deaths, while Temple is captain of a team that's been sent to a distant planet to begin terraform procedures. In addition to their health issues, London is also suffering from anxiety, depression, and may be starting to go a little crazy... doors they know they've locked are starting to open on their own, they swear they hear movement and whispers in the lower level of the outpost, and the bodies that are being sent to them, which are without a doubt very dead, also appear to be somewhat alive, even though London knows that can't be possible.

This one is a bit of a slow burn, with a higher focus on the relationship between London and Temple, but once the weirdness starts up, the book gets kicked into high gear. It's an emotional, slightly gory, terror filled journey out amongst the stars....




Starlet by Danger Slater

Hollywood hopeful but make it horror. That's the best way to describe Danger Slater's latest novella Starlet. It's like an Alice in Wonderland version of the #metoo era in which an aging A lister preys on young up and coming talent in LA... but in a way that's totally disgusting and introduces a unique spin on the kind of violence that takes place behind closed mansion doors.

It's been so cool watching Danger grow and develop as a writer. I can tell he's having a lot of fun playing with traditional tropes and making them his own. There's a surprise around every corner and trust me, there's no predicting the places he's about to take you!

If you like your horror gory with a side of comedy, you need to get Starlet on your radar!





The Memory Police by Yoko Ogawa

I know I'm late to the party on this one but I'm here now and that's all that matters.

Ooof. This one was a sneaky little thing, wasn't it? Set on an isolated dystopian island, things have a tendency to disappear. Well, wait, that's not true. The actual things don't disappear. But the islander's memories of the things do. They wake on random mornings, and realize that something else has disappeared. It's often not immediately obvious what that something is. Sometimes they stumble out of their homes, look around at their neighbors, and the sky, and the ground, before they realize that they've forgotten birds, or books, or flowers, or photographs. And then, to keep the Memory Police happy, they must purge their homes and lives of the things that disappeared from their memory. Because to be caught with the disappeared things means you'd be taken away, and interrogated, or worse. Many who are taken are never seen again. And god help you if you are unaffected, if you retain your memories, and are caught by The Memory Police... you are better off hiding and hoping they never discover you...

What a strange and beautiful book. It's less focused on the how and why, and is more tuned in to the ways in which everyone lets the disappeared things go. It's an interesting look at how memories shape us and how quickly we may be willing to let go of, and find comfort in, saying goodbye to the things that have left us, especially when it's also happening to everyone around us.

It's a story about loss, about fear, about the ease of just giving in, and about the unnecessary weight one assumes when attempting to carry the things our minds have already given up on.

Also, after I finished reading it I checked out some reviews on goodreads and saw one reader compare the disappearing to Alzheimer's and hell to the yes! Except it's the reverse. Because they know what they've forgotten and they are resigned to it. It's the people who are left with all of their memories intact that suffer the most here ...





The Night Guest by Hildur Knutsdottir

That was the quickest 200 page book I've ever read! I inhaled it in one sitting, the words literally flying off the page. For a horror novel, it wasn't nearly as dark as I had expected, but that didn't hurt the book in any way. I actually kind of liked the nonchalant approach Knútsdóttir took with it.

Our narrator Idunn is bone tired. She sleeps every night but isn't feeling rested, her arms and legs aching as though she worked out at a gym, which she wouldn't be caught dead doing. She's a bit of a self-diagnoser, and decides to go see a doctor to ensure she's not dying of some highly incurable disease. When everything comes back good, she convinces them to give her some sleeping pills, and in an effort to uphold her promise to be more active, purchases a smart watch to track her steps.

One morning, she realizes she forgot to take the watch off before going to bed and sees she's walked tens of thousands of miles when she thought she'd been sleeping. After continuing to wake with sore muscles and mysterious injuries, sometimes covered in blood that she knows is not hers night after night, her watch shows that she's been walking to the same spot, and she's not sure she wants to discover what it is that's out there...

We only know what Idunn knows, which isn't much. After her recent experiences with the health system, she's no longer in a rush to discover what's happening to her so we're left in the dark for most of the novel. And once the author finally shows her hand, we're still left scratching our heads a little. But I'm ok with that. A little "wait, wtf just happened" is totally good with me! I don't necessarily need books to be wrapped up in a nice little bow at the end. However, if you are a reader who does, beware... because you won't find that here.



Tuesday, May 28, 2024

The Audio Series: The Deceived Ones

 


Our audio series "The Authors Read. We Listen."  was originally hatched in a NYC club during BEA back in 2012. It's a fun little series, where authors record themselves reading an excerpt from their own novels, in their own voices, the way their stories were meant to be heard.



Today, 
Judith Krummeck is joining us and reading an excerpt from her novel The Deceived Ones. Judith is a writer, broadcaster, and immigrant. She is the evening drive time host for Baltimore’s classical music station, WBJC, 91.5FM, and her debut novel, The Deceived Ones, a contemporary reimagining of Shakespeare’s Twelfth Night, is being published this spring. Her biographical memoir, Old New Worlds, intertwining her immigrant story with her great-great grandmother’s, came out in 2019. In 2014, she published the chapbook, Beyond the Baobab, a memoir in essays about her immigration from Africa to America. www.judithkrummeck.com






Click on the soundcloud link below to hear Judith reading an excerpt from her newest novel. 






Displaced by the Russian invasion, Vira, carrying little but her precious viola da gamba, is a refugee in the Uniting for Ukraine program. When she is physically attacked soon after her arrival in the United States, the terrifying experience prompts her to hide in plain sight by passing as her twin, Sevastyan, until he is able join her. Orson has been commissioned to write an opera for The Twelfth Night Festival, but he is suffering from composer’s block. Not only that, his muse, Isabella, has inexplicably withdrawn from all performing. During a chance meeting, Orson discovers the extraordinary musical talent of Vira, now passing as Sevastyan, and it gives him the jolt of inspiration he needs. Hoping that Isabella will be as intrigued as he is, Orson sends “Sevastyan” as his emissary to persuade Isabella to sing in his opera. In this love-quadrangle seen from multiple points of view—some poignant, some hilarious—the myriad misconceptions that result from Vira’s deception are woven into themes of migration, sexuality, and diversity.

Monday, May 27, 2024

The 40 But 10: Christy Tending

 



I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Christy Tending (she/they). Christy is a writer and activist living in Oakland, California. Their work has been published in Longreads, The Rumpus, and Electric Literature, and received a notable mention in Best American Science and Nature Writing 2023. You can learn more about their work at www.christytending.com or follow Christy on Twitter @christytending.





Why do you write?

As a memoirist, I like the Joan Didion quotation: I write to find out what I’m thinking. I write primarily to make meaning of the things that have happened to me and to understand and interpret them for myself. I write to make connections between all of the different parts of myself, to invite all of them to the table so that they can speak to each other and learn from each other. And I write to help other people feel less alone.

 

What’s something that’s true about you but no one believes?

I have been arrested for political protests eight times. I’ve been an activist my whole life pretty much, but these days I look like a regular, suburban soccer mom, so I think it catches some people off guard.

 

What’s your kryptonite as a writer?

A cat who wants to snuggle. It doesn’t matter how much of a roll I’m on, if a cat starts begging for attention, I’m an absolute goner. Life is too short not to snuggle the cat who has appointed you worthy.

 

If you could have a superpower, what would it be?

Teleportation. I’m a climate activist who loves to travel, so fossil-fuel emission-free mode of transportation is the actual dream for me. Also, I’m impatient, so the instant gratification would be amazing.

 

What’s the one book someone else wrote that you wish you had written?

Most recently, it’s The Hero of This Book by Elizabeth McCracken. It does things in a book that, structurally, I didn’t understand were possible or permissible. Not only is the prose beautiful, but it’s a truly inventive book that smashes genre into smithereens and spits in the face of categorization. The author bends time and space right there on the page in a way I’d never seen before. I’m obsessed with it.

 

You have to choose an animal or cartoon character that best represents you. Which is it and why?

Louise Belcher from Bob’s Burgers! She is tiny and an absolute menace, but she loves so fiercely and she’s so protective of her family in a way that I aspire to. And she’s not afraid to get her hands dirty. I’d like to think I have that kind of grit.

 

Which literary invention do you wish was real and why?

This might be cheating, since they’re more characters than inventions, but I would love to live in a world where the Ents from the Lord of the Rings series were real. It would be very cool to have talking, walking trees that could carry you around and fight back around as allies.

 

What’s on your literary bucket list?

So many of the things on my literary bucket list involve connecting with other writers: to have writers I respect and admire read my work, or for our work to exist in conversation, is the dream. I love other writers so much and have so much admiration for the way my favorite writers think about craft that I am always pushing myself to get closer to that level. There are a lot of external markers for success that would be nice, but feel ultimately empty without that camaraderie.

 

Do you think you’d live long in a zombie apocalypse?

My book is called High Priestess of the Apocalypse, and it imagines, in part, my role at the perceived end of the world. So, I’d like to hope so! I believe strongly in community care and gathering the skills to survive past the world as we currently know it. I’m not sure how I’d do against zombies, but I’d have a solid plan and a great attitude about it.

 

If you were stuck on a deserted island, what’s the one book you wish you had with you?

The Leaf and the Cloud, by Mary Oliver. It’s one of her less popular books—it’s a book-length poem—but it’s a masterpiece and I’ve read it at least 100 times. It’s my essential text for life, really. It deals with grief, place, nature, memory, family, impermanence—all the juicy stuff.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~




High Priestess of the Apocalypse is a lyrical exploration of disobedience, grief, and healing (often simultaneously). This memoir reckons with climate grief, the impulse to fight for what we love, and how to turn dread into action. It examines, with intimacy and tenderness, the future of our planet and the humanity that informs the longing for a better world. Part memoir, part direct action primer, part love letter to the new world we’re collectively fighting to create.


Purchase a copy here


Monday, May 20, 2024

The 40 But 10 Interview series: Paul Chitlik

 



I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Paul Chitlik. Paul has written for all the major networks and studios in English and in Spanish.  He was story editor for MGM/UA'S "The New Twilight Zone," and staff writer for Showtime's sitcom "Brothers."  He has written features for Rysher Entertainment, NuImage, Promark, Mainline Releasing, and others.  He has directed episodes and been coordinating producer for “Real Stories of the Highway Patrol” and “U.S. Customs Classified.”  He wrote and produced “Alien Abduction,” the first network movie shot on digital video for UPN.  He wrote, produced, and directed “Ringling Brothers Revealed” a special for The Travel Channel.  (He had been a roustabout for Circus Vargas years earlier.)  Most recently he wrote, produced and directed “The Wedding Dress,” for Amazon Prime.  He received a Writers Guild of America award nomination for his work on "The Twilight Zone" and a GLAAD Media Award nomination for "Los Beltrán,” a Telemundo show.  He won a Genesis Award for a Showtime Family movie.

He has taught in the MFA programs of UCLA, the University of Barcelona’s film school ESCAC, Cuba’s film school EICTV, Chile’s film school UNIACC, The University of Zulia in Venezuela, The Panamerican University in Mexico City, The Story Academy of Sweden and as a clinical associate professor at Loyola Marymount University.  Now writing full time again and living near his grandson in Chapel Hill, NC, with wife, Beth McCauley. 





Why do you write?

For me there are only three reasons to write:  to entertain, to make a reader feel an emotion, and to change the world one reader at a time.  I think every writer wants to change the world.  That’s why we create worlds, so we can have it our way.  But in a larger sense, I want to contribute to a better world, and writing is one way to do that. 

 

What do you do when you’re not writing?

These days I spend a lot of time with my grandson.  I love discovering the world anew as he learns about it.

 

What’s something that’s true about you but no one believes? 

I’m a crack shot with a rifle.  As a twelve-year-old, I was in the Junior NRA.  With a .22 rifle, I reached Sharpshooter level, the highest category at the time.  But I’ve never owned a gun and don’t intend to.

 

What’s the best money you’ve ever spent as a writer?

Travel.  And more travel.  It opens your eyes to other ways of living.  And eating. 

 

Describe your book in three words.

Search for self.

 

Would you and your main character get along?

Once he figured out who he wanted to be as opposed to who he was, yes.

 

If you could spend one day with another author, who would you choose and why?

Carl Hiaasen.  He’s got such a great imagination and sense of humor.  We’d talk and laugh all day, sharing and making up stories.

 

What is your favorite book from childhood?

The Story of Dr. Dolittle by Hugh Lofting.  I spent many hours in the public library reading all of his books.

 

What are you currently reading?

The Covenant of Water by Abraham Verghese.  Just finished Doña Perfecta, by Benito Perez Galdós.  Both portray village life in their stories – one in India, the other in Spain - in ways that make you feel you live there for a bit.

 

If you could go back and rewrite one of your books or stories, which would it be and why?

I’d go back and rewrite “With the Greatest of Ease,” which I wrote when I was first starting out.  It’s never gotten out of my desk drawer and for good reason.  I really didn’t know what I was doing then.  What I got right, though, was the circus because I was fascinated enough at the time to work in one for a short while.  Now I know story better.  And people better.

 

 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



There I stood, all five eight of me, poolside at the Hollywood Roosevelt Hotel, soaking wet in my retro bathing suit, holding a dry pair of tickets to the Emmys that night, in front of a gorgeous woman, and I didn’t know who I was, where I was, or why I was. Or, just as importantly, who she was and what she was to me. Over the course of the next few days I discovered I was a thirty-something Emmy winning writer-actor showrunning a popular sitcom, but I had to learn about that one detail at a time until my memory came back. Then I realized I could be anyone I wanted to be, but I had to decide who that was and what that would mean for my girlfriend, my wife, my kids, my father, my brother, my cast, my agent, my PR maven, my assistant, and a 135 other people who depended on me for their livelihoods or their lives.I had the opportunity to change my life completely, and I did, eventually doing something real for other people while my gay sitcom character came out as straight and flipped the script on my show and my life.

Buy a copy here. 

Wednesday, May 15, 2024

Indie Spotlight: Jeremy Broyles

Welcome to our Indie Spotlight series, in which TNBBC gives small press authors the floor to shed some light on their writing process, publishing experiences, or whatever else they'd like to share with you, the readers!



Today, we are joined by Jeremy Broyles, as he shares the elements he believes make a compelling case for getting your work published. 


Check it out!



What Do Writers Need? 


In a recent online exchange, I attempted to articulate what I thought authors needed in order to see their work published out into the wider world. Like any similar list, mine is not definitive. However, what follows are the elements I felt I could make a compelling case for regarding publication. What, then, do writers need?

 

1.     Unflinching belief in their book

2.     Dogged persistence

3.     Willingness to celebrate rejection

4.     Time

5.     Luck

 

It is item number five that, in my own opinion, we avoid talking much about in our various writing circles. Let’s face it though; publishing a novel requires a certain amount of good fortune. Whether that takes the form of a literary agent signing on to a debut project or a dedicated editor believing in a manuscript, luck plays a role in the publication process. We are reluctant to talk about luck because there is nothing to be done about it. After all, it is wholly out of our control. We want to believe that committing to the next thorough revision or recruiting beta readers or building a social media following—these things over which we have some semblance of power—is what is going to dictate how our project goes from submission to publication. I’m not arguing against any of that. Revise, recruit, and build. But as a novelist who has experienced both sides of luck—a little bit of good and plenty of bad—I want to strategize around how we as authors can reclaim some autonomy from the randomized happenstance of fate. How can we help manufacture our own good luck?

 

·       Read books. All the way through. From cover to cover. I realize this is not the most original advice, and the advantages it extols are already well understood. We can learn about ourselves as writers through reading others, reading makes us good literary citizens, etcetera. But from a purely pragmatic, luck-building standpoint, reading has a distinct advantage for would-be published authors. Read the acknowledgments section at the end of novels, and pay close attention to the people the author thanks. Ninety-nine times out of a hundred, those thanks will include the author’s agent, editor, and/or publisher. Keep track of those names. When it is time to take your novel out to agents/editors/publishers, you will already have a point of connectivity with them given your familiarity with the that particular novel by that particular novelist.

·       Contact authors. Now that you’ve read these novels, why not engage the tellers of the stories in a conversation? Yes, social media is fine, but those places are all very noisy. Punching through that noise can often prove challenging. Seek out author webpages; the majority of authors have one. And the majority of those have a contact link. Use it. As a novelist myself, I am always delighted when a reader reaches out to me—even if that reader is soliciting advice. “Hey, Jeremy, I really enjoyed Flat Water. I was wondering how you went about getting it published.” I am happy to share my own story of publication, and I know of very few novelists who would attempt to pull the ladder up behind themselves. Additionally, I think it is also a well-kept secret within the publishing industry, especially indie, how many authors have direct input into who is published next. These are, after all, people with direct experience with the press’ aesthetic. Those same presses recruit their previous authors as de facto scouts. Having a previous conversation or two with those writers will not guarantee anything, obviously, but neither can it hurt for them to know a little bit about you already.

·       Get facetime. These authors, editors, agents, and publishers—they are not as reclusive as the industry would have you believe. There are opportunities to speak with them face-to-face. Here, admittedly, we might have to work harder. Are there conferences or book fairs in your area? Is an author on a limited reading tour or offering a craft talk? Attend these events. Digital facetime works equally as well. For example, if you really want to get in good graces with a novelist, read their book for your book club and then bring them in for a visit. To give away another trade secret, authors are nearly universal in their love for speaking to a group of readers in a shared reading environment. The idea here is to become more to these people than just a name on a page. Names on pages are easy to reject. That happens all the time. But names with faces and histories and stories to tell? These are people, and people are always harder to reject. To be sure, that happens all the time too. I refer you to item number three in my previous list. But if we are to manufacture our own good luck to manifest our published novel, then being people connecting with other people is the closest we are going to get to a foolproof plan in this chaotic industry of publication.

 

I am a creative writing professor, and I often tell my students that writing is horribly unnatural. We are each called, in our own way, to tell these stories rattling around in the six inches between our ears. For some, myself included, there exists the need to get those stories out of that space and into the world as a published piece. That process is one rife with form rejection letters and briskly slammed doors. I do not know that any advice I have to offer will stem the flow of those letters or prop open any doors. I believe, however, that the author who creates their own luck is far better positioned than the one waiting for fortune to turn their way. So I mean it sincerely when I write that on your own publication journey, I wish you the very best of luck


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~




On a road trip to Flat Water, the home he fled years before, Monty Marinnis must confront the complex and painful loss that drove him away and now demands his return: family. Called back to California for his sister’s wedding, Monty’s journey from the Midwest to the California Coast is also a journey through memory, one complicated by the presence of his adoring, but increasingly frustrated wife Charlotte, from whom Monty has concealed the horrifying details of his family’s fracture and how he remains haunted by what he witnessed as a teenager. The Marinnis's  lost their eldest son in a shocking attack, while Monty watched, helpless. Since that day, he has been obsessed with finding an answer to a question that has none: why do bad things happen to some people but not others? Why were the Marinnis's selected to suffer? In Flat Water, Monty will be confronted by brutal truths that rise like sharks from the depths. Faced with such realities, Monty will have to choose between acceptance and self-destruction.


Buy direct from publisher



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



Jeremy Broyles is an Arizona native, originally from the Cottonwood-Jerome-Sedona high desert. He earned his B.A. from Doane College, now University, his M.A. from Northern Arizona University, and his MFA in fiction from Wichita State University. He is a professor with nearly twenty years of experience teaching in higher education, and he currently serves as the creative writing program director at Mesa Community College where he has taught since 2017. His stories have appeared in The MacGuffin, Santa Clara Review, Rock and a Hard Place Magazine, The Black Fork Review, Pembroke Magazine, Red Rock Review, BULL, Suburbia Journal, and Reckon Review amongst many others. His novella, What Becomes of Ours, was published in 2014 by ELJ Publications. His novel Flat Water--the story of siblings, surfing, and sharks and what happens when those things come together both in and out of the water--was released by Mint Hill Books, an imprint of Main Street Rag Press, in 2023. He is an aging rider of bicycles, a talentless surfer of waves, and a happily mediocre player of guitars.


Monday, May 13, 2024

The 40 but 10 Interview Series: Jonathan Kravetz

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Jonathan Kravetz. Jonathan’s novel, How We Were Before, is forthcoming from Running Wild Press in 2024. His short story, “Conch,” was the Fiction Category winner for the Fall 2017 issue of Cardinal Sins. His stories and plays have appeared in a variety of journals, including The Iris Literary Journal, The Rappahannock Review, The Furious Gazelle, The Opiate Magazine, Narrative Northeast, and others. His short story, “The David,” was turned into a podcast by Welltoldtales.com. He has several other published short stories and has written a dozen science non-fiction books for children. Jonathan has edited and ghostwritten several essays and memoirs. He is the founder and former Editor-in-Chief of DUCTS.org (1999–2019), a biannual literary webzine devoted to publishing engaging personal essays, memoirs, art, fiction, humor and more. Jonathan is also the founder of the monthly reading series, Trumpet Fiction, which is held the second Saturday of every month at KGB Bar in the East Village. Jonathan's plays have been produced in New York City, England, and Dallas. His play, Sing Sing, was a semi-finalist for the Eugene O'Neill Playwrights Conference. His play, Insomnia, was a finalist for the Summer Scribes Series, for 12 Peers Theater and was selected as a semi-finalist for the Eugene O’Neill Playwrights Conference. Jonathan holds a Masters in Cinema Studies from NYU and an MFA from Queens College where he was a Louis Armstrong resident. He teaches fiction and dramatic writing in New York City and drama at FIT, State University of New York.







What do you do when you’re not writing?

I teach theater at FIT (the Fashion Institute of Technology) in New York and take my dog to the beach almost daily. It’s more fun in the winter because sometimes we have the entire beach to ourselves. I play the trumpet and occasionally gig with a band out here in Rockaway, NY, where I live. I listen to podcasts and watch a ton of movies. I drive my girlfriend to her many markets (she makes jewelry out of seashells)! I wear baseball hats and think about characters in my books. I wish I was writing more, but lately I’ve been spending a lot of time promoting (and learning to promote) How We Were Before. I never fully appreciated how much work goes into publicity.


How do you celebrate when you finish writing a new book?

I guess it never occurred to me to celebrate the completion of a new book because they never feel completely done to me. I’m always working on them, even when I’m sending them out. But I like this idea and since I’m almost done with a new novel (a humorous mystery), I think I’ll go get myself a halva ice cream sundae at the local ice cream shop in Rockaway. Sugar in the form of anything frozen always feels like an important celebration.


If you could cast your characters in a movie, which actors would play them and why?

How We Were Before is a novel of connected stories, so there are too many characters to cast them all. But I’ll pick a handful because I can’t resist this question.

Pete and Tara Blythe, the town’s most glamorous couple, will be played by Katherine Hahn and Bill Hader. I can see them having some amazing blow-out fights and then making up.

The murderer, Billy Lawson, will be played by Barry Keoghan. He’s the kid in The Banshees of Inisherin, but he’d be much more demented in my movie.

Shelby Blythe, the oldest daughter of the murdered couple, will be played by Kristen Stewart. She can get the edge and sexual ambiguity just right.

Samantha Blythe, the youngest daughter of the murdered couple, will be played by Emma Stone. She can play caring and vulnerable.

The Vice-Principal of the high school will be played by James Spader (though we may de-age him fifteen years or so). There’s nothing more to say about a character being played by Spader.


What’s the one book someone else wrote that you wish you had written?

I’m tempted to say The Imperfectionists because it’s the novel that inspired How We Were Before, but I’ll pull one from left field instead: The City & The City by China Miéville. It’s a detective novel that takes place in two cities that exist side by side and whose citizens are forbidden to go into or acknowledge the other city. The people must, in fact, “unsee” the people in the other city. I’ve written one novel and a few plays that take place in imaginary worlds with specific rules like this, and I admire how Miéville is able to craft such a believable realm out of such a farfetched concept. The world he creates is realer than real, because the central metaphor examined in the book—the idea of unseeing others—is, alas, very much the way living in a city feels.


What’s the single best line you’ve ever read?

No one writes a first paragraph like Shirley Jackson. I apologize that the opening to We Have Always Lived in the Castle is more than one line: “My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in my family is dead.”


Do you read the reviews of your books or do you stay far far away from them, and why?

How We Were Before is my debut novel, so I’ve only seen one review of it so far (it was positive!). But I also write plays and have made the mistake of reading the reviews. Theater reviews tend to be snarky and are often written by people who would rather be writing plays than reviews and good ones can be hard to come by so I’m not sure why I read them—I’m a glutton for punishment? For the most part, though, I’ve been lucky, and I’ve gotten a great deal of positive feedback and encouragement from audiences and fellow writers. In the end, that means more to me than any review could, positive or negative.


What would you do if you could live forever?

As it happens, I have written a play about a society in which people live forever. The people in this world are bored and do nothing but watch a single reality TV show: The American Dream. One man learns he’s dying of insomnia and gets featured on the show with his wife. As he approaches death, he slowly awakens to the beauty of being alive. But in the real world, I don’t think I’d be bored. I’d do many of the things I’m already doing. And I’d also get into a business in which I could make a lot of money so that I could ultimately use it to start a huge arts organization. I picture a twenty-five-story glass building in the west village of New York with practice rooms, theaters, and art and writing studios, plus classes and all manner of shows. All for free for the artists.


What is under your bed?

The dog is under my bed when she’s not under my desk. Or under my feet. There are also several dog toys and an elk antler under there. During the day, while I work, she lounges on the bed waiting for me to get up and do something exciting. But when she decides she has to get working too, she crawls under the bed and gnaws at the antler.



 

What’s the weirdest thing you’ve given/received as a gift?

I worked at a weekly newspaper (much like the one described in the first story in my novel) when I graduated college. It was difficult making friends with the other staff while I was still trying to learn how to be a semi-competent journalist. When the holidays rolled around, we had an office Secret Santa and I my “victim” was the other reporter in the office. I gave him gag gifts every day for about a week. I remember one was a card that said, “Good Cheer and Tidings this holiday season!” with wrapped boxes of Tide and Cheers detergent—the single serving ones they have at laundromats. No one suspected I was the gag-gift giver. It was fun revealing myself on the last day and giving a real gift (which I don’t remember). After that, the other reporter and I became good friends.


Do you DNF books?

Unfortunately, yes. When I was younger, I forced myself to plow through to the end once I started a book. I made it through some fairly dense novels. But I didn’t necessarily get that much out of getting all the way to the end of something I wasn’t enjoying, so now if a book isn’t doing something magical in a hundred or so pages, I’ll put it down and start another. I used to feel bad about that, but I’ve come around to believing that there are too many great books out there to spend time reading ones that neither delight me nor teach me something new.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



When a savage home invasion results in the death of a town's most glamorous couple, the surviving friends and relatives of the victims must navigate the emotional aftermath: Exasperated high school Vice-Principal Zachary Rivers makes a final effort to reach a troubled student. Town librarian, Shelby Blythe—the eldest daughter of the murder victims—begins a correspondence with Billy Lawson, her parents’ murderer. Evelyn Kavanaugh, a retired marketing manager and beloved family friend of the Blythes, embarks on a luxurious cruise as a prelude to suicide. Noam Russell, Billy Lawson’s best friend, returns to Benfield to claim a share of his deceased father’s estate. Samantha Blythe’s maternal attempt to help an employee evokes a renewed desire to connect with her own family.

The spaces between stories are haunted by echoes of the deceased couple's life—from the ignorant bliss of first impressions and great expectations to the tumultuous troubles of middle age, and, finally, an undying hope for reconciliation.


Monday, May 6, 2024

The 40 But 10: Katherine Silva

 



I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Katherine Silva. Katherine is an ace Maine horror author, a connoisseur of coffee, and victim of cat shenanigans. Her favorite flavors of the genre mix grief and existentialism which she combines with her love of the New England wilderness in her works. She is a three-time Maine Literary Award finalist for speculative fiction and a member of the Horror Writers of Maine, The Horror Writers Association, and New England Horror Writers Association. Katherine is also editor-in-chief of Strange Wilds Press and Dark Taiga Creative Writing Consultations. You can find out all about her work at katherinesilvaauthor.com.






What’s the most useless skill you possess? I can recite all the lyrics to the songs from The Wizard of Oz on command. I love this movie to pieces but this is space in my brain I could use for something much more helpful.


How do you celebrate when you finish writing a new book? 

I usually don’t, haha. But finishing the writing part of a book to me isn’t really finishing it. I still have all this other stuff to do so celebrating the finishing of one stage doesn’t feel right to me. That being said, I rarely go out and celebrate when the book is finished and out in the world. Maybe I’ll get myself a little piece of chocolate or something. And then I’m onto the next project.


Describe your book in three words. 

Heartbreaking. Desolate. Raw.


Describe your book poorly. 

An orphan brings dead animals back to life so she can have someone to talk to.


If you could cast your characters in a movie, which actors would play them and why? 

Janet would probably be played by Ella Purnell (Fall-Out). Amos would be voiced by Stanley Tucci (of course).


If you could spend the day with another author, who would you choose and why? 

I’d probably want to spend some more time with my friend, Amanda Headlee. What an awesome writer and someone I could talk about everything with.


What are some of your favorite books and/or authors? 

Kitchen Confidential by Anthony Bourdain, Rising Sun by Michael Crichton, Helpmeet by Naben Ruthnam, Annihilation by Jeff Vandermeer.


 What are you currently reading? 

I’m reading three different books like an absolute maniac right now: Deep by Aquino Loayza, If These Walls Could Talk by Michael Tyree, and Tales From The Inner City by Shaun Tan.


You have to choose an animal or cartoon character that best represents you. Which is it and why? 

I’m definitely a house cat. I vacillate between wanting to be around people to being utterly sick of them and needing my alone time. I could be perfectly content sleeping in a sunny spot for hours.

 

What songs would be on the soundtrack of your life? 

Garbage’s I Think I’m Paranoid is always one I’ve thought should be there. Also: Rose Rouge by St. Germain. It’s the constant tempo of thoughts coursing through my brain at any given moment, haha.



~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~




Beyond the smoke-choked skies of an apocalyptic United States, a woman travels the desolate railroad tracks of a small town in search of revenge and a quiet place to settle. Her only companion is an undead fox: animated with backwoods herbal magic and the soul of a middle-aged father who died before the world fell into darkness.

Undead Folk is a short, harrowing tale of sacrifice, loss, and damnation.

Buy your copy here