5 Stars - Highly Recommended by Drew / The Next Best Book
Pages: 352
Publisher: Quirk Books
Released: 2011
Guest review by Drew Broussard
The Short Version: Jacob Portman grew up wanting to believe in the odd stories his
grandfather told - and after he finds his grandfather murdered in a vicious
fashion by a terrifying creature, he does. It's just that everyone else
now thinks he's crazy. After he manages to convince his parents &
therapist it's a good idea, he goes to visit the Welsh island where his
grandfather grew up an orphan - and discovers the truth behind his
grandfather's stories.
The Review: There is
something marvelous and terrifying about old pictures. You see it on
Tumblr all the time nowadays - but even back when it was just flipping through
an old photo album in a dusty attic, there's always that possibility of
stumbling across something strange. It might just be
your parents when they were your age (which is weird enough, let's admit) but
it could be something more interesting too, like a peculiar item or a vaguely
magical/eerie moment caught forever on the emulsion. That's part of why
digital photography can never quite match proper negatives - a lack of that
feeling like you caught a single moment through some kind of magic, as opposed
to just being able to do it whenever you please.
But I digress.
But I digress.
Ransom Riggs' strange and peculiar and wonderful debut novel is
all about those photos and the moments they can inspire. The collection
here, scattered throughout the novel, of "[unaltered] authentic, vintage
found photographs... with the exception of a few that have undergone minimal
postprocessing" is enough to stimulate anyone whose imaginations may've
been piqued by something like The Mysteries of Harris Burdick in
their younger days - and Riggs clearly goes to town, imaginatively. The
titular 'peculiars' are a great twist on mutants/magical individuals and Alma
Peregrine's similarities to Charles Xavier should be taken as a compliment and
not a brush-off. Seeing them, though, is
perhaps what's most exciting about the book. You're allowed to imagine
them, still, because you're only looking at the image for a moment before
flashing on to the next page of text... but that sepia-toned glimpse allows
your imagination to color inside the lines, as it were, instead of just going
crazy.
Speaking of not going crazy: Riggs doesn't get too carried away
in the telling of this story, despite his evident joy in the writing/creation
of it. This story is measured and told with... not restraint or stateliness but
a proper, steady pace. I was so impressed that he didn't try to rush any
parts of it and instead introduced things all in due time, allowing the reader
to get comfortable before adding something new to the mix. It takes about
a third of the book to even introduce the title character - but the mystery and
the world that Riggs presents in that first third are fine in and of themselves.
We're in America, we see an 'ordinary' (ish) family, and there's a real
question of whether or not Jacob can be believed. When we discover (no
spoilers, it's pretty obvious just from the jacket copy) that he can be
believed, it's like pushing open a door to the outside - the world suddenly
expands, in a very natural (albeit frightening and confusing) way. And as
Jacob comes to understand this new world, so does the reader and it all feels
very organic and lovely. Names for the peculiars and their enemies and
their abilities - terms like "wights" and "hollows" and
"ymbrynes" - are introduced and then defined and then clarified and
none of it feels overwhelming. It's some really exceptional
world-building.
There's also - and I mention this in relation specifically to
some of the other things I've read of late and to my BookClub's last discussion
(of this book) - a really interesting look at a time in our past
that is still so
important. To consider the parallel of the Nazis and these monsters who
hunt the peculiars... it's a dangerous trap and Riggs, for the most part,
steers clear of it, only explicitly laying it out once or twice. But I
really find that it struck me in a powerful way, whereas these sorts of
parallels often don't.
The idea that everyone believed Jacob's grandfather meant the Nazis - and
he did,
he certainly, to some extent did - when he talked about
fleeing from monsters in his childhood... but that he really had this other set
of monsters he fled from... there's a psychological depth that can be plumbed
here, if you're so inclined. If I was still in college, I might write a
paper about it - that sort of thing. But I can assure you, I expected nothing
of the sort - in terms of intellectual engagement - when I picked this book up.
Bravo.
Rating: 5 out of 5.
There are some lags in the plot and the initial arrival in Wales takes a
little long to gear up (the introduction, for example, of the delinquents on
the island... kind of unnecessary) but they were little bumps in the road.
The story is magnificent and the design of the book, right down to the
marvelous red hardcover with Ms. Peregrine's name on the cover and including
every single picture - it's a delightful object as much as it is a
delightful novel. I'm so thrilled that it's to be a series and I can't
wait for book two.
Drew Broussard reads, a lot. When not doing that, he's writing stories or playing music or acting or producing or coming up with other ways to make trouble. He also has a day job at The Public Theater in New York City.
Why have I not yet read this?!? Every time I see a review (and yours in particular is fantastic and intriguing), this question pops in my head. And 5 out of 5? Have got to get this book. Thanks.
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