Obliterate the Following Items from the Beginning of Time
by Thais Benoit
Pages: 35
Publisher: NAP magazine
Released: July 2013
More and more the way we encounter “books” surprises me.
Thais Benoit’s bitty work is a downloadable PDF as
opposed to a thing with pages, even pages stapled together and handi-crafted
with love. I approach such small works in a PDF more like a Happy Meal
representation of the author’s writing than a full meal that showcases the
writer’s palate.
Benoit is able to create interesting juxtapositions in a
small spaces. She writes:
The speaker runs from someone lecherous, but as she does,
she doesn’t lose the youthful exuberance that compels us to bap flowers as we
pass them (especially those hard-to-resist fluffy dandelions). Her speaker is
two persons at once.
Beniot also juxtaposes strength with weakness by stringing
together two famous women, one who saves everyone, the other who must be saved:
“I’m a handful, forcefully felt / A pint sized Wonder Woman princess peach.”
Blurring the differences between Wonder Woman and Princess Peach opens the door
for Benoit to say her speaker is complicated and contradictory at times by cleverly
conjuring these women of pop culture.
Complex speakers fill the other poems, too. One declares, “I
like puzzle people” and later says, “I am a puzzle person.” The speaker defends
herself, explains the speed and which her mind races, and still is open to
understand another person intimately. She explains who she is: “i prefer to
take my time; i like good accidents / and the kind of sunsets caused by
pollution.” Benoit adds an unromantic flavor to the sunset by giving it a good
dose of reality: the skies are filled with pollution, so this is how we
experience sunsets today.
Some of the poems read more like lists without meaningful
connections to the reader, like in the poem “things i’ve done as a child.”
There is something familiar there, though; Benoit works in the alt-lit genre,
typically a boys’ club of lowercase letters; nonsense exclamations about the
beauty, and, conversely, meaninglessness of life; and pop culture references (Kanye,
dubstep, hashtags). But she’s not so flighty—there is something there that
resonates with me in some of Benoit’s stanzas, as opposed to leading me to
think “brah, ur funny #LOL” like I usually do when I read alt-lit poems. Here’s
an example of a stanza that represents youthfulness pile-driving into adulthood,
a flighty speaker who understands consequences:
Melanie Page has an MFA from the University of Notre Dame and is an adjunct instructor in Indiana. She is the creator of Grab the Lapels, a site that publishes book reviews and interviews of folks who identify as women at grabthelapels.com.
I tried to find more about this author, but she is highly reclusive and/or hidden on the internet!
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