Disclaimer: The Page 69 Test is not mine. It has been around since 2007, asking authors to compare page 69 against the meat of the actual story it is a part of. I loved the whole idea of it and so I'm stealing it specifically to showcase small press titles - novels, novellas, short story collections, the works! So until the founder of The Page 69 Test calls a cease and desist, let's do this thing....
Set up page 69 for
us.
I realized when
sending over this page that this could take forever, so here goes nothing. The
MC, George, is out with his best friends Koi and Chito, along with Koi's
girlfriend Susanna (affectionately called Satty here). George has already
been through quite a lot leading up to this page -- no spoilers!! but... he's
been through it -- and this is one of the few moments of respite he's been
given so far. But despite the respite, temptation abounds for this boy.
What is the book
about?
Memory. New, old, and false identity. Circus performers.
Mountain lions. A fight to the death. Choctaw mythology. Love and death.
Disappearing during the most tumultuous time in modern history. The
consequences of disappearing and coming back a new person.
Do you think this
page gives our readers an accurate sense of what the book is about? Does it
align itself with the novel’s theme?
No? Yes? Maybe?
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Page 69
The
Walls Are Closing In On Us
Chito shrugged at her
and looked to his older brother as if to ask him what he thought of the
situation. Koi looked at the two boys, then his girlfriend who was still
smiling at him with a gaze of temptation and then back at the front door of
their home. No light escaped the windows. Their parents were asleep, or at
least awake and not trying to see anything.
“What did you have in
mind?” Koi asked her.
“Let’s walk down to the
hatcha. And drink these,” she said, picking up two big glass bottles out of a
crate in the bike basket and holding them up in front of her face.
“What’s that?” George
asked.
“Beer,” she said.
George had never seen a
bottle of beer before, or a beer at all. It was strictly forbidden in Chito and
Koi’s household and he never saw his mammy drink a drop of it. She only spoke
of it once, lamenting to herself about how so many good men in their community
had been ruined by it. He had taken that as enough evidence to stay away from
it ever since.
“Satty, what are you
doing with that stuff?”
“Trying to have fun,
like I said.”
“The boys can’t have
alcohol.”
“Why not?”
Koi didn’t answer,
because he didn’t really have one. And by the time he had thought of a few weak
reasons why his two brothers couldn’t have a drink, he realized that she had
laid the bike down and started carrying the bottles back down the driveway.
“Hey, where are you
going?” he tried to yell in a whisper.
“To wherever the fun
might be.”
He shook his head and
turned to look at the two younger boys whose eyes were wide as if to say please
can we go and he shook his head again and shrugged his shoulders and they
started down the path after her.
They sat under a small wood bridge at the edge of a creek offshoot of the Pearl, or hatcha, River. The water hardly moved here, it was more of a swamp than anything else. The only sounds were of squirrels and raccoons in the trees, frogs and toads in the muddy bank, and a restless fish gator that might come up for air between sleeps in the pitch black.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Joshua Trent Brown is a writer
from a small town in North Carolina that you've never heard of. He has a debut
novel out called "The Walls Are Closing In On Us." You can buy it
from Malarkey Books or pretty much anywhere else. He's working on another book
too, if you like this first one. You can learn more about him at joshuatrentbrown.com.
The Walls Are Closing In On Us
Literary | Historical fiction
Malarkey Books | March 3, 2026
The Walls Are Closing In On Us
follows George, a dying Choctaw and white man, reckoning with the ghosts of his
past as he bleeds out beside a cold North Carolina river, hundreds of miles
from home.



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