Today, Chaya Bhuvaneswar dishes on some of her favorite meals, family traditions, and recipes to boot:
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Banana leaves, the thinness of
them flat against the floor, holding, precarious, mounds of rice heavy from
vegetable sambar. These were my first introductions to thali eating. Not the
metal but chlorophyll, green tasty leaves that roll, disposable and no longer
replete, modest, quiet outside houses where pigs and dogs sniff them out and
lick off traces of left over meals.
The thali itself, made of metal,
conveys a cool resistance to the urgently hot food. Touching one of the metal
thalis my parents brought from India, bounteous plates from my grandmother’s
trousseau, valuable across decades, I see that thalis are unbreakable.
I feel unbreakable, sitting on
the floor and eating with my hands. As if I am already there, taut in the low
place where my oppressors imagine me. I am there, and like Langston Hughes’
dark child eating in the kitchen, shoved out of the grand room, forced into the
back, I sit there in the place I have been pushed, and eat. Eat and grow
strong.
There’s a tradition of broad
shouldered, meaty-armed brown women in South India. Some are former dancers and
singers; some have even entered politics. There’s no way to choose one and put
her picture below, but in my mind there is a picture of a composite Tamil Tayi,
goddess of my parents’ native language, and it’s that picture that gives me
permission to eat course after course of rice. First rasam shadham (RECIPE
HERE: https://www.wikihow.com/Prepare-Rasam-in-Tamil-Nadu-Style;
note – avoid any places that say “don’t use rasam powder.” Just don’t play
that. Don’t. Also be suspicious of people who use the phrase “lentil donuts.”
You see that in a restaurant claiming to be Indian – get up and walk out.
They’re VADA’s people. VADA’S. Or vadai’s. But NOT donuts. No.).
THEN a combination, over at least
two hours, of several sabzi’s (neat how what Americans call “curry” is “sabzi”
in the rest of the world, like Iran, Turkey, Afghanistan, Pakistan, India, etc.
and also translates to “vegetables”). (Note: curry/ sabzi = NOTHING to do with
raisins. NOTHING. Sorry. Feel strongly about that.)
Good samples: bindi (okra). Dry.
Don’t fry it too much. Oh, OK, here’s a recipe. I’m trusting you:
Others that TASTE FANTASTIC but
occupy a range of difficulty to actually make and/or get supplies for but I
HAVE TO INCLUDE MY MIND IS WATERING:
Bitter gourd curry. (sighs,
salivates). This is what my grandmother used to make for me starting from my
first night in Madras at her house. She knew I loved and craved this. CRAVE.
Basic recipe is you cut and shallow fry after starting a mix of peppercorns,
sesame seeds, lentils sputtering on the fire. Real Simple. Ha. Sort of as
simple as preparing a souffle, really.
Not to forget some kind of either
potato curry she would make or else this other root vegetable. I THINK it was
dry taro curry. I KNOW it was LIT. You can try to make it from this Youtube
video. It won’t be the same. https://www.youtube.com/watch?v=Af-KO-z16-8
She definitely wouldn’t have let
me watch the silly looking hippies playing their guitars during a meal like
this. NEVER.
Anyway, other sabzi’s. Don’t want
to miss out. Eggplant and karamani – black eyed peas. Have you ever? Ah, if
not, I pity you. Even my mother, too
busy to cook that much, had mastered a spicy, redolent black eyed peas chundall
(a kind of dry chili? Can’t think of a comparison) she would serve every year
for Navaratri, nine holy nights you can learn about here: https://en.wikipedia.org/wiki/Navaratri.
But Eggplant and karamani curry. The textures just worked together. No need for
rice in that spoonful or small handful to the mouth, from the thali. Try this
(the coconut is key. DO NOT USE PRE-FAB. Buy a coconut, crack it, take out the
meat, use a metal shredder. Will not regret. You may need a machete to crack
it. Don’t be scared though. My grandma wasn’t.)
Wait, you aren’t full from all
that sabzi yet, are you?? I thought I told you – we KEEP THE PORTIONS small.
They all have to fit on banana leaf. You’re eating a dab or two of each, not
mounds.
Because next you have to eat
CARROT SAMBAR. Or GREEN PEPPER SAMBAR. Either one will send you to heaven, with
steamed white rice (preferably Jasmine long grain rice). Fine – a recipe. Try,
try, why not. Everyone aspires. https://www.youtube.com/watch?v=dMe0zgAO5-0
II.
Are you full yet? Because you’re
not finished. Probably you need to get up from the floor where we are sitting
(wait, first it was just me, did you join me there? Watch out for the folds of
your sari. DO NOT spill anything on the 9 yards of silk, Ok??) Walk around.
Exercise care. Above all, do not knock over the Madras kapi – hot, milky coffee
in metal tumblers – I remember almost burning myself on when I was a child
intent on duplicating what my grandmother died, she with her strong hands
pouring from one metal cup into another, fast, to cool the coffee off quickly,
so men could drink.
You haven’t had one major dish,
with which I’ll stop. Thyru shadham, or “yogurt rice”, with different varieties
of pickled vegetable or fruit, my favorite being mango and lemon pickles. Eat
this and you’re guaranteed to sleep, no matter how wicked you’ve been. It has
become a hangover cure, about that I’m not surprised. Like coating your insides
with the most soothing of things -
yogurt – and making the yogurt stick, with rice – but first waking yourself
up, bloodshot eyed and all, with that pickle. Luckily, neither of my
grandmothers ever saw me use Thyru shadham in this desecrated way. Not that I
ever did in college, and whatnot.
Recipes: https://www.youtube.com/watch?v=d41Wz-U006I
and https://www.youtube.com/watch?v=Fj5uZz047KI.
(I included the mango pickle Youtube recipe for entertainment. You’re not going
to make that. Just buy this:
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Chaya Bhuvaneswar is a
practicing physician and writer whose work has appeared or is forthcoming
in Narrative Magazine, Tin House, Electric Li, The Millions, Joyland, Large
Hearted Boy, Chattahoochee Review, Michigan Quarterly Review, The Awl, jellyfish
review, aaduna and elsewhere, with poetry in Cutthroat, sidereal, Natural
Bridge, apt magazine, Hobart, Ithaca Lit, Quiddity and elsewhere. Her poetry
and prose juxtapose Hindu epics, other myths and histories, and the survival of
sexual harassment and racialized sexual violence by diverse women of color. In addition to the Dzanc Books Short Story Collection prize under which her debut
collection WHITE DANCING ELEPHANTS was released on Oct 9 2018, she recently
received a MacDowell Colony Fellowship, Sewanee Writers Conference Scholarship
and a Henfield award for her writing. Her work received several Pushcart Prize
anthology nominations this year as well as a Joy Harjo Poetry Contest prize.
Follow her on Twitter at @chayab77 including for upcoming readings and events.
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