Because I can't possibly read every single book that finds its way into my home IMMEDIATELY, though I fully intend to die trying, allow me to show off our most recently acquired precioussssess...
For Review
Edited by Troy Palmer
February 2017
Little Fiction
"A Mixtape Of Words explores every facet of how we interact with music and the many ways we turn to songs, albums, singers, songwriters, DJs, and musicians to help us get through love, death, divorce, and everything in between." -from the introduction by Troy Palmer
A fiction and nonfiction anthology, A Mixtape of Words features a diverse collection of stories and essays from some of today's most exciting writers: Megan Steilstra, Wendy C. Ortiz, Mensah Demary, Leesa Cross-Smith, Sasha Chapin, Jay Hosking, Trevor Corkum, and more. Each piece takes a unique look at how we relate to and rely on music in all aspects of our lives.
REyoung
November 2016
Dalkey Archive Press
(picked up at AWP)
REYoung s latest features a nation buried in snow and ice in an obligatory 365 days a year Christmas celebration, a tribe of Mayan warriors in comedy troupe disguise, an existentially challenged hero known as the Snowman on a quest that takes him south of the border down ol Mexico way, and a B-grade movie director named Boone Weller with his own agenda. Is it a book? A movie? Told in a shoot from the hip Texas style, Margarito and the Snowman is loose, rangy, battered with an attitude and bound to offend everybody.
James Kellman
July 2017
Catapult
After his mother’s recent death, sixteen-year old Murdo and his father travel from their home in rural Scotland to Alabama to be with his American aunt and émigré uncle for a few weeks. Stopping at a small town on their way from the airport, Murdo happens upon a family playing zydeco music and joins them, leaving with a gift of two CDs of southern American songs. “Ye meet people and they have lives, but ye don’t,” thinks Murdo, an aspiring musician.
While at their kind relatives’ house, the grieving father and son share no words of comfort with each other, Murdo losing himself in music while his reticent and protective dad escapes through books. The aunt, “the very very best,” Murdo calls her, provides whatever solace he receives, until his father comes around in a scene of great emotional release.
As James Wood has written in The New Yorker, “The pleasure, as always in Kelman, is being allowed to inhabit mental meandering and half-finished thoughts, digressions and wayward jokes, so that we are present” with his characters. Dirt Road is a powerful story about the strength of family ties, the consolation of music, and one unforgettable journey from darkness to light.
While at their kind relatives’ house, the grieving father and son share no words of comfort with each other, Murdo losing himself in music while his reticent and protective dad escapes through books. The aunt, “the very very best,” Murdo calls her, provides whatever solace he receives, until his father comes around in a scene of great emotional release.
As James Wood has written in The New Yorker, “The pleasure, as always in Kelman, is being allowed to inhabit mental meandering and half-finished thoughts, digressions and wayward jokes, so that we are present” with his characters. Dirt Road is a powerful story about the strength of family ties, the consolation of music, and one unforgettable journey from darkness to light.
Lenya Krow
February 2017
Featherproof Books
In I’m Fine, But You Appear to Be Sinking the strange and the mundane collide. These are stories of strange experiences set in familiar places, and of familiar experiences set in strange places. Many of the pieces in I’m Fine take place close to home, in suburban neighborhoods, or rural communities. The settings are conventional, yet something unexpected, or even magical, is occurring. In one piece, a couple speculates about random objects that appear without reason in their backyard. In another, neighbors try to figure out if a local meth dealer is keeping a live tiger captive on his property. In other pieces, it’s the setting that’s fantastical, but the characters’ reactions that remain ordinary, like in the titular story where a journalist lost at sea and hunted by a mythical ocean creature admits to struggling with loneliness and isolation in much the same way he does even when he’s safe at home.
Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.
Although they are not directly linked by any specific character, the pieces in this collection are bound through reoccurring imagery and a shared theme of protagonists in emotional peril. There are unexpected appearances and disappearances, movement of inanimate objects, the search for something lost, the finding of something unusual. There are prophesies, dreams, unidentifiable creatures, and environmental catastrophes on a scale both large and small. There are action figures and octopuses, sullen teenagers and missing cats. At their core, these stories are imbued with mystery, oddity, humor, and empathy. They each stand on their own, but mean considerably more when read together.
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