Read: 21 October 2013
4
stars - Strongly recommended, especially to those seeking a quick read that
leaves a lasting impression
126 pages
Publisher: Atlatl Press
Released: 18 September 2012
By guest reviewer Madeleine Maccar
126 pages
Publisher: Atlatl Press
Released: 18 September 2012
By guest reviewer Madeleine Maccar
Sometimes
a book so thoroughly defies its reader's expectations, is such a departure from
more conventional fare and is still utterly enjoyable that it's a difficult
entity to write about. Sometimes it takes a person three months to find the
words to describe such a uniquely entertaining read when a few paragraphs of
casually punctuated chuckles would be the most appropriate reaction. And
sometimes, you just have to exclaim that a book was a damn good way to spend an
hour or so and not give three flying figs that many, many people would disagree.
Because those sounding alarms of dissent probably did not give this odd little
book the chance it deserves..
Mastodon
Farm, much in the tradition of American Psycho and The Stranger before it, demands to be read as an allegory
almost from its first word. Otherwise, it's no easy task trying to impose much
sense on its page-long lists, restlessly leaping gambols both across state lines
and from celebrity crib to celebrity crib, name- and brand-dropping like there's
an endorsement deal on the line, and endless parade of circuitous
conversations.
A
novella told in the second person, Mastodon Farm follows you
with a stalker-like attention to details as you deal with broken African masks
at James Franco's house (yes, really), measure the passage of time in songs
listened to and movies watched, drive to Dean Cain's apartment only to stare at
his bookshelves, lie to your parents about your imaginary relationships and just
wish for things to return to normal.
And
what is this normalcy for which you're striving, exactly? Good question. Because
you seem to be taking your celebrity-populated, party-hopping,
crashed-your-Ferrari-so-you'll-just-buy-a-Bentley-rather-than-wait-for-the-shop-to-fix-it
existence in admirably nonchalant (though some might say suspiciously numb)
stride. Scenes and chapters flicker by as if someone is impatiently flipping
through the hundreds of channels comprising the made-for-TV movie of your life.
One minute you're hopping on the company jet and heading to Libson; the next,
you're casually doing drugs with Kirsten Dunst and talking about living on the
moon before she gets up to make chili for you and James Franco (to whom you seem
rather close, as he will later accompany you to, among other things, your
grandmother's funeral--your grandmother's death, of course, will occupy not even
two pages of your attention and absolutely no further mention).
The
adage about what's discussed among simple minds (people), average minds (events)
and great minds (ideas) is turned on its head here, thanks to the aforementioned
metaphorical approach to this fidgety, quirky book. Because the things mostly
addressed herein are people more famous than you--wealthy as you apparently
are--and the things they either consume for pleasure or create for a living, a
superficial read would reduce Mastodon Farm (which derives
its name, presumably, from that of a nonexistent apocalyptic film rather than
the similarly titled Cake song) to roll-call of digestible entertainments rather
than appreciate it for what it symbolizes.
Applying
a dollop of whatever cynicism the reader can bring to the experience of Mastodon Farm greatly adds to the enjoyment one can derive
from it--not for the mean-spirited sake of belittling the topics at hand but
rather to scratch through the story’s opaquely artificial sheen of mindless,
disposable superficiality coating to arrive at its true intent. We live in a
time of easy digestion, fleeting obsessions and diminishing attention while
clinging to the life raft of escapism, and this novella highlights the maddening
vapidity of it all by training a hyper-focused eye on something for a few pages
before bouncing to something entirely new and offering it the same intense
scrutiny of even the minutest details, over and over again. In a time where
irony’s self-congratulatory mockery has become an easy default, it is a relief
to witness Mastodon Farm’s more subtle (if not mildly
schizophrenic) approach to social commentary via deceptive sincerity: It does
not exist to poke fun at but rather to raise awareness that we are losing sight
of what really matters with a dangerous haste.
Mastodon
Farm is not for everyone but those who give it a chance will be
rewarded handsomely for their efforts. You may walk away with a slight
concussion and a temporary onset of low-grade anxiety, but such admission fees
are a small price to pay for taking an eye-opening ride with this distinctly
thought-provoking beast.
Madeleine Maccar is a proofreader by trade, a writer by nature and a bookworm by compulsion. You can read more of her reviews at her blog, ilikereadingandeating.blogspot.com, and also at the Chicago Center for Literature and Photography's site, cclapcenter.com. She will more than happily show you photos of her dog.
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