Sunday, October 1, 2023

Books I Read In September

 Ok, alright, okay! I read a whopping 13 books in September and I'm feeling really good about that number. 3 more than last month, and probably the best I'll be able to accomplish for the remainder of the year. 

Wanna see what I read? I've listed 12 of them below (I read one for publicity purposes, and so I didn't review it)



Project Hail Mary by Andy Weir


Project Hail Mary is #book5 of my #bookblurbreadingexperiment And it was a really really good one!

I had read Andy Weir back before The Martian blew up. I really loved that book, but his other two releases just didn't sound like anything I was in a rush to pick up when they first came out. However, Andy blurbed Blake Crouch's Abdanon (the 4th book I read in this reading experiment) and I figured what the heck, I would buy it and finally give it a go. And I am sooo glad I did.

It's another +400 pager and I was afraid it was going to be a slow read but I chewed through it in a matter of two days. Space fiction, when done well, is becoming one of my go-to escapist genres. Andy does a great job of writing intriguing characters, especially ones who can keep you engaged when they only have themselves for company. And I love how he keeps the science at my level, lol.

And omg, Rocky! He's got to be the coolest alien life form ever to have been written! I loved him!

I'm actually a little disappointed that I waited so long to read this one, and honestly, if it wasn't for the book blurb reading experiment, god knows when or if I ever would have!

Sadly, it looks like this is the end of the line for the experiment though. The authors who have blurbed this book are Blake Crouch (who I just read and am not interested in reading more from him), Ernest Cline (who I've already read and... eh...), George R R Martin (no thanks) and Brandon Sanderson (again, no thanks). The blurbers are getting further and further away from the kind of fiction I enjoy reading.

But I'm not heartbroken about it. This experiment turned out to be much better than I could have imagined. It started with Hye-Young Pyung' The Hole (loved!), got me reading Lauren van den Berg's Find Me (really loved), Justin Cronin's The Ferryman (which I would never have picked up on my own, and loved), and now this one. 3 out of 5 ain't bad!

And because I really enjoyed it, I think I'll restart this experiment in a few weeks, but this time with a small press book! And we'll see how far that one takes me!




Disturbance by Jenna Clake

I took a chance on this one while browsing the bookstore a few weeks ago. I hadn't been aware of it previously, read the back cover and it sounded creepy enough for me to cough up the cash for it. And while it is a biiiit creepy, the creepiness definitely could have been played up a bit more.

In Disturbance, we have a 26 year old woman who recently escaped an abusive relationship. She's moved to a new town and the apartment she's living in seems to have a personality of its own - complete with strange scratching sounds, footsteps across the ceiling above her (though there are no apartments above her), doors opening on their own, lights that seem to explode at random, and a frequent, chilling feeling that there is someone else in the room with her.

Unable to help herself, she begins spying on her next door neighbor, a teenage girl named Chelsea, and begins to believe that she's also a victim in an unhealthy relationship. After she catches Chelsea and her bff performing some strange witchy ritual in the front of their building one evening, she becomes friendly with the girls, sharing relationship advice and, in the interest of cleansing the negative energy around her, learning how to cast spells of her own. Spells which might actually be backfiring on her...

When you get right down to it, it's a story about healing and forgiving oneself, letting go of the memories that haunt us and exercizing our inner demons, with a little teenage witchcraft thrown in for fun.

I read it on my back deck yesterday afternoon. It's a quick, but somewhat understimulating, read. Not one I'd recommend you run out and buy, and if you already have, it'd be ok to let it linger in the tbr pile for a little longer. You're not really missing much.




The Bird is Gone by Stephen Graham Jones

I honestly have no idea what I just read but I couldn't put it down. Partly because it was so lusciously written. But also because, let's be frank, I was afraid if I took a break from it, I would lose all momentum and what little I did have connected would break apart in my brain and the storyline, if you could call it that, would become gobbledygook.

had life rotten
nod at the rifle




My Abandonment by Peter Rock

This was gifted to me through my Sidebar goodreads group as part of our secret santa exchange back in 2011. Yes, I am only now just getting to it. That's how wide and vast and deep my actual tbr list is you guys! You think I joke, and yet...

I decided to pull this one off the shelf because I was still kind of hankering for some good isolation fiction. The book is narrated by a young girl named Caroline who lives in the middle of a forest park with her father. They've nestled down inside a cave and live a quiet life, only traveling into town once a week for essentials. They hide all proof of their existence and only engage with other homeless groups for trade purposes, strictly adhering to her father's paranoid rules to escape attention. Until a jogger happens across Caroline in the forest one day and brings their isolated, and illegal, lifestyle to a crashing halt.

Not sure this actually hit the spot for me. It fell kind of flat, at least for the first 2/3rds of the book. While I enjoyed the writing overall, Caroline as a narrator came across as quite emotionless. While she shared her fears and concerns, or told us she was thrilled or excited, as a reader I wasn't feeling it. It was almost as if everything was happening AROUND her and not TO her, like she was an outside observer. Clincal, removed. Just reporting the facts. Though, once you get deeper into the novel, you discover how she and her father came to be in the situation they were in and then ok, it starts to kind of make sense right?

While you could predict how it would end, I mean helloooo the title is kind of a spoiler, My Abandonment is a slow, safe read for those who are simply seeking an escape from the hustle and bustle of real life.




The Haar by David Sodergren

I bought the ebook for two bucks yesterday and read it in one sitting the other day. It's a great don't-fuck-with-old-ladies story where the bad guys didn't stand a chance and never saw what hit 'em.

It's set in a small Scottish seaside fishing village that's under threat of a billionare land developer. He's throwing crazy money at the residents to buy them out but eighty-four year old Muriel ain't budging. No amount he offers could entice her to give up her home, the one that her 12 years gone husband built just for her, where all her best memories reside.

Feeling hopeless and tired one foggy morning, as Muriel is walking the beach, she notices a unique sea creature that has washed up on the rocks and decides to rescue it. She's never seen anything like it before and believes she may have discovered a new species. As she's settling it into her bathtub, there's no way for her to predict the bloody havoc this little blob of goo will wreak on her behalf, or the sheer amount of love she will develop for it...

A little bit "feed me, Seymour" with a sprinkle of The Shimmer from Annihilation, and the salty taste of Our Wives Under the Sea, The Haar is a deliciously wicked, strangely charming, atmospheric tale of what people are capable of when they feel cornered and are suddenly out of options. The sea, it will provide!




Open Throat by Henry Hoke

Oh gosh you guys. I wanted to love this book so much more than I actually did. I mean, I really liked it but I didn't capital L love it. I think I might have hyped it up in my head a little too much?

It's told from the POV of a gender queer mountain lion who lives in the wooded area below the Hollywood sign. They watch over the homeless, contemplate the conversations of passersby, and explore their own feelings and desires throughout the book.

It's more charming than I was anticipating and quite endearing. And even a little heartbreaking. It's also a breeze to read, clocking in at just under 150 pages. Did I mention it's written in a uniquely cheeky and innocent way that just pulls you right in? And yet... it didn't totally blow me away. But I'm ok with that because it was still a heckit good read.




Study For Obedience by Sarah Bernstein

Not gonna lie. This was one of the chewiest books I've read in a long time. Bernstein's writing is quite dense. Her style reminds me very much of victorian literature, of which I am soooo not a fan, with long run-on sentences and page length paragraphs, while somehow also feeling very comtemporary. I can't explain it.

In the book, upon her brother's request, our narrator decides to pick up and move into his mansion, in a country where she doesn't speak or understand the language, in order to help him keep the place orderly and tidy. As soon as she arrives, the town suddenly begins to suffer strange incidents with their livestock - an ewe is found caught up in fence wire with a dead fetus half-hanging out of it; dairy cows go mad and need to be put down, stuff like that.

The brother, who is ridiciously eccentric, heads out of town for a period of time leaving our protagonist on her own, and during his absence she comes to the conclusion that the townsfolk blame her for the bad luck that has fallen on them and have begun to ostracize and fear her. Now let's not forget, she can't directly communicate with any of them, so she's intuiting this from their odd behavior whenever she's around - like when she signs up to volunteer at the farm, and everyone avoids the area, busying themselves with work as far away from the farm as possible; or when a woman in a cafe screams when she observes our narrator throw some spilled salt over her shoulder after a server accidentally knocks over the salt shaker at her table; and when a shopkeeper hides in the fetal position behind the counter while she enters the store and attempts to buy some goods.

Bernstein goes out of her way to make sure we question our narrator's motivates as well, though. Is she innocent of their distrust? Being a bit eccentric herself, she doesn't appear to be helping things with her own strange behaviors. And as the weirdness around them continues to escalate, her brother's health begins to take a turn for the worse and the eerie, unsettling feeling we began to feel continues grow and spread. 

To be clear, I didn't love it. She made me work hard with every page I turned and I'm not 100% certain I understand what happened at the end, though the overall storyline itself was quite intriguing. I mean, this sounds really enticing right? I've got you wondering what the heck is going on. But whether it's actually worth the read is the issue... because I still have no clue what the heck was actually HAPPENING!

I guess if you like long, meandering, victorian style language with very little actual dialogue and a lot of internal retrospection, and don't mind knowing quite what is going on, this might be just the thing for you! It wasn't for me, though.




The Seep by Chana Porter

In The Seep, we're dropped smack in the middle of an already established alien invasion. These are not your garden variety little grey 'take me to your leader' aliens, though. These particular aliens are bodiless particles that seep into your skin and brain, and take all your pain away. They are more like an essence, doping people up like a drug, and appear to be non-violent. Most people are cool with it and coexist with it, but others have created Seep-free communities, preferring to avoid all contact with it and those polluted by it, continuing to live the old way.

It sounded so good... but just didn't deliver. All of the characters were flat as cardboard, with writing that barely scratched the surface, there were weird random time jumps, and the most annoying part of the whole reading experience is that we're kind of just continiously floating on the periphery of this earth changing and life altering event, never fully being brought up to speed. Like, where did these aliens come from? Why are they chilling out inside the people of earth? Do you have to give them permission to enter you? What's their MO?

So nope. Not a fan. And, can I just tell you that I'm getting tired of the reading rut I've found myself in lately... all these meh reads back to back to back are wearing on meeeee. The only real positive was that it's a wickedly quick read. You can knock this thing out in one sitting if you wanted to. But honestly, why would you?





The Only Safe Place Left is the Dark by Warren Wagner

Ok, now this is more like it. It's a down and dirty, read it in one sitting, queer zombie novella unlike anything you've ever read. And those poor zombies! They are people who contracted a new virus that keeps them alert and aware as they rot away to nothing, but it also takes control of all of their motor skills, so they can't help but chase after you screaming at you to please kill them and run like hell and then apologize to you for the gorefest they are about to unleash on your bodies.

And in this chaotic new world, there's Quinton, an HIV+ gay man who has been holed up in a cabin for decades, far removed from this horrorfest until a group of hillbillies break in, destroy his meds, and threaten his safety. Forced out into the zombiepocalypse to scrounge up as many bottles of the life saving medication as he can before going to back into hiding, he meets another HIV+ guy named Billy who is on a similar mission, and the two head off towards the Mayner Pharmaceuticals warehouse where they hope to hit the motherload. Instead, they discover much more than they bargained for.

Bloody but with a bunch of heart, The Only Safe Place Left is the Dark is a perfectly quick, cheeky read for a wet rainy afternoon.




Anecdotes by Kathryn Mockler

Anecdotes released on the 19th. This was a lovely collection of short and flash fiction that's grouped into four distinct sections:

The first part includes strange flash fiction about parks, a personal audience, a murdery job interview, and a laptop that gets stolen on the day the world ended.

The second is a series of interconnected autofiction that follows a young girl manuevering through childhood into adulthood as she deals with first loves and her first period, underaged drinking, unhealthy relationships, creepy professors and blackout sex.

The third section is a collection of cheeky and random one liners.

And the final section is a grouping of flash fiction where The Past, The Present, and The Future are main characters who are constantly caught up in turmoil.

While it's clear Mockler had fun with some of the content, it's also humbling and reflective of today's laissez-faire attitude around politics and climate change, and stingingly honest about some of the dangers we face as young women in a world that is still very much a man's space.

I thoroughly enjoyed this collection and am glad I requested a copy from Book*hug Press and would recommend it to anyone who is looking for writing that has a powerful sense of voice!




Dark Park by Kathe Koja

Kathe's head spinning follow up to Dark Factory, Dark Park sits on the shoulders of filmmaker Sergey as he attempts to track Ari and Felix after the blow up and come down, to get as deep into the 'woo' - the buzz, their celebrity - as he possibly can. It bounces between Sergey's notes to himself and chapters in which our old Dark Factory crew meet up, hide away, hole up, or head out. Consider it akin to found footage, a 'where are they now' toe-dip back into the chaos and fandom that continues to follow our fierce young clubbers.

A cool snippet from the book that stuck with me:

“You know the difference between xronos and kairos?”
“You know I don’t.”
“Xronos means linear time. Kairos means the, the propitious time, the right time –”
“So they could be the same time?”




Your Shadow Half Remains by Sunny Moraine

I am kind of torn on this one. It's not bad, by any means, but I think I expected to like it more than I actually did. I mean, c'mon... when you compare it to Bird Box?? That book absolutely blew me away. How can anything come close?!

The similarities between Your Shadow Half Remains and Bird Box stop at the "don't look directly at it" premise. In this case, the "it" you can't look directly at are other people's eyes, not strange alien wind things. Because here, if you look someone directly in the eyes and they are infected, things will go very very badly for you. Like you'll go crazy and start eating them badly.

So we follow our narrator Riley around her little isolated home in the woods after she throws her cell phone into a lake, a house that belonged to her grandparents, that became hers once their lives endled in a bloody mess, a mess she hasn't had the motivation to clean yet. She's been surviving on her own for a long time, ordering what she needs online, ignoring the news updates on the virus, enjoying her peace and quiet until a strange woman named Ellis greets her at the end of her driveway. The woman claims she's new around here, having recently moved into a house down the street to escape the strict rules of her old development.

Starved for human interaction, but also scared shitless to be around another person again, Riley and Ellis develop a tentative relationship, visiting each other with blinders on, but Riley's having a hard time trusting her. Ellis talks a lot but doesn't seem to be sharing much, and ever since she's made herself known, Riley's been experiencing strange and worrying things that seem to be escalating in dangerous ways - she catches glimpses of human shaped silouettes outside and footprints in the grass outside her window, she wakes one morning to her computer wires cut, and one evening she notices writing on the walls in her hallway. Is it Ellis? Is it someone else out there? Or worse, is it her, sabotaging herself without her knowing?

Needless to say, Riley's an unreliable narrator, and Sunny Moraine does a pretty decent job of creating doubt and loads of tension as the story progresses. It's an interesting spin on a familar horror trope and it kept me reading, page after page, trying to figure out just wtf was going on out there in those woods!




Wednesday, September 27, 2023

The 40 But 10 Interview Series: Amy Barnes

 

I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


We are joined today by Amy Cipolla Barnes. Amy is the author of Child Craft (Belle Point Press) Ambrotypes (word west press) and Mother Figures (ELJ Editions). Her words have appeared in many publications, including The Citron Review, JMWW, trampset, Flash Frog, No Contact Mag, Leon Review, Complete Sentence, The Bureau Dispatch, Nurture Lit, X-R-A-Y Lit, McSweeney’s, Southern Living, SmokeLongQuarterly, and others. She’s been nominated for Best of the Net, the Pushcart Prize, Best Microfiction, Best Small Fictions, and long-listed for Wigleaf50 in 2021, 2022, and 2023. She’s a Fractured Lit Associate Editor, Gone Lawn coeditor, Ruby Lit assistant editor and reads for The MacGuffin, Best Small Fictions, Mason Jar Press, and Narratively. Find her on X, Instagram, and BlueSky at @amygcb.




Do you have any hidden talents?

 Short answer: I can speed read. Long answer is more complicated. When I say that, I don’t mean a little fast. I mean freaky fast - two pages at a time or around 1500 words a minute. The words imprint like seared little brands on my brain if my brain was a marked piece of beef. I’ve been able to do this odd quirk since I was in elementary school. At a very high comprehension level to boot. My  inventive and still kicking into his 90s Gifted, Talented and Creative teacher decided to create a way to help us all read faster. This was in a time when that label meant we did chemistry experiments and ran a business and participated in plays – I was St. Nicholas - but it was also for the odd kids noone how or what to teach. Except Mr. Cheatham. He knew. He taught us how to speed read (and speed math.)  It also meant he had us reading a kaleidoscope of words on an old school slide projector he rigged up with a Radio Shack motor. I think we even all field tripped with him to buy said motor and peruse the aisles.

 The process went as expected for a while and then one day while he was off doing something teacherly or mad science-y, the projector went haywire and the ten of us sat entranced as words and paragraphs flew over and over again. By the time he returned to us, our eyes were spinning like Twilight Zone actors. He took that glazed look as a plus and promptly tested us on comprehension which somehow we did great on. And then he repeated the exercise every day for months at the roller coaster speed. In highsight, we were probably a little like lab rats. But, I also appreciate and hate the way I read at a blitzkrieg pace. I take in a lot of words and I understand them, but I don’t read casually. I can’t. I will always read like I’m eight in a dusty classroom entranced by the lightning round.

 

What’s the most useless skill you possess?

Being able to crack my index finger knuckle without touching it - thanks to a 3rd grade Twister game hand fracture.


If you could have a superpower, what would it be?

 Speed cleaning with only a twitch of my Samantha Stephens nose.

 

What’s the best money you’ve ever spent as a writer?

 Buying books.

 

Describe your book in three words.

 Mothers. Children. Stories.

 

Describe your book poorly.

 Mothers. Children. Stories.

 

If you met your characters in real life, what would you say to them?

 This is a fascinating question for a writer because I think we get to meet our characters in fictional life and tell them what to do. For me, they aslo dictate their lives as I write. If they were incarnated and I ran into them on the street, it might be difficult. I imagine they would be doing interesting and complicated things, but only up until the point when I met them. And then they would stand still on the street in front of an idyllic picket fence, waiting expectantly for me to give them the next words or next adventure or vegetables out of my garden. Make them walk that next sentient step. I would hope they would be dimensional, but I also picture papery, flapping-in-the-wind characters that would need a quick Choose Your Own Adventure infection of life. I would want to have written them fully enough to live but hypothetically – would I have?  So, what would I say? Go. Live. Do interesting things. Here are fourteen more paper people I’ve made for you to interact with. Sorry for what happened when I dropped you in a volcano or made you love that person you shouldn’t love. Sorry for the name I gave you. Sorry for not letting you go in the direction you should have. I might wipe the chocolate off the corner of their mouths with a wet napkin. And because I’m a new empty nester, I would tell them to go live their lives with my words as their backdrop, but not all of their future.

 

Would you and your main character(s) get along?

 Probably not. Because as much as I try to write the opposite of what I know (out of defiance and trying to challenge myself for some reason), that’s what I do. I write what I know, with much twistiness. Even though I write fiction, I am writing myself and I don’t know that I’d get along with myself. And I’m writing that self in a way that is an alternate universe sometimes, hints of autobiography in others. Better versions. Worse versions. The versions I don’t want to meet in an alley. The versions I wish had happened. The versions I don’t remember but fill in the details the way I might want to. The versions I do remember but I paint over them with word paint that would need to be sandblasted off. I think my characters would hate and love me, the way I hate and love them.

 So, we’d probably have tea and one of us would spill the tea (literally and in a figuratively-Southern way) and we’d sit there together until someone felt uncomfortable because I wrote them a new pathway and then we’d go our separate ways, mailing 19th century calligraphy letters back and forth and meeting up for the obligatory holidays. Oh, and we’re all very fancifully dressed in velvet dresses with lace, but wearing tennis shoes. And, it’s raining like we’re in the Alcott sisters attic because that’s where writers meet their main characters.

 

If you could cast your characters in a movie, which actors would play them and why?

 Because I write a lot of Southern lit, I imagine Reese Witherspoon and Oprah at least directing, maybe starring. And because I pick them, I also want the accompanying book to be their book club picks. Any of the Steel Magnolias actors. Sally Fields. Julia Roberts. A confused cosmetologist Daryl Hannah. Someone who has a baby in a bar because my stories have a baby in a bar. Maybe that Steel Magnolias set too. Gussied up in different ways for each of my different books-to-movie adaptations. Soft spoken actors playing sometimes-difficult roles with the quiet nuances and loud conflicts and juke box scores.

 On an ironic side note, during the pandemic I co-wrote an entire movie script with two friends that live in New York. It won awards, we did a table read of sorts with friends, family and industry folk, and we talked with a producer. Of course, we picked the worst time to try and do such a thing. The chick lit film was partly based in New York and partly in the South where I live, and explored our leading characters in both places. I think I always  envision my written words as potential screenplays too, that third dimension where they get lifted from the page into New York and Tennessee. This realization means I need to call my friends and revisit our script but it also guides how I write. I want and think I need to write characters that could be actors on a stage or in a movie. I don’t write books to specifically write screenplays but I think there’s something to that.

 

What’s the weirdest thing you’ve given/received as a gift?

 A whole pineapple. On a first date. No knife or cute picnic idea behind it. I had to carry the entire prickly thing around the entire time like a dreadful baby. There was no second date.

 


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



The unmistakable voice of Amy Cipolla Barnes returns in this new hybrid prose collection. To enter Child Craft is to enter a world of memories, both invented and remembered. The speakers of Barnes’ stories inhabit a space at times surreal but always vivid, evoking emotional responses that take readers to a place they could not have anticipated from the opening lines. As the title implies, Child Craft explores family relationships—typically from the perspectives of mother and daughter—and the ways that we continually shape them into something that can either help or harm us. These intimate vignettes comment on the many-layered realities of womanhood in modern life in a variety of settings. Whether passing through the wreckage of the Oklahoma City bombing or pretending that a pickle jar could save a missing woman, these stories open imaginative landscapes that will leave you feeling both haunted and a little less alone.


https://bellepointpress.com/products/child-craft

https://www.parnassusbooks.net/book/9781960215055

https://www.barnesandnoble.com/w/child-craft-amy-cipolla-barnes/1143863061

https://www.waterstones.com/book/child-craft/amy-cipolla-barnes/9781960215055

 


Monday, September 25, 2023

The 40 But 10 Interview Series: Helen Matthews

 


I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Helen Matthews, who writes page-turning psychological suspense novels and is fascinated by the darker side of human nature and how a life can change in an instant. Recent novels published by Darkstroke Books are The Girl in the Van, suspense and thriller genre winner in the 2022 Pageturner Book Award, and Girl Out of Sight. Her other books include Façade (family noir), Lies Behind the Ruin and a collection of short stories Brief Encounters. Born in Cardiff, Helen read English at the University of Liverpool and worked in international development, consultancy, human resources and pensions management. She fled corporate life to work freelance while studying for a Creative Writing MA. Her stories and flash fiction have been shortlisted and published by Flash 500, 1000K Story, Reflex Press, *1 Words, Rushmoor Writers anthology, Artificium and Love Sunday magazine. 





Why do you write?

 For me, writing is a compulsion. I could be on holiday or ill in bed and I’ll still reach for my pen, notebook and laptop. I’m one of those weird people, who’s both an introvert and an extrovert. I’m happy with my own company and can withdraw from life to live vicariously in the fictional world of my characters. But once my book is out in the world, there’s nothing I love more than getting out to do library talks, book signings and chatting to people about writing. I have a supportive family and some long-suffering friends, who understand why I’m not always available to meet up. I’m never bored. In fact, I’ve never been happier. I enjoy every day.

 

Do you have any hidden talents?

 I’m no domestic goddess. From the age of around eight years old, my mother used to force me to do compulsory housework and cooking on Sunday mornings while my friends were playing outside in the street. It was torture! I don’t actively dislike cooking but planning a family’s weekly meals can be a real time suck when you’re hoarding every spare moment  for writing. I’ve been married twice and both times I’ve stumbled upon men who are not only excellent cooks but actually enjoy cooking. My first husband was a finalist in a national cookery competition run by the Sunday Times newspaper back in the days before TV cooking shows, like Masterchef, were a thing. Husband number two has gone further. He’s done all the planning, food shopping and cooking of meals for years. So, I guess my hidden talent is spotting men who will take this burden from me and leave me time to write.

 

What’s the best money you’ve ever spent as a writer?

 I ought to say the MA in Creative Writing I studied in Oxford a few years ago. That was certainly the most money I’ve ever spent on anything writing-related. I learned a lot on the course and met some fantastic writers, many of whom I’m still in touch with, but the course was quite academic, perhaps aimed at authors who wanted to write literary fiction. I write psychological suspense, domestic noir and thrillers. At the time I didn’t know that there were courses run by publishers, such as, the Faber Academy, and the literary agency, Curtis Brown, that focus on helping authors hone their work for a more commercial market. With hindsight, I wish I’d taken one of those courses instead of an MA.

 

 

What are some of your favorite websites or social media platforms?

 This Itch of Writing Emma Darwin https://emmadarwin.typepad.com/thisitchofwriting/

The Empowered Author – a Facebook Group run by Sam Missingham and Katy Sadler to help authors with marketing. https://www.facebook.com/groups/306865283135687

 I belong to several other Facebook groups for writers, such as Lizzie’s Book Group, Val’s Book Bundle and The Writers’ Clubhouse. These are great gathering places for authors to feel supported. I should also mention the UK Crime Book Club which brings authors and readers together and has excellent events and author interviews. The Fiction Café hosts live author Q&As on Sunday evenings and has a review group where you can submit a novel for review – if you dare.

 

What are some of your favorite books and/or authors?

 Many of the authors I admired when I was reading English at university belonged to a different era, like Jane Austen, Tolstoy, Dostoevsky and George Eliot. But omniscient narrators don’t work for today’s reader of suspense fiction. Recent authors who’ve inspired me are Eleanor Ferrante (the Neapolitan novels) for pulling the reader in so you feel you’re right there; Gillian Flynn (Gone Girl) for fiendish plotting; Hilary Mantel for intellectual brilliance and Donna Tartt for the precision of her language.

I recently had the chance to write an article for Shepherd.com about the authors in my own suspense genre who inspire me. You can read it here.

https://shepherd.com/best-books/important-themes-for-book-clubs-to-discuss

 

What are you currently reading?

 I’m lucky enough to be going on holiday to Jordan this year. I can’t wait to visit Petra, Wadi Rum and see Bedouin life in the desert. As part of my preparation, I’m reading The Seven Pillars of Wisdom by T E Laurence (Laurence of Arabia).

 

What’s the single best line you’ve ever read?

 I’ve chosen the closing line of The Great Gatsby by F. Scott Fitzgerald:

 So we beat on, boats against the current, borne back ceaselessly into the past.

 

Do you read the reviews of your books or do you stay far far away from them, and why?

 I’m incredibly grateful for many generous and insightful reviews of my novels. I love receiving four or five stars – who wouldn’t? But I respect people having different tastes. Some of my books deal with dark and gritty topics, including human trafficking, and won’t be for everyone. If someone who wasn't the intended reader picks up the book, they might leave a negative review. And it's not just readers who dislike our books we have to contend with – we also get bad reviews if the delivery company's packaging was torn or dirty. I once had a one-star review from someone who wrote 'I haven't read this book as I couldn't download it to my Kindle Fire' – I mean, come on, guys, what has the poor book ever done to you?

 

What’s the one thing you wish you knew when you were younger?

 Life is short. Terrifyingly so for some of us. Don’t put off doing the things that bring you joy or keep you sane. If you have a passion, whether it’s writing, art or sport, acting, gardening or spending time with the family – just do it.

 

What scares you the most?

 The thought of something happening to one of my children. They’re adults now and have recently started their careers. One is a police officer which is handy when I need to check procedural details for a novel but worrying if I have a sleepless night. She’s a high-speed response driver and the thought of her travelling at up to a hundred miles an hour, often on her own, to deal with a violent crime scares me. The other doesn’t work in a frontline emergency services job but commutes to work in central London by bike. And to make sure his weekends are equally spiced with danger, his main sport and hobby is rock climbing!

 

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A tormented mother. An abandoned girl. A deadly game of survival.

What happened to Ellie?

Traumatised by events, Ellie’s mother, Laura, can’t bear to stay in the Welsh seaside town where she lives with her partner, Gareth. She escapes to London, breaking all ties with him, and refusing to tell anyone her new address.

After two years of living alone and working in a mundane job, Laura buys an old campervan and joins a singles holiday. Here, she meets Miriana, a teenage girl who bears a chilling resemblance to Ellie. As Laura uncovers Miriana’s story, she’s shocked by the parallels to her own life.

But stories can be dangerous, and someone out there will stop at nothing to prevent the truth about Ellie from coming out…

 

Buy a copy:

mybook.to/thegirlinthevan 




Also, just for today, if you're in the mood for a free copy of her previous novel Lies Behind the Ruin, a twisty psychological suspense pageturner,  you can snag that one here! 


Thursday, September 21, 2023

Blog Tour: Kathe Koja's Dark Park

 


We're happy to help Meerkat Press support the release of their latest title, Kathe Koja's Dark Park by participating in their blog tour. And if you're at all into winning free stuff, they're running a giveaway where you can potentially win a $50 book shopping spree.

Click here to enter!




I had decided to retire the literary Would You Rather series, but didn't want to stop interviews on the site all together. Instead, I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. Kathe Koja does just that.... check it out!




The 40 but 10 Interview Series: Kathe Koja

 

Q: What songs would be on the soundtrack of your life?

A: This list would definitely spool on longer, but these special songs begin it:

Inner City/Kevin Saunderson – Big Fun

https://www.youtube.com/watch?v=wBqo5VsyKAI

R.E.M. – Discoverer

https://www.youtube.com/watch?v=z7q5DLS1rAU

New Order – Slow Jam

https://www.youtube.com/watch?v=OFd-s4EKG98

Sinead O’Connor – Just Like U Said It Would B

https://www.youtube.com/watch?v=_UpJBdXrYjo

Bowie – Heroes

https://www.youtube.com/watch?v=bsYp9q3QNaQ

Perfume Genius – Describe

https://www.youtube.com/watch?v=vAoWMJTClqo

Shearwater – White Waves

https://www.youtube.com/watch?v=c5FfBLWNnFw

Nina Simone – Feeling Good

https://www.youtube.com/watch?v=xlNpmSN7mRg

Sigur Rós – Glósóli

https://www.youtube.com/watch?v=Bz8iEJeh26E&list=RDBz8iEJeh26E&start_radio=1

I’ve also sworn an oath to dance to the Weather Girls’ eternal banger “It’s Raining Men” whenever and wherever it’s played, so that’s in the mix too.

https://www.youtube.com/watch?v=l5aZJBLAu1E

 

 

Q: Would you and your main characters get along?

A: In Dark Park (and Dark Factory) everybody gets along with Ari Regon, the star producer, except the people who try to control him—an impossible task—so he and I would do just fine. Ari’s always up for what’s next, no matter what it is, a new club, a new reality, and I find that kind of energy irresistible.

DJ Felix Perez is very talented and very mercurial: either we would vibe right away, or give each other a wide berth—though I would respect his intense work ethic, and dance to his beats.

Filmmaker Sergey Kendricks is equally intense, but his is a calm intensity, like the ocean rolling in. I would love to tag along and observe him at work—though he’d be observing me, of course, along with everybody and everything else around him. Because Sergey misses nothing.  

Marfa Carpenter is a journalist, so we would have writing in common. And she’s not afraid to say what she thinks, and I’m not either, so it would be a lively conversation. But she’s always ready to ask the question you’re not sure you want to answer.    

Max Caspar, the reality artist—oh Max.

 

Q: If you met your Dark Park characters in real life, what would you say to them?

A: I’d really love to know what they would say to me!

 

Q: Do you read the reviews of your books or do you stay far far away from them, and why?

A: Oh I always read them, if I see them. I want to know if a conversation has taken place between that reader, that reviewer, and my book—that’s the whole point of writing and reading, to facilitate that shared engagement. Whether a review is positive or negative, if I can see that a conversation happened, if the reader/reviewer truly read and reacted to the book I wrote, then I’m content. 

I do believe that to make art professionally, the artist needs to come to terms, their own terms, with public reviews and reactions to their work, good and bad, and do that as early in their working life as possible.

 

Q: What genres won’t you read?

A: The more hyphenated a genre gets, the more striated, the more I worry. If a book is primarily about its genre, how much attention will it give to its characters, to its use of language, its voice? But it’s a moot question really because I read fiction for voice, and if the voice is there, genre doesn’t matter to me at all.

 

Q: If you could spend the day with another author, who would you choose and why?

A: A twofer: Emily Brontë in the morning, for a long wordless walk on the hills, then all-night clubbing with Christopher Marlowe. What a total fangirl thrill, to contemplate spending 24 hours like that!

 

Q: What are some of your favorite websites and social media platforms?

A: Right now I’m excited by Elena Velez’ fashion and the masked world of Wintercroft, ravished by the scents of Sfumato, and learning about garden and habitat from Wildlife Trusts.

Daily, usually Vulture for quick pop trash and treasure, CfBD for news of the world, the Guardian for human news, and Exberliner for, well, Berlin news.

My favorite social media platform doesn’t exist. I’m on IG and Facebook and Threads.

 

Q: If you could remove one color from the world, what would it be and why?

A: That terrible babyshit brown. Call it sunset khaki, call it desert yellow, it is a color without excuse and it has to go.

 

Q: What’s the single best line you ever read?

A: “Though in Kyoto . . . I long for Kyoto,” by the forever-astonishing Bashō. Everything about life, about longing and desire, permanence and restlessness—it’s a novel in seven words.

 

Q: Why do you write?

A: Because it’s what I am.

 

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Released September 19, 2023

Fiction | SciFi | LGBT | Literary


The only thing wilder than a night at the club is the morning after, in Paradise . . .

DARK FACTORY opened the doors to a reality-bending dance club, an online immersive portal, and the feeling that the whole world is on the brink of something new. DARK PARK follows visionary filmmaker Sergey Kendricks as he tracks Ari Regon and Felix the DJ through the fever and chaos of stardom and celebrity culture, while Max Caspar quests deeper into the unstable gaming landscape of Birds of Paradise: pursued and idolized by fans, acolytes, haters, and schemers, all dazed by beauty and searching for the end of the world.

 

BUY LINKS:  Meerkat Press | Bookshop.org | Amazon | Barnes & Noble




Kathe Koja writes award-winning fiction, and creates and produces live and virtual immersive stories that cross and combine genres. She lives in Detroit and thinks globally.