Bored with the same old fashioned author interviews you see all around the blogosphere? Well, this series is a fun, new, literary spin on the ole Would You Rather game. Get to know the authors we love to read in ways no other interviewer has. I've asked them to pick sides against the same 20ish odd bookish scenarios...
Would You Rather
Richard Fulco
Would you rather write an entire book with your feet
or with your tongue?
Tongue. I hate the sight of my feet. Writing with my
tongue would be more tactile. Tongue.
Would you rather have one giant bestseller or a long
string of moderate sellers?
ONE GIANT BLOCKBUSTER. I have interviewed several
songwriters who have had one blockbuster song: Steve Forbert and Freedy
Johnston (to name a couple). They told me that their hit song afforded them a
career. Sure, they have to play “Romeo’s Tune” and “Bad Reputation” at every
show, but the success of their one hit song has opened several doors.
Would you rather be a well known author now or be
considered a literary genius after you’re dead?
I’d like to experience success as a living writer. I’m no
genius, just somebody who can write, has something to say and hopefully others
will relate to my stories.
Would you rather write a book without using
conjunctions or have every sentence of your book begin with one?
“Conjunction junction, what’s your function?”
Would you rather have every word of your favorite
novel tattooed on your skin or always playing as an audio in the background for
the rest of your life?
I don’t do tattoos, so I guess it would be the latter.
Would you rather write a book you truly believe in and
have no one read it or write a crappy book that comprises everything you
believe in and have it become an overnight success?
What’s the point of writing if you don’t remain true to
yourself?
Would you rather write a plot twist you hated or write
a character you hated?
Character. I’m all about characters. Good. Bad. Ugly.
Flawed. Disgraceful. Undignified.
Would you rather use your skin as paper or your blood
as ink?
I don’t do tattoos, so bloody red ink. I guess. Weird
question.
Would you rather become a character in your novel or
have your characters escape the page and reenact the novel in real life?
As a playwright, I’d love to meet my characters for a
beer.
Would you rather write without using punctuation and
capitalization or without using words that contained the letter E?
I think I’d prefer no punctuation or capitalization kind
of a stream of consciousness where words blend with thoughts and dialogue and
the narrative just keeps moving forward challenging the reader to remain aboard
the moving train and not leap off while the words kind of wash over them
Would you rather have schools teach your book or ban
your book?
Teach your children well. Teach my books.
Would you rather be forced to listen to Ayn Rand
bloviate for an hour or be hit on by an angry Dylan Thomas?
I admire some of Dylan Thomas’ poetry. I cannot fathom
being in the same room as Ayn Rand, but I can see myself sitting at the bar in
the White Horse Tavern.
Would you rather be reduced to speaking only in haiku
or be capable of only writing in haiku?
I would not mind speak-
ing only in haiku. I
dig the five seven five.
Would you rather be stuck on an island with only the
50 Shades Series or a series in a language you couldn’t read?
Definitely the latter.
Would you rather critics rip your book apart publicly
or never talk about it at all?
If my books aren’t adored, then I want them to be hated,
banned and burned.
Would you rather have everything you think
automatically appear on your Twitter feed or have a voice in your head narrate
your every move?
Tweet. Tweet. Tweet.
Would you rather give up your computer or pens and
paper?
Computer. No brainer.
Would you rather write an entire novel standing on
your tippy-toes or laying down flat on your back?
I don’t think I could stand on my tippy-toes for more
than a minute, but I know that I can lie flat on my back for several hours at a
time.
Would you rather read naked in front of a packed room
or have no one show up to your reading?
In my baby suit.
Would
you rather read a book that is written poorly but has an excellent story, or
read one with weak content but is written well?
I’m
drawn to the craft of good writing. Give me good writing any day.
~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~
Richard Fulco received an MFA in playwriting from
Brooklyn College where he was the recipient of a MacArthur Scholarship. His
plays have either been presented or developed at The New York International
Fringe Festival, The Playwrights’ Center, The Flea, Here Arts Center, Chicago
Dramatists and The Dramatists Guild. Richard’s one-act play Swedish
Fish was published by Heuer Publishing and his stories, poetry,
interviews, essays, and reviews have appeared in The Brooklyn Rail,
Failbetter, Across the Margin, Fiction Writers Review, Gargoyle, The Daily
Vault, and American Songwriter (among others). For six years,
Richard wrote about music on his blog, Riffraf. He teaches creative writing and
English at an independent high school in New Jersey and interviews writers for
his “5 Questions” series at www.richardfulco.com.
Richard’s debut novel, There Is No End to This Slope was published by
Wampus Multimedia in 2014. We Are All Together (Wampus Multimedia) is
his second novel.