Monday, February 10, 2025

The 40 But 10: Mark Rayner

 



I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by human-shaped, monkey-loving, robot-fighting, pirate- hearted, storytelling junkie, Mark Rayner is an award- winning author of satire and speculative fiction. He writes in the genres of science fiction, humorous SF and dark comedy. He also dips his toe in the occasional bit of dramatic prose and experimental/literary fiction. When not working on the next novel, he pens short stories, squibs and other drivel. (Some pure, and some quite tainted with meaning.) He's the co-host of Re-Creative, a podcast about how creative people were inspired by other works of art. Mark does all these things while being Canadian and owning cats.

Sign up for his newsletter and get a free book : )




What’s the single best line you’ve ever read?

“The ships hung in the sky in much the same way that bricks don't.”

~Douglas Adams, Hitchhiker’s Guide to the Galaxy

 

What is your favorite book from childhood?

One of my first memories is of reading my favorite book, Look Out for Pirates! aloud, to my brother, Mike. He was barely a toddler. Whenever I leaned over the crib to show him the picture that went with the prose I was so enthusiastically reciting, he’d grab the book at try to throw it away. (Very pirate-like behavior, so I approved.)

A few years later, when all my classmates were explaining they wanted to be astronauts, or nurses, or firefighters, I explained it was the pirates life for me. I was devasted when I learned that being a pirate was not a viable career goal. (I mean, unless you want to manage a hedge fund.)

 

If you could have a superpower, what would it be?

Telekinesis, 100%!

It gets you flying, assuming you can lift yourself. You don’t have superstrength, but you don’t need to get close to anything. You can protect yourself with force fields. Hell, you could theoretically manipulate atoms and create things with the power of your mind.

Plus, you never have to get off the couch when you can’t find the remote!

Am I jazzed about this superpower? Hell yeah. I’m in the process of writing two trilogies in which this is the killer app.

 

Summarize your book using only gifs or emojis.

https://media1.giphy.com/media/v1.Y2lkPTc5MGI3NjExczVwYnZ3eDA4djZzM3dm

a2cxeTE1b2d5a3NpNG90bjAzZTVhN2ViYiZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/kCAvFoqAxYZIiEdXEc/giphy.gif

 

https://media1.giphy.com/media/v1.Y2lkPTc5MGI3NjExY3Rqb3pycXFxcXBwdGtqMmo0dzV5ODZ6cjJzN3psZ3Rtd2F6Y2s5MCZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/3oEjHYRheaRFA5Lv5S/giphy.gif

 

https://media0.giphy.com/media/v1.Y2lkPTc5MGI3NjExN3ZkOTFvazZ4NmlpdW82MzIxbDU3emV1YW9xdWF5NWd3ODE0bXl2aCZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/NBiZA02BNlgis/giphy.gif

 

https://media3.giphy.com/media/v1.Y2lkPTc5MGI3NjExMzB0N24wdGJqMTl3cjI2djA5bms4b2d4YzQzNWhhNWxqeXZqeWhrOSZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/69mUSKBujnpgmxcqlg/giphy.gif

 

https://media1.giphy.com/media/v1.Y2lkPTc5MGI3NjExcHExZDJodzVraHNzc2d5OXdhcDB4eThidzdlcHNxYW93NzNpNzYzZSZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/3o85xryJCGs1JOyCYM/giphy.gif

 

https://media2.giphy.com/media/v1.Y2lkPTc5MGI3NjExaHZ5Nmp2ZW92Zzhpbm16amh1aXZ3cXVianl0ZTY1aGp6ZzdmN2ZjcyZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/kvCYXVnXQdecE/giphy.gif

https://media4.giphy.com/media/v1.Y2lkPTc5MGI3NjExdGt4MHY4anh0am5zb3R3MDA5MHloMGd6NmMyODFvOHMycnVjaDVwdyZlcD12MV9pbnRlcm5hbF9naWZfYnlfaWQmY3Q9Zw/yh7jpVmUKQWIM/giphy.gif

 

 

What’s the one book someone else wrote that you wish you had written?

Serious answer for this one: Italo Calvino’s Invisible Cities. It’s about Marco Polo telling Kublai Khan about all the marvelous cities in the Khan’s empire, but so much more. It’s a prose poem, a paean to the limitless nature of human creativity. Don’t look to it for plot or character development, but in terms of style and imagination it’s not to be missed. And it inspired one of the short stories in my new collection, The Gates of Polished Horn, “This Ambiguous Miracle.”

 

What are some of your favorite books and/or authors?

Some of my favourite authors include Ursula K. Le Guin, Philip K. Dick, William Shakespeare, Samuel Beckett, Chuck Palahniuk, Tom Robbins, George Orwell, Robertson Davies, Julian Barnes, George Saunders, Milan Kundera, William Gibson, Douglas Adams, Christopher Moore, Harold Pinter, Tom Stoppard & Italo Calvino.

 

If you could spend the day with another author, who would you choose and why?

Assuming we can go back in time? Kurt Vonnegut. He’s my literary hero, and I consider one of America’s all-time great satirists. Vonnegut has a beautiful way of casting the folly of human nature into disrepute at the same time as having great sympathy, and even love, for his characters. Plus, he was funny as hell and apparently a great conversationalist when he was in the mood.

 

Which literary invention do you wish was real and why?

I guess I stole my own thunder on this one – a time machine, clearly. Though you have to be careful when you’re time travelling, as people will learn from the first story in my new collection, “Socratic Insanity.” The framework for this story is that time travellers who go back to, oh, let’s say kill Hitler before he does all his damage, believe they have succeeded. But when they come back, they have not – you can’t change what has already happened, or if you do, you create an alternate reality. But you can’t travel to an alternate reality. Their subjective reality – I killed Hitler – just doesn’t match the objective reality. So my time travellers go insane. But not if they’re careful and don’t try to change anything. Having drinks with Kurt Vonnegut doesn’t count.

 

What do you do when you’re not writing?

I teach at Western University, at the Faculty of Information and Media Studies (FIMS). I’m very lucky to have a job that feeds my writing, while much of my marketing activities as a writer help me in the classroom. My teaching focuses on web design, information architecture, visual communication and social media. I teach in the undergrad program, called Media and Communication, plus in our two professional graduate programs, the Library and Information Science program, and in the Master of Media in Journalism and Communication program.

When I’m not teaching, I like to enjoy workouts, reading, video games, movies and playing guitar. And my two cats, Max and Milo, keep me busy too!

 

Why do you write?

For the money, of course. Bwahahah!

Sorry. It’s just that this is a deep and difficult question. Why am I trying to answer it? I guess I like a challenge. I mean, writing is one of the all-time great artistic challenges. The rejection isn’t as intense as it is with acting, but it’s up there. Yet having the ability to bring people, ideas, worlds … whole universes into existence is just such a cool thing.

Writing is an act of empathy. The best stories are ones that move us and that requires the author has compassion for their characters. Even the baddies.

And I’ve always been a storyteller, since I first started reading Look Out for Pirates! to my brother. It’s a compulsion. An intellectually and emotionally rewarding compulsion. It can be painful too, but I’ve never really seriously considered NOT writing. It’s too much at the core of who I am.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



What happens when you’re face-to-face with a truth that shakes you? 

Do you accept it, or pretend it was never there?

Award-winning author Mark A. Rayner smudges the lines between realist and fabulist, literary and speculative in this collection of stories that examines this question—what Homer called passing through The Gates of Polished Horn.

We discover the cruelty of creating synthetic consciousness. A woman is worried that her husband is having an affair but discovers it's much, much worse. A time traveler uncovers a reality-bending fact while observing the death of Socrates. Waldo, of Where's Waldo fame, has an existential crisis. A traveling salesperson is killed on the highway, and this is just the start of his journey through the gates.

Infused with comic insight and tragic vision, this collection invites readers into new realities that touch on our shared humanity.

“Mark A. Rayner’s formidable storytelling is on full display in this thoughtful and diverse collection. He’s a fine and creative writer whose characters and storylines are quirky, inventive, and often very funny.  Bravo!”
~Terry Fallis, author of The Best Laid Plans & two-time winner of the Stephen Leacock Medal for Humour

Get your copy here!  or

Enter the book giveaway here (ends Feb 28th)


Sunday, February 2, 2025

What I Read in January

 I know everyone says this but I wholeheartedly agree... why does January always feel like the month that's never going to end?! It's funny, because the last few months of the year fly by at lightening speed, here and gone before you can even acknowledge them, and then January comes in and it's like that houseguest who doesn't get the hint and never wants to leave. 

And of course, this past month was one of my worst reading months in a long time! Not the way I had hoped to kick off the new year. I read a total of 6 books, but I also have to cut myself some slack because my publicity workload picked up again and as my client workload increases, my free time for reading always decreases.

Plus, we all know it's not HOW MUCH you read, but WHAT you read that really matters so let's take a look and see if I made smart choices with the books I chose to spend my time with....



My Husband by Maud Ventura

Good lord this book.

It was cute at first. The whole woman married 15 years and still obsessing over her husband thing was a little relatable. Like, look how handsome he is. And I can't believe I haven't lost an ounce of love for this man, honestly I think I love him more today than I did when we first got married. So adorable it kind of makes you want to vomit.

But then you read a little more and you realize, ok, yup, sooooo this lady is clearly a little unhinged and is convincing herself of all this horrible shit she's made up in her head about how she thinks her husband doesn't love her as much as she loves him and she's tracking all the things she believes is proof of this in her little journals and she's comparing their relationship to all the crap she reads online and in magazines and she's faking being perfect to make sure he doesn't try to leave her and now I'm thinking to myself why I am still reading this? I should totally put it down. I don't think I can read an entire book of this crap. And then she just starts losing her shit completely, like going full out nutter.

And so now I'm reading it just to see where it's going to go because it's gotta go SOMEwhere right? And then whoa... that ending?! Ok book. You redeemed yourself.

You're a fucked up little thing for sure.




Grasshands by Kyle Winkler

Oh hell no. Do not recommend. This was not good despite the fact that it sounded right up my alley. Librarians identify a strange moss growing on the books in their basement and when people eat it, they have immediate knowledge of the information contained within. But the moss, that nefarious weird ass moss, is working its evil magic on them when they do. There's a big bad moss monster called Grasshands and these little tippy tap tickling spiders that crawl into your mouth and kind of... I don't know... hibernate in there and attack you when provoked. Sounds interesting, right?

The writing was really rough. It's trippy and weird but not in a good way. I wanted to DNF it a couple times but I bought it at full paperback price so I was determined to get my money's worth. It was so not worth the money or the time.

I know it's early in the year still but I'm pretty sure this will end up on my worst-of list for 2025. Sigh.





The Country Will Bring Us No Peace by Matthieu Simard

This is one that #bookstagrammademedoit got right!

"Peace is a momentary void between two conflicts."

Throwing all the stars at this grief fueled novella in which a couple buys a house in the country in an attempt to start over and move beyond their haunted past. Only, their new small town is not so welcoming and the townsfolk appear to be fighting a history that won't release them from its clutches either.

It's bleak and beautiful and eerily atmospheric. It's full of lies and secrets, disappointments and hostilities. It's about the things that keep people together while also actively pulling them apart. And it's surprisingly kind of ballsy, hiding the end in its beginning.

This book haunted me as I read it. I can only imagine what it will do to me now that it's over.

Grief fiction is definitely becoming a favorite genre of mine.




Father Gaetano's Puppet Catechism by Mike Mignola

There are few things that scare the beejezus out of me but puppets, especially marionettes, are creepy as fuck and make my skin crawl something fierce so tucking them into a horror novel... oh lordy! But I really like Bad Hand Books so I took the plunge.

And I'm glad I did because I really, really enjoyed it!

Father Gaetano's Puppet Catechism starts off slow and atmospheric. It's set in a church rectory in a small town in Sicily that's been ravaged by war. A group of orphaned children were taken in by the nuns of the church and then suffered the unexpected loss of their priest. So in comes Father Gaetano. A young man of the cloth who agrees to take on the temporary work of teaching the children the Catechism. Many of their hearts have been hardened by the brutal loss of their parents at such a young age and they actively challenge the young priest, questioning God and his allowance of such horrible events. Gaetano realized he has his work cut out for him but it's while he befriends the shy nine year old Sabastiano that he learns of an abandoned puppet theatre in the basement of the rectory. The puppets, he hopes, will help him teach his bible lessons and reconnect the children to God in a fun and interactive way.

But the puppets... well... they have other ideas.

I'm sure you can guess where things go from here. A heavy wooden box long hidden in the basement. Stuffed full of handcrafted creepy ass dolls. Just waiting for someone to come along and release them? It's all fun and games until the sun goes down and the strings come loose.

It's a quick, engrossing read that's really well written. It's dark and chilling and sure, there's a lot of set up and exploration into the church and the nuns and Father Gaetano before the good stuff really starts to kick in but there's enough build up and tension working its way through the storyline that I was ok with the whole thing. Oh, and... I'm only just now learning that the author is the dude behind Hellboy.




Julia by Sandra Newman

Sandra Newman's Country of Ice Cream Star is one of my all time favorite books. Nothing she's written since has come close in my opinion but I'm always excited when I see a new book from her. And somehow this one passed under my radar for a while. I was browsing our new B&N in the science fiction section and nearly whooped when I saw it sitting there.

Julia is a feminist retelling of Orwell's classic novel told through the lens of... well... Julia, where Winston is almost relegated to a full fledged background character, and I have to admit... I wasn't really the biggest fan of 1984. I read it more than 20 years ago and gave it a low rating but didn't write a review for it and god help me if I can remember what I didn't like about it or the specifics outside of the obvious - big brother is always watching and privacy is a thing of the past and people will get tortured and killed for getting caught just thinking anti-BB thoughts - ... but honestly, I quite enjoyed this modernized version.

I see a lot of people bashing it and finding fault with it but I thought it was creative as hell and kind of fun too. I mean, I just admitted that I had mostly forgotten what was in the original and 100% can't remember how it ended so ... what am I really comparing it to, you know? For me, it's totally it's own thing!

You should give it a shot. Maybe you can help remind me of the ways in which it deviated from Winston's POV.




When the Wolf Comes Home by Nat Cassidy

The deeper into the book I got, the more certain I was that this was going to be a 5 star read for me but the ending messed with the pace of the book and felt a little too rushed. I was one hundred percent strapped in and hanging on for dear life until those final pages. Did Cassidy always know that was how it would end, or did he sit there after the big boss fight and wonder "what now"? You know that meme /tik tok thing that's been going around where the person's looking at things and deciding "hmm, no... eh... oh hehehe yeaaah", saying yes to the worst possible choice. I dunno, I kinda felt like that's what he did there at the end.

Don't let my reaction to those final pages scare you aware though. The book as a whole was pretty bad ass. You think it's going to be your typical scary werewolf story but it's so much more than that while also not that at all. It's about jerk fathers and lonely kids and making bad choices and living with their consequences. It's part Twilight Zone, part survival horror, and a whole lot of omg I can't stop turning the pages to see what's going to happen next.

I love what Cassidy's been doing and how he kind of reinvents himself with every book he writes. Can't wait to see what's next.

Tuesday, January 21, 2025

Jennifer Spiegel's Three "Top Fives"

 

First, however, I want to thank TNBBC for working hard on behalf of the “literati.” As I prepped this, I realized that I’ve guest-posted here an amazing five times, dating back to 2012, when my first book was published. Thank you, TNBBC!

 

Second, I’m now into it, into the thick of it, this writing life. I never think I want something else. I have regrets and sorrows—but I have to admit: I don’t foresee some kind of midlife crisis about my vocational choice to “be a writer” (though money would be nice).

 

So, in honor of my fifth book, Kids Without Horses (description below), I thought I’d give you a glimpse into this, um, “writing life.”

 


My Top 5 Most Humiliating Writer-At-Large Moments 

(these are pretty tongue-in-cheek, because there have been MANY agonizing moments I can't even talk about)

 

a.      A.  Reading to no one at a busy cafe in Seattle:

I read at the Wayward Coffeehouse in June 2019, when I was “touring” (I arranged a few dates) for my novel, And So We Died, Having First Slept. Though I swear I booked ahead, I apparently was not expected. They were, like, Well, you can go do it over there. I had a box of books, my husband, and two Seattle friends (embarrassing). I stood up and announced, “I’m the entertainment” (this is my husband’s favorite part). Then, I read. No one paid attention. Maybe one guy did.



a.       B. Not having a profound moment with David Sedaris at a book-signing:

In November 2017, I went to a Sedaris reading. I have a whole “Ode to David Sedaris” in Kids Without Horses, so you might say I’m into his writing. When I got to the front of the book-signing line, I was really hoping for this epiphanic moment, some kind of kismet between us, like Sedaris and I would bond over our mutual aesthetic concerns. Sedaris is actually known for trying to be nice to the people in line. And that was just it. He was very nice to me. He asked me what I did. He signed my book. The End. Nothing magical happened. Only my husband who was watching us detected my private humiliation. David Sedaris did not look deep into my eyes and say, “I know you . . .”



Here's a better photo, taken by my friend—Geoffrey Varga: Sedaris pretending to read my book.



C.  Not selling a single book at numerous events, including a reading with Lydia Millet at Antigone Books in Tucson:

In December 2012, we read together (arranged by Antigone) and we sat side-by-side at a table for the book-signing—not a soul came up to me, except for my best friend since second grade. And she had already read my book. WAIT A MINUTE! As I was writing this, I remembered that Stacey Richter, who wrote My Date With Satan and Twin Study, attended for me (!) because I reached out to her as a fan! So it was my best friend and Stacey Richter!




D. Falling flat on my face in the book fair at the Associated Writing Programs Conference (AWP) in Portland (2019) when I was trying very hard to be cool.

No photo exists, thank God. I was probably wearing those same clothes as above, likely holding a hot coffee, and some trendy writer-dude probably asked me if I was okay. And then I said, Oh, I’m fine! (He couldn’t see my skinned knees. Miraculously, my lip wasn’t busted open.) Coolness, you elude me, bro.

 

E. On a serious note, having the rug pulled out from under me when my pub closed shop and I decided to self-publish And So We Die, Having First Slept.

No one actually asks about my self-publishing thoughts, and it’s not easy to even talk about it in this Brave New World, but there were many ramifications from self-publishing. I can’t say I’m a fan. I did not enjoy the experience.


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

My Top 5 Books, Movies, or TV Shows That Compelled Me to Positively Fold While Watching For Some Peculiar Writer-Reason 

(even though I might like others better)

 

a. Sex, Lies, and Videotape, especially Andie MacDowell’s singular performance

b. Succession, especially Jeremy Strong with his spectacular acting

c. The Catcher in the Rye by J.D. Salinger. I will never not say that this is my favorite book.

d. The Unbearable Lightness of Being by Milan Kundera. It’s not my favorite book. That movie killed me, though.  

e. Home by Marilynne Robinson. I don’t know. I read it and might have heard Peter Frampton singing “Show Me the Way” in the background.


 ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


My Top 5 Writer-Sorrows 

(not to be confused with familial or existentialist or soul-crushing personal sorrows, OR humiliations)

 

a.    a.      I'll probably never get to see The Cure in concert. I feel like this is important.
b.       I never got to be friends with Amy Krouse Rosenthal. I’m sad that I discovered her only after she died in 2017 at the age of fifty-one.
c.       When the editor of my first novel, Love Slave, asked my husband and I if we wanted to have dinner after my Colorado reading in 2012, I initially said no—not because of him (Fred Ramey) but because it was late and I didn't get the etiquette (my editor was asking me to dinner!)—and this embarrasses me to think about. We went for dinner with him that night anyway, because my husband kinda let me know that I was supposed to say yes, and I was, like, Oh! I am? Okay. I mean, I just didn't get it. Did Fred feel slighted? Did he realize I’m awkward? (I think so.) Wait, how do I schmooze? I don’t know how to schmooze! NO WONDER MY BOOKS DON’T SELL.
 
You can find Kids Without Horses here: https://www.amazon.com/dp/B0DSVTQ179/ref=tmm_pap_swatch_0?_encoding=UTF8&dib_tag=se&dib=eyJ2IjoiMSJ9.0PoHFwuajVs1a5JxZcFlQINI5PWPi3l07LF_2uiIsQTAptpB5xtJWnDyLhnSBOpPaaPkPF0BjC6AJNLLM9WoySTGKa-SAEO6pa2QRljn3Mg.ONgAm9Y8p4ni7ifhVkLXmIXCabbzm73Imm0OntrQsNI&qid=1736787602&sr=8-1



a.       d.      I guess I think the stereotype of the eccentric artist who suffers, often alone, is true—even though I think it's now uncool to claim any kind of singularity. So I'm saying that writing is a bit sad. Writers are in tune with sorrow. Sting: King of Pain?

b.       e.      I love my audience—I do. But I'm a bit resigned to not being widely read. I can deal. Don't worry. But it's a sorrow. 

 

And that, my friends, are my Top Fives. Five books out there. Each breaks my heart just a little. Each is a secret treasure too.

 

What is Kids Without Horses? This is a collection of weird creative nonfiction pieces. In this personal pet-project of sorts, gathered and shaped when Covid hit through mid-2024, Jennifer Spiegel brings together some previously published pieces, an “Ode to David Sedaris,” and a little Gen X-obsessing. The topics are diverse: Philosophizing over Pulp Fiction or recalling Spiegel’s failure to pass the Foreign Service Exam might give way—and often does—to thoughts on creative writing and Art (uppercase “A”). Frankly, this is a myopic, personal, and eclectic collection. It’s okay to repeat that: a myopic, personal, and eclectic collection. From Red Square and Dublin to Oklahoma and Brooklyn, from Nelson Mandela and Michael Scott to Donald Trump and Larry David, from Rick Springfield and Ethan Hawke to U2 and Elena Ferrante, Spiegel writes with, well, gusto on religion and race and rock ‘n’ roll. This is, at the end of the day, unorthodox orthodoxy. #Truth.

 

Who is Jennifer Spiegel? Jennifer Spiegel is a writer and professor. She is the author of four other books: The Freak Chronicles, Love Slave, And So We Die, Having First Slept, and Cancer, I’ll Give You One Year. She’ll soon be an empty-nester living in Massachusetts with her husband and pets. No one ever let her name a cat “Bono” or “Dave Chappelle.”


~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



This is a collection of weird creative nonfiction pieces. In this personal pet-project of sorts, gathered and shaped when Covid hit through mid-2024, Jennifer Spiegel brings together some previously published pieces, an “Ode to David Sedaris,” and a little Gen X-obsessing. The topics are diverse: Philosophizing over Pulp Fiction or recalling Spiegel’s failure to pass the Foreign Service Exam might give way—and often does—to thoughts on creative writing and Art (uppercase “A”). Frankly, this is a myopic, personal, and eclectic collection. It’s okay to repeat that: a myopic, personal, and eclectic collection. From Red Square and Dublin to Oklahoma and Brooklyn, from Nelson Mandela and Michael Scott to Donald Trump and Larry David, from Rick Springfield and Ethan Hawke to U2 and Elena Ferrante, Spiegel writes with, well, gusto on religion and race and rock ’n’ roll. This is, at the end of the day, unorthodox orthodoxy. #Truth.


Monday, January 13, 2025

Indie Spotlight: William Luvaas

 Welcome to our Indie Spotlight series, in which TNBBC gives small press authors the floor to shed some light on their writing process, publishing experiences, or whatever else they'd like to share with you, the readers!


Today, we are joined by William Luvaas, who shares some insight into his forthcoming collection. 


THE THREE DEVILS AND OTHER STORIES


My first story dealing with climate change, “Season of Limb Fall,” was published two years before Al Gore’s documentary “An Inconvenient Truth” was released.  The reality and horror of global warming struck me hard, and I felt I needed to write about it, which I’ve done ever since in my short fiction—not exclusively but imperatively.

            My forthcoming collection, The Three Devils And Other Stories, is a work of Climate Fiction (Cli Fi), as it’s known, like my 2013 collection Ashes Rain Down: A Story Cycle (the Huffington Post’s 2013 Book of the Year and a finalist for the Next Generation Indie Book Awards).  While I dislike genre labels and the formulaic approach to subject matter they imply, I embrace Climate Fiction’s use of magic or grotesque realism to bring a future threatened by climate disaster and its accompanying social upheaval to life—creating a world that is at once both recognizable and grossly distorted.

In The Three Devils, the apocalypse comes to Southern California in the form of a worldwide pandemic of mythological proportions and the ravages of climate change that imperil the economy and social order and wreak havoc in people’s lives in a nearly-unrecognizable near future.  Call it a work of dystopian or apocalyptic fiction, as well as Cli Fi.

Climate Fiction is intrinsically political since it assumes that global warming will seriously impact our lives.  Climate change skeptics consider this a partisan stance, but most of us who write such works see it as inevitable given our undeniably warming planet: tomorrow will be a rough ride.  We consider it our writerly duty to enter the fray rather than leave the vision of our collective future to politicians, corporate executives, and right wing pundits.

            While some works of Climate Fiction have been well received, such as Octavia E. Butler’s Parable of the Sower, Cormac McCarthy’s The Road, and Kim Stanley Robinson’s The Ministry For the Future, many publishers, especially big ones, eschew Cli Fi, as do some literary magazines, seeming to consider it unfashionably political at a time when most fiction focuses on personal and identity politics—what Don DeLillo calls “around-the-house-and-in-the-yard” fiction—rather than on the larger dramas that impact us all.  Joyce Carol Oates also bemoans current American fiction’s avoidance of political themes, which is a departure from the recent past.  Consider the many impactful, even prophetic socio-political novels of the last century: The Jungle, Invisible Man, To Kill a Mockingbird, Grapes of Wrath, Fahrenheit 451, Catch 22...to name a few.  Since then, fiction’s scope has narrowed.

            Perhaps understandably, Cli Fi is often conflated with Sci Fi.  This puts off some editors and readers, especially of literary fiction.  While both genres are speculative and hyperbolic, the two are quite different.  Cli Fi is earthbound and set in the near-future, while Sci Fi often looks far ahead and far away to extraterrestrial realms.  The monsters in Cli Fi are not two-headed Cyborgs but earthly, natural forces spinning out of control.  I might also suggest that while science fiction regularly challenges current scientific knowledge, Climate Fiction is predicated upon global warming being settled scientific fact. 

            Cli Fi writings that make readers uncomfortable are doing their job well.  While such works, like all good fiction, should be engaging, dramatic, colorful, even entertaining, they are meant to wake readers up rather than lull them to sleep.  Now, as we face what is likely the greatest existential threat humans have ever known, likely to end our civilization and drive many plants and animals we love to extinction, we need to have our eyes wide open and not turn our heads away.  For publishers, readers, and writers to ignore or avoid this most critical issue of our time is akin to ignoring racism and gender inequality as American fiction generally did prior to the last half of the Twentieth Century. 

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



https://www.amazon.com/Three-Devils-Other-Stories/

From acclaimed writer William Luvaas comes a new collection of dark and devastating tales.  With grit and grace, chaos and compassion, angst and absolution, The Three Devils makes us reckon with the maelstrom, all while wrestling with the longings of the busted and beautiful human heart.

  

Praise for The Three Devils and Other Stories

 

 “William Luvaas, my friends, is a wild-eyed genius.”

—Lauren Groff, National Book Award Finalist

 

“Wildly imaginative and always engaging.”

 —Kim Barnes, Pulitzer Prize Finalist

 

“A rare read, a post-apocalyptic odyssey that’s fun.”

 —George Michaelson Foy, author of The Last Green Light

 

“A nightmarish vision of the inevitable conclusion of the world we’ve created today.”

 —Chase Dearinger, author of This New Dark

 

“The apocalypse may be no fun to live through but in fiction it can offer thrills and chills—

and insights into the human condition at the intersection of resilience and evil.  William Luvaas’s The Three Devils delivers these and more.

 —Mark Brazaitis, author of The Incurables

 

“The Three Devils is one of those masterpieces that is hilarious until it isn’t—

a window into the human psyche and the destiny of our species.”

 —Jacob M. Appel, author of Einstein’s Beach House

 

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~



William Luvaas has published four novels: The Seductions of Natalie Bach (Little, Brown) Going Under (Putnam), Beneath The Coyote Hills (Spuyten Duyvil), and Welcome To Saint Angel (Anaphora Lit. Press); plus two story collections: A Working Man’s Apocrypha (Univ. Okla. Press) and Ashes Rain Down: A Story Cycle (Spuyten Duyvil), which was The Huffington Post’s 2013 Book of the Year and a finalist for the Next Generation Indie Book Awards.  His new collection The Three Devils And Other Stories is forthcoming from Cornerstone Press at the Univ. of Wisconsin.  His honors include an NEA fellowship, first place in Glimmer Train’s Fiction Open Contest, The Ledge Magazine’s 2010 Fiction Awards Competition, and Fiction Network’s Second National Fiction Competition.  Over one hundred of his stories, essays, and articles have appeared in many publications, including The Sun, North American Review, Epiphany, The Village Voice, The American Literary Review, Antioch Review, Cimarron Review, Short Story, and the American Fiction anthology.  He has taught creative writing at San Diego State University, U.C. Riverside, and The Writer’s Voice in New York and has also worked as a carpenter, craftsman, community organizer, and freelance journalist.  He lives in Los Angeles with his wife Lucinda, an artist and filmmaker, and their headstrong Akita, Mimi.

https:///www.williamluvaas.com


Wednesday, January 8, 2025

2024 Wrap Up: The 5 Star Books

 


Reposting from IG: 


I have read a total of 133 books this year. 46 of those were given 3 stars or less, with 6 being DNFs.

This past year I caught myself being influenced by #bookstagram and a bad case of #FOMO... where I went out and bought books I otherwise might not have bothered with, and unsurprisingly, I matched up with those less often than the ones I sought out for myself.

But I read 19 books that I threw all the stars at! And that's not something to sniff at. 6 of those 19 really stood out and became insta-favorites. Books I was immediately sucked into, books that blew me away with their writing and storytelling.

Did any of these make it into your best of lists?!




and if you twisted my arm and made me narrow this list down to my 5 starriest of 5 stars, it might look a little something like this: 




I'm dying to know... how many books did we have in common last year? Let me know!!

Tuesday, January 7, 2025

2024 Wrap Up: Honorable Mentions

 


Reposting from IG: 


I wanted to share some books that, while they weren't exactly 5 star reads, I still think about them, even now, months and months after having put them down.

They are all uniquely different but also seem to share an otherworldly connection with each other. Strange, odd characters moving through unusual and distinctive lives and situations.

If you haven't read these, I urge you to add them to your TBR and give them a go. They belong in your hands and in your head.




Have you read any of these? Did any make the top of your list?