Tuesday, December 9, 2025

Blog Tour: First Descent

 


When the truth surfaces in winter, it rarely comes quietly. It cracks open, sharp and sudden—pulling everything else into its wake.


In First Descent by Mike Pace, winter feels less like a backdrop and more like a living force, threading through two different worlds that seem to inch closer with every revelation. The unfolding mystery carries hints of ancient magic and modern ambition, creating a sense that the cold itself remembers what others have tried to forget.



Nick Landowski has long avoided the story of his father’s disappearance—a failed Arctic expedition fueled by belief in a mythical cave of red diamonds. But when a freak mining accident splits open the strange geode his father left behind and reveals a concealed key, Nick is drawn into a pursuit marked by rising danger. His search stretches across a modern landscape where powerful factions are desperate to control the legendary Coca-Cola formula and an ancient world where winter’s oldest magic bends time and reshapes reality. As Nick follows clues hidden in both timelines, he uncovers the real reason his father vanished and the link between a global corporate secret and a force far older than Christmas itself. Enemies from both worlds want the key for their own ends—and the closer Nick gets to the truth, the more he realizes that the season’s survival may depend on what he chooses to unlock.


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Excerpt

Seventy minutes later, his lungs about to burst, Virgil clawed his way to the top of a rocky ridge and found himself standing on the edge of a clearing. The impossible sun had long since disappeared. No moon or stars; the sky hovered tight overhead like a suffocating black blanket. He glanced again at his watch. Deadline approaching fast. He needed to reach the center of the clearing quickly.   

Expecting the level terrain to ease his journey, he set out. Almost immediately he sank thigh-deep into the powdery snow and struggled to move. Before departing from Nevada he’d considered bringing snowshoes, but his boots had been too bulky to fit into the bindings. Again, the trade-off had been warmth over nimbleness, and he’d chosen warmth. In retrospect, given that his lack of cleats had almost cost him his life and now without snowshoes the whole purpose of his mission could dissolve because he would be delayed crossing the clearing, a big mistake.

He’d had some experience traveling across rugged terrain in Siberia for the company, but that had been a well-provisioned expedition. Here, he’d had to depart quickly with no time for planning or training in order to reach his destination on the precise date and at the exact time. And, according to the rules, he had to complete his journey alone. Rules? Set by whom? The guide who’d somehow convinced me he was much more than a guide? Too late for second thoughts. Too late to turn back. Either the guide’s fantastic story was true, or in a matter of minutes Professor Virgil Landowski, who was supposed to be one of the smartest geologists in the world, was going to die a complete fool.

He felt the snow harden. If he didn’t move he’d be locked inside an icy tomb. So close now, he couldn’t give up. Drawing on a last reserve of energy he didn’t know he possessed, he bent over and plowed ahead, wading through what now felt like thigh-high wet cement. 

Finally, he stumbled to the center of the plain and stopped, gasping, his lungs screaming for oxygen. 23:59I made it with a minute to spare! He slowly turned full circle.

Nothing. 

The GPS coordinates were spot on. The timing was perfect . . .

Where is it?

Like a blindfold had been removed, his stupidity, his foolishness, his bull-headed pride were revealed to him. All that time, all that energy, wasted. His crowning achievement, the gift he’d wanted desperately for his son—for the world—was all a cruel hoax. The weight of disappointment crushed his body. His shoulders sagged. He staggered and swayed like a drunk trying to remain upright, fighting the wind’s attempt to tumble him into a white grave. 

How could I have believed him? I was such a—

The wind stopped. 

Completely. 

Like someone had flicked a switch. 

He gazed up to see stars now sparkling through the black like millions of pinpricks. The Aurora Borealis appeared and draped the entire sky with a curtain of brilliant cherry-red light.

A deep noise. The wind? No, something different. A moment later the sound increased to a guttural rumble. The ground vibrated, then trembled. Then shook violently. The rumble increased to a deep roar. 

At the far end of the clearing the earth cracked open, and the jagged gouge rushed toward him through the deep snow as if some unseen hand pulled open an invisible crooked zipper. He turned to run, but more cracks in the field targeted him from all directions.

He attempted to zig-zag through the thick snow with little success, hoping to dodge the fissures, and bounced hard against huge chunks of ice ten feet high now suddenly shooting up from the surface all around him. The rising slabs moved, encircling him, closing in like converging soldiers. He tried to break through the tightening circle, but the slabs ricocheted his body back and forth like a pinball. Tighter and tighter. Herding him to a single spot. 

He fought to keep his balance, but the violent shaking knocked him to his knees.  

Before he could climb to his feet a giant crevasse split open beneath him, widening like 

hungry jaws. He dropped instantly—

“AAHHHH!”

Then, silence. 

The earth had swallowed him whole.

The shaking stopped. The red glow faded. The storm returned. The wind swept away his footprints.

It was as if Virgil Landowski had never been there. 


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Thriller author Mike Pace has spent his entire life weaving stories across an extraordinary range of experiences. One of his earliest creative memories is helping write his fourth-grade Christmas play in Pittsburgh, a spark that carried him to the University of Illinois on an art scholarship, where he earned a BFA. He later taught elementary school in Washington, D.C.’s inner city, filling his classroom with imagination games and daily storytelling as “Mr. Paste.” While teaching by day, he attended Georgetown Law at night and went on to serve on the editorial board of the Georgetown Law Journal, clerk for a federal judge, and prosecute major felony cases—including murder—as an Assistant United States Attorney for the District of Columbia. After serving as general counsel for a national environmental services company, Mike shifted his focus to his first love: creative writing. He has written for stage and screen, earning praise from The Washington Post, and is an active member of the International Thriller Writers and the Maryland Writers Association. Outside of writing, he enjoys painting, skiing, golf, the Baltimore Ravens, and learning new skills such as the soprano saxophone. Learn more at his website.






The 40 But 10: Christopher Ruíz

 


I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Christopher Ruíz. Christopher is a fiction writer specializing in horror. Born in the City of Angels and raised in the shadows of the Rocky Mountains, he now writes of the demonic, supernatural, and psychological in the Midwest. A veteran of both combat and crisis response, his stories draw inspiration from both the real and unreal, from years of sleep paralysis and nightmares, revealing the darker corners of the human experience.





What made you start writing?


In a word, storytelling. My mother read to me frequently in childhood. I was fascinated, not just by the stories, but the way they were conveyed. I wanted that. I wanted to move others, to elicit laughter and, even at a young age, fear. I remember late nights watching the Crypt Creeper give one liners followed by a howling cackle. It was delightfully goofy and spooky. So, I set forth to tell stories of my own, trying to frighten my younger brother with scary, campfire-style tales, writing and drawing comics (typically of a mouse engineering silly contraptions to access various cheeses around a kitchen, generally all ending with “SUCCESS!”), and, most importantly, reading.



How do you celebrate when you finish writing a new book?


The Wishing Well was my first book, and as such my first opportunity for celebration. We rented the upper-half of a downtown bar to do a combination book launch and Halloween party. I did some book signings and sales but it was mostly a celebration of my debut. We played horror-themed party games, ran a raffle with four prize baskets, each containing book/horror-related items, and we even had a bartender who was herself a published author (through HarperCollins, no less). It was a wonderful time. I think the horror-themed celebration worked so well, I’d love to make it a recurring event!



If you could spend the day with another author, who would you choose and why?


H.G. Wells. With neither reservation nor doubt, it would be the man so many consider the father of science fiction. He was the first author whose writing demanded I explore the rest of his bibliography. He was a genius and true master of the craft, even prophetic in his writing. Oh, if I could spend a day his pupil, or even just learning how in the world the man came to be so imaginative that he conceived inventions and sociocultural changes so far beyond his time.



What are some of your favorite websites or social media platforms?


There was roughly a 10-year stretch during which Reddit was the only social media I was really using. I prefer being able to filter the content I’m consuming through specific subreddits rather than being exposed to everything everywhere all at once. However, I am now on an uphill journey trying to learn other platforms as I establish an online presence as an author. It has been grueling. I really struggle with self-promotion, as it has always felt to me like I’m gathering friends and family in my living room to discuss tupperware, especially as I focus on my own website and blog. I’m seeing a lot of great people in online book communities, though, like TNBBC. I had no idea there was such support for indie authors, and it has really made the post-publication plight feel a little less daunting.



What are some of your favorite books and/or authors?


H. G. Wells was my first favorite writer. I absolutely devoured his works early on, with particular appeal for The War of the Worlds and The Country of the Blind.

1984, which I first read fairly young. It was the first book that ever had a perception-altering, emotional impact on me. Oddly, I did not have the same interest in Animal Farm, possibly due to having read it so much later in life.

Stephen King's Dark Tower series, particularly the third and fourth books, was the only literature that affected me like 1984 had. What a journey. So many sleepless school nights.



What is your favorite book from childhood?


From my early childhood, the book that truly hooked me was Bruce Coville’s The Dragonslayers. I was fascinated by dinosaurs and dragons, that even as a child I had aspirations of becoming a paleontologist; and not the fun aspirations of a child. I would actually spend hours in front of the television watching videos on paleontology, of adults digging around in the dirt and dusting rocks, of monotone discourse. And as I was obsessed with dinos, I was equally obsessed with dino-like things: reptiles, dragons, and Godzilla. Thus, The Dragonslayers and its wonderful illustrations immediately caught my eye in the school library and became a childhood obsession.



What are you currently reading?


I recently finished Mary Shelley’s Frankenstein in preparation for Guillermo Del Toro’s adaptation. Admittedly, this was my first time reading it. I’m a big fan of the Romantic era of the arts. I love the music and the writing, particularly that of Chopin and Dumas, respectively. Needless to say, I was totally captured by Shelley’s writing. Sincerely, I was engrossed. And I frequently found myself asking why a more faithful adaptation of such beautiful writing, of such profound reflections on human nature and the clashing of Romanticism and Enlightenment had yet to be translated to film. But, perhaps some things cannot adequately move from text to screen.



Do you read the reviews of your books or do you stay far far away from them, and why?


For now, I am reading the reviews. The Wishing Well is my debut work and I want to see what did and did not work for its readers so that I may learn and adjust as I write the second volume.

I see a lot of discussion about reviews in author forums. I think the “Don’t read the reviews” advice is pretty conditional. If an author is unable to navigate critical or even unfair reviews, they would likely be better off avoiding them altogether. I’m reminded of my time working crisis response at an adolescent psychiatric residential treatment facility. It’s hard not to personalize the rough reactions and bad words and overall negativity. But it’s often not about you. Someone can dislike the work without necessarily disliking the person behind it. I think the authors that successfully explore their reviews are the ones that understand the reader is not giving direct feedback to them, but rather expressing their opinion to other readers. Authors are human, though, and the bad reviews will sting and the curiosity will force our eyes to seek them out.



If you were stuck on a deserted island, what’s the one book you wish you had with you?


FM 21-76. It is the Army field manual on survival, and a great toilet read. It is honestly an excellent tool for writers. There is, in the physical publication I own, a section on the “psychology of survival,” which discusses stress and the natural reactions to it, which can be applicable to almost any story with conflict. More importantly, for this scenario, it has full breakdowns on surviving both the open sea and seashores, tropical environments, building shelters, securing food and water, signaling for help. I can’t think of a better book to have in this situation.



What is under your bed?

The same things that reside under every bed: the boundless possibilities that exceed even our fear-driven imaginations; the things beckoned by darkness that only daylight can banish; hands awaiting ankles; eyes awaiting eyes. And sometimes my cats when the smoke detector goes off.


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Released October 26th

Signed copies as well as other purchase options can be found here

 

Step into The Wishing Well, where your deepest desires are granted … and your soul is forfeited.

A horrifying collection of interconnected tales, The Wishing Well centers around an ever-shifting, unearthly bar where desires are commodities and the price is everything. Each story follows a different patron, driven by want, ambition, or desperation, who casts a wish into the bar’s namesake.

Join our patrons as they discover this well is less a cheap gimmick and more a dark conduit for twisted fulfillment, revealing the true horror of getting exactly what you wished for.

In this malignant mess of the macabre you’

Meet “The Captive,” a man who’d do anything to escape his past and present. Anything …

Join a young student who hopes to find happiness once again with a little help from “The Substitute.”

Take a dip in “The Lake” for rest, relaxation, and a final, permanent reprieve.

From a woman’s late-night visit by “The Creeper” to a child’s Christmas visit by something not quite Santa in “The Unholy,” these nine creepy cocktales are served neat by newcomer Christopher Ruíz.

What do you desire? The Wishing Well has what you need …

Thursday, December 4, 2025

The 40 But 10: Molly Gaudry

 



I've pulled together 40ish questions - some bookish, some silly - and have asked authors to limit themselves to answering only 10 of them. That way, it keeps the interviews fresh and connectable for all of us!


Today we are joined by Molly Gaudry. Molly is the author of the verse novel We Take Me Apart, which was a finalist for the Asian American Literary Award and shortlisted for the PEN/Osterweil. Desire: A Haunting, its sequel, and Fit Into Me: A Novel: A Memoir, are further explorations of the same storyworld and characters. An assistant professor at Stony Brook University, she teaches nonfiction and poetry in the BFA and MFA programs. Summers, she teaches fiction at the Yale Writers’ Workshop.




Describe your book in three words.

 

And so on.[1]

 

 

Describe your book poorly.

 

My first two books were verse novels, my new one is a memoir-in-essays with a novel-in-progress inside it, and hundreds of literary quotations collaged throughout.[2]

 

 

Would you and your main character get along?

 

Yes, because I used to think I sewed us together at the edges with my own hands, pulled the stitches tight and I could unpick them any time I wanted. Now I think it always ran deeper than that and farther, underground; out of sight and way beyond my control.[3]

 

 

What would you do if you could live forever?

 

Read, most likely, because, well, this is what I am already imagining for an immortal character in my current work-in-progress: By now, Beauty has spent nearly two centuries, total hours tallied, curled on a velvet divan beneath a tall stained-glass window, reading her way through the endless shelves of books in the castle’s great library. This library, it should be noted, is home to every book that has ever been written and every book that has yet to be written, so when the Queen declares their story should be recorded for posterity, Beauty, who has already read it—has read dozens of Aarne-Thompson-Uther type 425C stories and novels, not to mention hundreds of ATU type 402 and 425A animal bride and bridegroom variants—sends at once for me, the author. Well, not exactly the author, because there are too many to count, really, but suffice to say that I am the author of Beauty’s favorite version, which, as you will see in the pages that follow, is a retelling of my favorite version: Madame Gabrielle-Suzanne Barbot de Villeneuve’s The Story of Beauty and the Beast, first published in 1740.[4]

 

 

Do you DNF books?

Absolutely, because grown-ups shouldn’t finish books they’re not enjoying. When you’re no longer a child, and you no longer live at home, you don’t have to finish everything on your plate. One reward of leaving school is that you don’t have to finish books you don’t like.[5]

 

 

What’s the one book someone else wrote that you wish you had written?

 

Jhumpa Lahiri’s Whereabouts, because I’ve never stayed still, I’ve always been moving, that’s all I’ve ever been doing. Always waiting either to get somewhere or to come back. Or to escape.[6]



What’s the single best line you’ve ever read?

 

This one, from Raven Leilani’s Luster: Slowly, he eases me down onto his grand, slightly left-leaning cock, and for a moment I do rethink my atheism, for a moment I consider the possibility of God as a chaotic, amorphous evil who made autoimmune disease but gave us miraculous genitals to cope, and so I fuck him desperately with the force of this epiphany and Eric is talkative and filthy but there is some derangement about his face, this pink contortion that introduces the whites of his eyes in a way that makes me afraid he might say something we cannot recover from just yet, so I cover his mouth and say shut up, shut the fuck up, which is more aggressive than I would normally be at this point but it gets the job done and in general if you need a pick-me-up I welcome you to make a white man your bitch though I feel panicked all of a sudden to have not used a condom and I’m looking around the room and there is a bathroom attached, and in the bathroom are what look to be extra towels and that makes me so emotional that he pauses and in one instant a concerned host rises out of his violent sexual mania, slowing the proceedings into the dangerous territory of eye contact and lips and tongue where mistakes get made and you forget that everything eventually dies, so it is not my fault that during this juncture I call him daddy and it is definitely not my fault that this gets him off so swiftly that he says he loves me and we are collapsing back in satiation and horror, not speaking until he gets me a car home and says take care of yourself like, please go, and as the car is pulling away he is standing there on the porch in a floral silk robe that is clearly his wife’s, looking like he has not so much had an orgasm as experienced an arduous exorcism, and a cat is sitting at his feet, utterly bemused by the white clapboard and verdant lawn, which makes me hate this cat as the city rises around me in a bouquet of dust, industrial soot, and overripe squash, insisting upon its own enormity like some big-dick postmodernist fiction and still beautiful despite its knowledge of itself, even as the last merciless days of July leave large swaths of the city wilted and blank.[7]

 

 

If you were stuck on a deserted island, what’s the one book you wish you had with you?

 

Gabriel García Márquez’s One Hundred Years of Solitude, because they went into José Arcadio Buendía’s room, shook him as hard as they could, shouted into his ear, put a mirror in front of his nostrils, but they could not awaken him. A short time later, when the carpenter was taking measurements for the coffin, through the window they saw a light rain of tiny yellow flowers falling. They fell on the town through the night in a silent storm, and they covered the roofs and blocked the doors and smothered the animals who slept outdoors. So many flowers fell from the sky that in the morning the streets were carpeted with a compact cushion and they had to clear them away with shovels and rakes so that the funeral procession could pass by.[8]

 

What are you currently reading?

 

Mariana Leky’s What You Can See from Here, because while I was considering what to do next, I noticed I was holding a butter knife as I stood in front of the bookshelf that had not been unpacked for eight years. I cut open the packaging. The assembly instructions included twenty-six steps, but I still gave it a try. And while I was assembling the bookshelf, I thought of Frederik’s letter in which he’d asked what real life was in my opinion. I thought of Martin and the fogged-up window he had leaned against with his eyes closed in intense concentration, also of the strand of hair on his head that never stayed combed down. I thought of Elspeth’s hydrangea-like swim cap, of Mr. Rödder’s breath that smelled of violets, of Selma’s old skin that looked like bark. I thought of the table in Alberto’s ice-cream parlor at which I’d been rewarded with a small Secret Love the first time I read the sugar packet horoscope aloud by myself. I thought of Alaska and how he lifted his head when we left a room, how he weighed whether it was worth getting up and coming with us, and how he usually decided it was. I thought of the optician, who, all his life, was always ready to help others. I thought of Palm, of Palm’s wild eyes when I was young, and of Palm now, how he nodded and said nothing, nodded and said nothing. I thought of the station clock, under which the optician taught us to tell time and about time zones. I thought about all the time in the world, all the time zones I’d had anything to do with, and of the two watches on my father’s wrist. That’s real life, I thought, the whole expanse of life, and after the seventh point in the instruction manual, I crumpled it up and kept assembling without it.[9]

 

 

If you could time travel, would you go back to the past or forward into the future?

 

Neither. I would get stuck in a time loop and happily stay in it until I finished my next book, which is a scenario I have already considered and written in The Time Loop: A Speculative Memoir: A Novel, which is currently on submission.

 

 

 

NOTES



[1] Kurt Vonnegut, Slaughterhouse-Five: A Novel (New York: The Dial Press, [1969] 2009), 1.

 [2] Molly Gaudry, interview by Robert Lopez, “Beyond the Trilogy: Robert Lopez and Molly Gaudry on Writing Interconnected Books that Defy Expectations of Traditional Series,” Vol. 1 Brooklyn, November 14, 2025.

 [3] Tana French, The Likeness (New York: Penguin Books, 2008), 3.

 [4] From the chapter, “Concerning the Story of Beauty & the Beast, and the Queen, and Me,” which opens my current work-in-progress, Finding Beauty: On Love, Death, and Gabrielle-Suzanne Barbot de Villeneuve’s ‘The Story of Beauty & the Beast.’

 [5] John Irving, interview by Ron Hansen, “John Irving, The Art of Fiction No. 93,” The Paris Review 100 (Summer–Fall 1986).

[6] Jhumpa Lahiri, “Nowhere,” Whereabouts, trans. Jhumpa Lahiri (New York: Alfred A. Knopf, 2021), 153.

[7] Raven Leilani, Luster (New York: Picador, 2020), 40–41.

[8] Gabriel García Márquez, One Hundred Years of Solitude, trans. Gregory Rabassa (New York: Harper Perennial Modern Classics, 1998), 153.

[9] Mariana Leky, “Meadow, Meadow,” What You Can See from Here, trans. Tess Lewis (New York: Picador, 2022), 263–64.

 

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 December 9, 2025


In her most innovative book yet, Molly Gaudry embarks on a search for belonging amid loss, framing her memoir around a fictional narrative featuring the tea house woman—a character who appeared first as bride-to-be and then as widow in her earlier books. As Gaudry grapples with traumatic brain injury, family secrets, repressed memories, and the job market in her essays, the tea house woman goes on a parallel quest of identity and desire. Gaudry also delves into literature as guide and comfort, using the words of authors as wide-ranging as Sappho, Nathaniel Hawthorne, Marguerite Duras, and Jose Saramago to form yet another text within a text. Artfully braided into a hybrid-genre tour de force, the many strands of Fit Into Me: A Novel: A Memoir ask: to what extent can a fiction reveal more about an author than nonfiction?

 

As the tea house woman manages a mercurial lover, a family business, and caring for her dying father during the winter holidays, Gaudry, too, reflects on some of her own challenges: relearning, post-skating injury, to read and write while in the midst of earning a PhD; questioning her loneliness, desires, and ability to connect; wondering what it would be like if her biological brother flew in from Korea to inform her that their father has died; and navigating her identity as a transnational adoptee. Each essay in Fit Into Me, the memoir, is a testament to resilience, and as those true stories merge with Fit Into Me, the novel, they reveal how literature can become a lifeline that guides us back to ourselves.


Tuesday, December 2, 2025

Blog Tour: Dark Matter

 


We're happy to help Meerkat Press support the release of their latest title, Kathe Koja's Dark Matter, the final book in the Dark Factory Trilogy, by participating in their blog tour. 


We're thrilled to have Kathe Koja hanging with us today, giving us a sneak peak into Page 69 of Dark Matter. 

Kathe Koja’s books include The Cipher, Skin, straydog, Buddha Boy, Velocities: Stories, Under the Poppy, and the Dark Factory trilogy, Dark Factory, Dark Park, and Dark Matter. Her work has won awards, including the Stoker, the Shirley Jackson Award, and the ASPCA’s Henry Bergh Award. She also creates and produces live and online experiences that bring the story directly to you. Find her at kathekoja.com and on IG, FB and Bluesky.

Check it out: 





Set up page 69 for us.

 The driving engine of Dark Matter is the compelling and combustible Bunny Graves, who laces up her spike-heeled boots and goes after whatever she wants, while keeping her own background secret. On page 69 she’s busy musing over her last lunch with Felix Perez—a gifted DJ who literally brought the house down at a rave—because Felix is married to the man Bunny wants to annex, event producer par excellence Ari Regon, whom Bunny recognizes as a force of nature just as she is. By asking questions and listening, listening, listening, Bunny’s learning more about Felix, so she can use that knowledge to pry Ari away, and involve him in her own explosive plans.

 

What is the book about?

 Dark Matter is about connection, how we find, or don’t find, the people we really need, how we struggle to connect through chaos, jealousy, loss, whatever life throws at us, no matter how dark it all gets. Bunny and Felix both prize connection with Ari, Ari seeks connection with the world itself. And Ari’s friend Max, the gaming guru, finally admits he truly needs that connection, when he meets the quiet genius Charmskool.

 Dark Matter is the third book in the Dark Factory series, and each book blends and interacts with the others, and with the Dark Factory site as well. The story takes place in all those places, in the art, the videos, everything shared by its readers, everything’s there for the reader to interact with—and an ongoing invitation to add to that story, too.

 

Do you think this page gives our readers an accurate sense of what the novel is about? Does it align itself with the novel’s theme?

Oh it does—everything that happens on this page links, like life does, to everything else these characters do, what they want, how they navigate their relationships, the mistakes they’re about to make . . . Makes me wonder what our own page 69 would say, if our lives were novels (and maybe they are!)



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PAGE 69


Page 69 – DARK MATTER

 

She had asked Felix, finally, about the Jericho set, as they sat in late afternoon shadow on some restaurant’s walled-in patio, over the dregs of a salad niçoise and shaobing bread and a bottle of overpriced Riesling. At first he was quiet, then What was it like? he said. The whole place was moving, I was making it move, the people, walls, all of it. I wasn’t even wearing the mask that time, the Mister Minos face, does Felix still have that, is it lost somewhere or trashed? And they never wanted me to stop, Alaine didn’t want me to stop—

Then why did you?

I had to.

Why did you have to?

I couldn’t handle it then, picking up the bottle, refilling their glasses. Let’s finish this off.

But that opened him, finally, to talk about his music, how he studies the power of polyphony, acoustic ecology and musique concrète, the subtle body and the autonomic nervous system and the way sound releases dopamine and serotonin, how certain frequencies can change perception, change behavior, simulate the effects of nitrous oxide and regulate vascular function, and There’s this surgeon, he said, Dr. Ibrahim Abra, he uses music in the ER instead of anesthesia.

And his twin sister is a tournament backgammon player. Razia Abra.

Seriously? you know her? Did you ever play her?

No. I never played tournaments, only money games.

What’s a money game?

I’ll show you sometime.

Only now there is no more time, Ari is in a hurry, so “Expedite,” she says, and the car accelerates, past rowhouses and bodegas, people queueing, walking, hurrying, even stressed and diminished this is still a real city, Ari and Felix have never lived in a place like the place they will live in now. But she knows exactly what it will be like there, a shitty town with a shitty language no one speaks, bad roads and iffy grid access, at least two overpriced state liquor shops and a very old church with a Virgin on top, like the towns around the shrine—



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December 2, 2025

Speculative Fiction | LGBTQ

Meerkat Press | Bookshop.org   | Amazon





When the world ends, chaos begins–

–for feral Bunny Graves, playing life like a high-stakes game, where the only way to win is to smash the board to bits–

–for Max Caspar and Charmskool the scholar, chasing ancient myth all the way to the real world–

–and for Ari Regon, caught between dangerous jealousy and passionate love, corporate war and ambition so intense that failure is death, making the party to end all parties, a party that never ends.

Dark times.

Dark dreams.

DARK MATTER

The third and final book in the DARK FACTORY series.